Video Game Art

This book is created for you, hard-working father who works at a corporate American job to pay the bills. You long to support your family composing music for film, TV, and video games. You get no joy or fulfillment from your work...this is a safe, “real” job. You complain to your wife every night about how you long for the day when you can support your family composing music for film, TV, and video games.

This is an excerpt from the book Creative Writing Career: Becoming a Writer of Movies, Video Games, and Books. This section comprises the entire section on video game writing, to include video game writer interviews, and is Part Five of the book.

Everyone wants to be a writer, and they want to know what they can do to make that dream come true. However, most aspiring writers do not understand how to position themselves so they are ready when presented with an opportunity. They identify themselves as writers but have no writing samples, or their websites and social media talk all about their paintings or music but say nothing of who they are as writers.

The Greatest Video Games of All Time is a comprehensive guide to the most influential and critically acclaimed video games in history. From the early days of Pong and Space Invaders, to the latest and greatest in modern gaming, this book covers it all. The book includes a list of top games that have defined the industry, pushed the boundaries of what was thought possible, and provided countless hours of entertainment to players around the world.

A thoughtful look into Uwe Boll’s 11 films inspired by and based on video games, Mat Bradley-Tschirgi’s The Films of Uwe Boll, Vol. 1: The Video Game Movies (2003-2014) takes a deep dive into one of Hollywood’s most notorious directors starting from House of the Dead all the way up to In the Name of the King 3: The Last Mission. Bradley-Tschirgi’s knowing critique brings listeners a new appreciation into Boll’s many celluloid ventures where pixels and cinema collide!

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"Pa-dum-pum-pa-dum-pum - PUM!" Super Mario Bros. for the NES contains some of the most recognizable tunes in popular culture, and yet it’s safe to say that only a handful of people have thought beyond the music’s entertaining surface. After all, what could possibly be art-worthy about an early Mario score? Or any early game sound for that matter? In search of answers to these questions, Andrew Schartmann takes us on a journey from the primitive "pongs" of arcade machines to the complex musical fabrics woven by composers of the NES era.