Sarah Dunant

Acclaimed novelist of the Italian Renaissance Sarah Dunant now takes on the era's most infamous family: the Borgias. By the end of the fifteenth century, the beauty and creativity of Italy is matched by its brutality and corruption, nowhere more than in Rome and in the Church. When Cardinal...

Alessandra is not quite fifteen when her prosperous father brings a young painter back from Holland to adorn the new family chapel. Fascinated by his ability she is lured into closer involvement. On the streets of Florence she observes a terrible evil stalking the city and a fiery priest, who...

One of the Sunday Times's Top Fifty Summer reads - 'Extravagant portrait of . . . power and decadence' In the Name of the Family - as Blood and Beauty did before - holds up a mirror to a turbulent moment of history, sweeping aside the myths to bring alive the real Borgia family; complicated...

From the acclaimed author of The Birth of Venus and In the Company of the Courtesan comes a vibrant exploration of the Italian Renaissance through the character of Isabella d’Este, the first female art collector and patron of her time.

1527. While the Papal city of Rome burns, two of her most interesting and wily citizens slip away. Though almost as damaged as their beloved city, Fiammetta Bianchini and Bucino Teodoldi - a fabulous courtesan and her dwarf companion - are already planning their future. They head for the...

'The pre-eminent novelist of Renaissance Italy' S. J. PARRIS, OBSERVER 'Dunant triumphs, like all good novelists: in a deft, shrewd, precise use of killer detail' CHRISTOBEL KENT, GUARDIAN 'She writes like a painter, and thinks like a philosopher . . . A tour de force of storytelling' AMANDA...

Rom, im August 1492. Schon am frühen Morgen ächzt die Stadt unter der Gluthitze des Sommers. Der Lärm in der engen Gasse lässt Lucrezia...

'Simply amazing, so brilliantly written . . . almost intolerably exciting at times, and at others, equally poignant' ANTONIA FRASER 'A beautiful serpent of a novel, seductive and dangerous . . . consumes utterly - but the experience is all pleasure' SIMON SCHAMA 'She writes like a painter, and...