Emmy Kegler has a complicated relationship with the Bible. As a queer woman who grew up in both conservative Evangelical and progressive Protestant churches, she knows too well how Scripture can be used to wound and exclude. And yet, the stories of Scripture continue to captivate and inspire her - both as a person of faith and as a pastor to a congregation. So she set out to fall in love with the Bible, wrestling with the stories inside, where she met a God who continues to seek us out - appearing again and again as a voice, a presence, and a promise. 

We live in a world that demands relentless perfection. Happy marriages and easy friendships. Bucket list–level adventures and matching family photos. But what if our actual lives don’t feel very #blessed? Might our everyday existence be worthy of a blessing too? Even an average Tuesday?

Drawing on the author's experience as a mother walking with and learning from her own transgender child, as well as working with hundreds of families across the country doing the same, this book helps parents navigate the emotional, spiritual, and logistical landscape of raising a gender-diverse child.

Kate Bowler is a professor at Duke Divinity School with a modest Christian upbringing, but she specializes in the study of the prosperity gospel, a creed that sees fortune as a blessing from God and misfortune as a mark of God's disapproval. At 35, everything in her life seems to point toward "blessing". She is thriving in her job, married to her high school sweetheart, and loves life with her newborn son. Then she is diagnosed with stage IV colon cancer.

Many First Nations tribes communicate with the cultural and linguistic thought patterns found in their original tongues. The First Nations Version (FNV) recounts the Creator's Story—the Christian Scriptures—following the tradition of Native storytellers' oral cultures. This way of speaking, with its simple yet profound beauty and rich cultural idioms, still resonates in the hearts of First Nations people. Whether you are Native or not, you will experience the Scriptures in a fresh and new way.

Author Sarah J. Hauser believes that while our outward lives are falling apart, our inner lives can grow stronger. All Who are Weary was born out of Sarah’s own story—her depression, grief, and tears. Sarah, no stranger to weariness, invites us to join her in bringing our heavy burdens to Jesus and taking the light burden he offers instead.

Children who are introduced to God, through attending church or having loved ones who speak about God, often have a lot of questions, including this ever-popular one: What is God like? The late Rachel Held Evans loved the Bible and loved showing God’s love through the words and pictures found in that ancient text. Through these pictures from the Bible, children see that God is like a shepherd, God is like a star, God is like a gardener, God is like the wind, and more. God is a comforter and support. 

If the Bible isn’t a science book or an instruction manual, then what is it? What do people mean when they say the Bible is inspired? When Rachel Held Evans found herself asking these questions, she began a quest to better understand what the Bible is and how it is meant to be read. What she discovered changed her—and it will change you too.

Drawing on the best in recent scholarship and using her well-honed literary expertise, Evans examines some of our favorite Bible stories and possible interpretations, retelling them through memoir, original poetry, short stories, soliloquies, and even a short screenplay. Undaunted by the Bible’s most difficult passages, Evans wrestles through the process of doubting, imagining, and debating Scripture’s mysteries. The Bible, she discovers, is not a static work but is a living, breathing, captivating, and confounding book that is able to equip us to join God’s loving and redemptive work in the world.

If you want to understand the Black experience in the US, you must understand hip-hop, and Psalms of My People is your guide. Treating hip-hop like sacred scripture, lenny duncan traces its history—the artists, their lyrics, and the cultural context—to reveal its role as a conduit to tell the modern story of Black liberation in this country, following the bloody trail from the end of the Civil Rights Era through the day George Floyd was sacrificed on the streets of america.

For years, Elle Dowd considered herself an advocate for justice, but her well-meaning support always took a back burner to what Martin Luther King Jr. called the tension-free, ordered "negative peace" of white moderates. Then Michael Brown, a Black man, was murdered by a white police officer in Ferguson, Missouri, and the subsequent uprising changed everything.