Science Journalism

Beginning with America’s first newspaper, investigative reporting has provided journalism with its most significant achievements and challenging controversies. In The Evolution of American Investigative Journalism, James L. Aucoin provides listeners with the first comprehensive history of investigative journalism.

In Why Journalism – Real News in an Age of Lies, Erik Fichtelius explores the media's role in defending truth in an era of misinformation. With democracy under threat worldwide, this book reveals the challenges faced by journalists as they navigate political pressures, digital disruption, and AI's impact on newsrooms. Drawing on five decades of experience, Fichtelius, one of Sweden's most respected journalists, delves into major global events, from Cold War smuggling operations to modern-day conflicts between the press and political powerhouses.

En este manual, René busca desarrollar en el comunicador la capacidad de asombrar al público y de transmitir la emoción de descubrir hechos extraordinarios de la ciencia y la tecnología. El autor busca fortalecer el papel clave en esta época de crisis de los periodistas de ciencia, al promover el pensamiento crítico y fundamenta- do de la sociedad.

¿Quién manda en España? ¿Por qué mandan los que ocupan puestos de poder en los ministerios, secretarías de Estado, direcciones generales? ¿Qué redes de intereses les unen entre sí? Más allá de las "puertas giratorias", unos grupos pequeños de altos funcionarios, personas vinculadas al poder real, sobre todo al económico, toman las decisiones y lo hacen sin responder ante los ciudadanos ni escucharles. Porque las élites de poder no se presentan a las elecciones ni defienden un programa electoral.

In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market.

Vividly capturing the heady times in the waning months of World War II, Ronald Weber follows the exploits of Allied reporters as they flooded into liberated Paris after four dark years of Nazi occupation. He traces the remarkable adventures of the men and women who lived, worked, and played in the legendary Hôtel Scribe, set in a highly fashionable part of the largely undamaged city. Press jeeps and trailers packed the street outside, while inside the hotel was completely booked with hundreds of correspondents.

In a near-future world where technology has not just reshaped society but rewired the very fabric of perception, a new form of journalism emerges, one that doesn't just report the truth but experiences it, transmits it, and makes it indistinguishable from reality itself. In Technesthesia, the boundaries between observer and participant dissolve as immersive media redefines memory, identity, and the very act of knowing. But as perception itself becomes a constructed experience, one question lingers: If the truth can be felt rather than proven, does it still matter if it’s real?

Writer and journo-tech pioneer Christine Marie Nielsen didn't think she'd be returning to her native city of Milwaukee (oft called the most segregated city in the US in terms of socio-economic and racial lines), but because of family income constraints and a resulting need to help her parents, she does. While there, she looks into systemic problems and what makes the city tick, but she also finds herself being pulled back into a cycle of poverty.