Periode Drama

Hardy's first major literary success, here brought to life by narrator Nathaniel Parker, is the story of the independent and spirited Bathsheba Everdene, who inherits her uncle's farm, the largest estate in the area. She surprises the villagers of Weatherbury by deciding to run it herself. Attracted to this bold young woman are three suitors all vying for her affections. They include the lonely gentleman-farmer Boldwood, the young and handsome but inconsiderate Sergeant Troy and the faithful shepherd Gabriel Oak.

England, 1903. Giles, the new Earl of Stainton, is struggling to bring his family's estate back to order after the death of his father, and he has little time to spare for his young pregnant wife, Kitty. She lives in fear of her mother-in-law, who won't give up the reins of the household. Will she ever truly be mistress of Ashmore Castle? Perhaps if her coming child is a boy, that will change the balance of power...

Orphan Victoria Carlton is brought up by her uncle to be a lady and make a good marriage. Yet, she is drawn to help the poor families in the slums, much to her family’s disgust. When her uncle dies suddenly, her cousins blame Victoria, and she is thrown out of the house with nothing. Victoria flees to the poor side of York to start again in a world that is full of perils.

Wentworth in Yorkshire was surrounded by 70 collieries employing tens of thousands of men. It is the finest and largest Georgian house in Britain and belonged to the Fitzwilliam family. England's forgotten palace, it belonged to Britain's richest aristocrats. Black Diamonds tells the story of its demise: family feuds, forbidden love, class war, and a tragic and violent death played their part. But coal, one of the most emotive issues in twentieth century British politics, lies at its heart.

On 21 January 1804, Anne Sharpe arrives at Godmersham Park in Kent to take up the position of governess. At 31 years old, she has no previous experience of either teaching or fine country houses. Her mother has died, and she has nowhere else to go. Anne is left with no choice. For her new charge—12-year-old Fanny Austen—Anne's arrival is all novelty and excitement.

Life is hard for the Fothergill family as they try to make a living on their Dale farm. Bob Fothergill has set his sights on buying his own farm instead of renting the one they currently hold. Sally, his teenage daughter, wishes her father would see that she could help more with the farm. Ben, their youngest, has no interest in farming so is ignored. Sally's mother makes do knowing her husband wants what's best for them. But when Bob decides to take a well-paid part-time job, it causes friction in the family, bringing tension to New Year’s Day, 1939. Ivy and Sally’s lives change.

Taking us behind drawing room doors and into high society ballrooms, The Game of Hearts follows six leading ladies and their family, friends, and contemporaries as they move from matchmaking to matrimony and beyond. Candid insights into the competitive world of the marriage mart; real stories of rakish husbands and rich heiresses; and true tales of lost and long-lasting love, reveal not just Regency courtship customs, but truly captivating lives. Author Felicity Day pieces together a rich and intimate view of this most beloved period of British history.

September 1939. Friends Maggie Shaunessy and Lizzie Taylor are heartbroken to be evacuated from their Liverpool homes to rural Yorkshire. Lizzie is sent to live with a vicar in the village of Gargrave while Maggie finds herself delivered by chauffeur to Hawith Hall and Lady and Lord Bradley. Both the hall and the vicarage are far different to what the girls are used to – and both are very homesick. Though Maggie finds friendship too in the form of Alice, a young servant at the hall who takes her under her wing. But change is coming to the Dales too.

George Bernard Shaw has been called the second greatest playwright in English (after William Shakespeare) and one of the inventors of modern celebrity as the most famous public intellectual of his time. Beginning in the 1880s, as a critic and as a playwright, he transformed British drama, bringing to it intellectual substance, ethical imperatives, and modernity itself, setting the theatrical course for the subsequent century. That his legacy endures 70 years after his death is testament to the prescience of his thinking and his prolific creativity.