Pakistan Fiction

Osama bin Laden is dead, and the sensational mission to the compound in Abbottabad is rightly hailed as a heroic Navy Seal operation. But is Al-Qaeda now stronger or weaker? A chance raid into Pakistani bandit country, Waziristan, throws up fresh intel that points to a new threat. Another warlord has emerged, a man who claims to be the brother of Osama bin Laden. Although unheard of in the West, murderous terrorists are about to follow his banner and launch a new jihad in their fanatical and never-ending religious wars. A conflict that threatens the peace and security of the world.

Mano Majra is a place, Khushwant Singh tells us at the beginning of this classic novel, where Sikhs and Muslims have lived together in peace for hundreds of years. Then one day, at the end of the summer, the 'ghost train' arrives, a silent, incredible funeral train loaded with the bodies of...

1947 ஆகஸட 14 & 15 - மறய பகஸதனககம இநதயவககம சதநதரம கடதத நளகள. இநதயவன சதநதரம, பல நற ஆணடகளக ஆஙகலய ஆதககதத எதரததப பரடய பலரத தயகததல கடததத. ஆனல பகஸதனன சதநதரம, இநதயப பரவன எனற பயரல லடசககணககன நம சநத மககளன உயரபபலகளன மல கடட எழபபபபடடத.

Kitne Pakistan? is a 2000 Hindi novel by Kamleshwar, a noted 20th-century Hindi writer. A pioneer of the Nayi Kahani (New Story) movement of the 1950s, and later a screenwriter for Hindi cinema, Kamleshwar’s novel, employing allegory and realism, deals with a vast expanse of human history, as it follows the rise of sectarianism, nationalism, Hindutva and communalism. Kitne Pakistan? casts doubts about the true motives of the people who make decision on behalf of and for common people, who throughout history have been bearing the brunt of their decision.

Meet Princess Zoya, a young girl with a big heart and even bigger speed! Born in the land of Pakistan, Zoya might seem like any other child, but she has a special gift—she’s the fastest person around!

These poems are English interpretations of poems originally written in Urdu and Punjabi. Interpretations are not translations. The interpretations capture the essence of the poem rather than the form and specifics of the original language.