As a lady’s maid/bodyguard to royalty, Miss Sharp’s duty seems clear: Protect Princess May, defuse the bomb, and hand over the would-be-killer to the police. At least, that’s what the distractingly good-looking Inspector Short advises. But Liz isn’t so sure.

A killer stalks the grimy streets of Whitechapel — but Scotland Yard seems determined to turn a blind eye. With one look at her best friend's corpse, Liz Sharp already knows the truth: the killer is a werewolf. No one important will hold a werewolf accountable — after all, the monsters rule Europe. Certainly, no one will believe a werewolf victim like Liz: the very scars that make her determined to investigate Sal’s death also condemn her as the sort of female who’d sell her blood for easy money.

The family gathers at Mireworth for their first Christmas, and Hannah is determined to unravel the secrets within its walls. Why did Wycliff's ancestor hide the tower, and what grip did the long-ago shadow-mage cast over his family? With Barnes as her assistant, Hannah sets out to discover the truth. 

One of London's most recognisable Afflicted is erased from the earth in a fiery way. Whispers spread that a hellhound prowls the streets, snatching the lost souls who have escaped the afterworld. Except, Wycliff is doing no such thing - could there possibly be another such creature in London?

Agatha Woosmoss, the Wallflower, is the greatest intelligencer of her generation. And no one knows she exists. Her greatest skill is in her ability to go forever unnoticed. Except by one man. Pillover Plumleigh-Teignmott is a professor of ancient languages at Oxford University. He’s tried to ignore his training as an evil genius and live a quiet life away from politics and intrigue. When an assignment goes horribly wrong, Agatha must hide and heal. So she goes to ground with the only person who’s always kept her safe: Pillover. 

The first female magic user to reach adulthood in England for centuries, Seraphina Winyard is viewed as a freakish chattel by some…and by others as a danger that must be erased from history. Held captive and humiliated like a performing animal, she cannot dream of a future, and has no hope in the present. Until she escapes. When her former guardian is murdered, suspicion falls on Seraphina. Aided by the brilliant surgeon Hugh Miles, she must discover how to wield her power to find the true murderer before her leash is replaced by a noose.

Hannah and Wycliff arrive at his ancestral estate in Dorset as tragedy strikes the coastal village. A young woman has lost her life to the tempestuous ocean, but only Hannah suspects the woman's death is anything but a horrible accident. As Hannah learns more about life in the close-knit community, she discovers two other women lost their lives to the sea. Or did they?

G'day. I'm not really a pet anymore, but you might as well keep calling me Pet. It's not like I'm gunna tell you my name anyway. And if I sound stroppy, well, I am. First, I was threatened. Now, someone has cut off my house from the human world and left my emotional support vampire on the human side. On the inside, it's just me and an emotionally compromised fae; outside, a closed arena in the world Behind, where everyone is out to kill us and a few of that everyone might actually be capable of it.

Being popular is such a drain.... Someone is supping upon young noblemen, and it's up to Hannah and Wycliff to investigate. But how to catch the killer? If it is indeed a vampyre, known for their impeccable fashion sense, nocturnal roaming, and dislike of rain...it could be anyone among dozens of fops and dandies. With her best friend's wedding imminent, Hannah is determined that the event be untouched by murder or mayhem. To ensure a magical fairy-tale event, they must catch the murderer before the big day. 

Studying mathematics and writing papers on economic theory in an effort to fix her people’s financial woes? Her father has forbidden it. With war on the horizon, they must focus on the immediate threat. Reluctantly, Aldari agrees to marry a prince in a neighboring kingdom to secure an alliance her people desperately need. All is going to plan until the handsome elven mercenary captain hired to guard her marriage caravan turns into her kidnapper. His people are in trouble, and he believes she has the knowledge to help.

The Scions of the House of Werth are all born normal. It is what happens afterwards that sets them apart. It is not easy being the most supernatural family in England. Nell talks to the dead; Lord Werth is too often to be found out in the churchyard at the dead of night; and the less said about Lord Bedgberry, the better. Only Miss Gussie Werth has missed out on the family curse.

A new unnatural horror is about to rattle Hannah Miles' quiet existence, and it's not the short-tempered viscount prowling the hallways. Someone is creating a monster by stitching together pieces of different people. When a limb makes an escape attempt, Viscount Wycliff is called to investigate. All of London knows there is one mad scientist among them capable of creating such an ungodly monster...Sir Warren Miles.

I'm not supposed to push through the boundaries of reality without supervision. I'm definitely not meant to drag a cop Between with me. But stuff happens, you know? Hi. I'm Pet. Well, not Pet, exactly. I am a pet. Nothing too hard; I just cook and clean for the Behindkind who took over my house. Easy. But now one of my owners has gone missing. He's fae, so it shouldn't worry me, but if there's something out there that can kidnap fae, I don't wanna meet it. Good thing I've got another two owners and a spare cop up my sleeve....

What is a maiden to do when her prince is not a prince, her hair won’t stop growing, and someone has cursed her to sleep for 300 years? In Polyhymnia’s case, it seems expedient to get up with the help of a kiss or two, trailing her hair behind her, and find out who did it. Nothing quite works out as planned, however, and Poly can’t be sure if that’s because she never seems to be able to remember things like the mysterious spindle that keeps showing up around her, or if it’s the fault of the wizard who woke her but never stops long enough to explain anything.

Hannah Miles navigates the etiquette of monster hunting through the parlours of a magical Regency England. This collection contains: Manners and Monsters, Galvanism and Ghouls, and Gossip and Gorgons.