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England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need, comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.

A tour-de-force of historical imagination, this is the story of three young men at the dawn of the French Revolution. Georges-Jacques Danton: zealous, energetic, debt-ridden. Maximilien Robespierre: small, diligent, and terrified of violence. And Camille Desmoulins: a genius of rhetoric, charming, handsome, but erratic and untrustworthy. As these key figures of the French Revolution taste the addictive delights of power, they must also come to face the horror that follows.

England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith's son from Putney emerges from the spring's bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. 

By 1535 Thomas Cromwell is chief minister to Henry VIII, his fortunes having risen with those of Anne Boleyn, the king’s new wife. But Anne has failed to give the king an heir, and Cromwell watches as Henry falls for plain Jane Seymour. Cromwell must find a solution that will satisfy Henry, safeguard the nation and secure his own career. But neither minister nor king will emerge unscathed from the bloody theatre of Anne’s final days.

In Hilary Mantel's Wolf Hall trilogy, one of our very best writers brings the opulent world of the Tudors to bloody, glittering life. It is the backdrop to the rise and rise of Thomas Cromwell: lowborn boy, charmer, bully, master of deadly intrigue, and, finally, most powerful of Henry VIII's courtiers. But the bloody theatre of Cromwell's ascension will leave no one unscathed. This collection includes expertly adapted versions of Wolf Hall, Bring up the Bodies and The Mirror and the Light alongside The World of Wolf Hall.

England, the 1520s. Henry VIII is on the throne but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk and later his successor. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events.

From her unique childhood to her all-consuming fascination with Thomas Cromwell that grew into the Wolf Hall Trilogy, Hilary Mantel had a celebrated career as a novelist. Alongside this, she long contributed to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. This strand of Hilary's writing was an integral part of how she thought of herself. 'Ink is a generative fluid,' she explains. 'If you don't mean your words to breed consequences, don't write at all.' A Memoir of My Former Self collects the finest of this writing over four decades.

Opening with "A Second Home", in which Mantel describes the death of her stepfather, Giving Up the Ghost is a wry, shocking, and beautifully written memoir of childhood, ghosts (real and metaphorical), illness, and family. Finally, at the memoir's conclusion, Mantel explains how a series of medical misunderstandings and neglect left her childless, and how the ghosts of the unborn have come to haunt her life as a writer.

This sharp, funny collection of stories begins in the 1950s in an insular northern village 'scoured by bitter winds and rough gossip tongues.' The title story sees our narrator ironing out her northern vowels with the help of an ex-actress with one lung and a Manchester accent. In Third Floor Rising' she watches, dazzled, as her mother carves out a stylish new identity. With a deceptively light touch, Mantel locates the transforming moments of a haunted childhood.

By 1535 Thomas Cromwell, the blacksmith's son, is far from his humble origins. Chief Minister to Henry VIII, his fortunes have risen with those of Anne Boleyn, Henry’s second wife, for whose sake Henry has broken with Rome and created his own church. In Bring Up the Bodies, Hilary Mantel explores one of the most mystifying and frightening episodes in English history: the destruction of Anne Boleyn.

Alison Hart, a medium by trade, tours the dormitory towns of London's orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists....

This program is read by Ben Miles, who played Thomas Cromwell in the Royal Shakespeare Company adaptation of Wolf Hall and Bring Up the Bodies “[Ben] Miles’ charming, yet dastardly narration makes Cromwell an anti-hero worth rooting for no matter how hard you try not to.”—TIME on Wolf...

It is London, 1970. Carmel McBain, in her first term at university, has cut free of her childhood roots in the north. Among the gossiping, flirtatious girls of Tonbridge Hall, she begins her experiments in life and love. But the year turns. The mini-skirt falls out of style and an era of concealment begins. Carmel's world darkens, and tragedy waits in the wings.

A brilliant collection of short stories from the double Man Booker Prize-winning author of Wolf Hall and Bring Up the Bodies. Hilary Mantel is one of Britain’s most accomplished and acclaimed writers. In these ten bracingly subversive tales, all her gifts of characterisation and observation...

Evelyn and Muriel Axon, mother and daughter, lead a haunted existence. Objects of horror to their neighbours, they evade or terrorise any social worker who crosses their path. Inside their house, they pursue a covert persecution of each other, shrinking from the unseen occupants of their spare room. But change is in the air… Every Day is Mother's Day is a merciless comedy of colliding lives: of sex, death, madness, adultery and the social services.

A stunning collection of essays and memoir from twice Booker Prize winner and international bestseller Hilary Mantel, author of The Mirror and the Light In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, ‘I have no critical...

From the double Man Booker Prize-winner, a savagely funny tale that revisits the characters from the much-loved Every Day is Mother’s Day. Muriel Axon is about to re-enter the lives of Colin Sidney and Isabel Field. It is ten years since her last tangle with them, but for Muriel this is not time enough. There are still scores to be settled, truths to be faced and vengeance to be wreaked.

Ralph and Anna Eldred live in the big Red House in Norfolk, raising their four children and devoting their lives to charity. But the constant flood of 'good souls and sad cases' welcomed into their home hides the growing crises in their own family. From the violent townships of South Africa to the windswept countryside of Norfolk, this is an epic yet subtle family saga about what happens when trust is broken...

WINNER OF THE MAN BOOKER PRIZE WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR FICTION In inimitable style, Hilary Mantel's New York Times bestselling Wolf Hall is "a darkly brilliant reimagining of life under Henry VIII. . . . Magnificent." (The Boston Globe). The basis for the TV series...

England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army.