Literary Humour

Ray is not a bad guy. He mostly did not cheat on his heavily pregnant wife. He only sometimes despises every one of his friends. And though his career as a freelance tech journalist is dismal and he spends his afternoons churning out third-rate listicles in his boxer briefs, he dreams of making a difference. But Ray is about to learn that his special talent is for making things worse.

Finbar Dolan is lost and lonely. Except he doesn’t know it. Despite escaping his blue-collar Boston upbringing to carve out a mildly successful career at a Madison Avenue ad agency, he’s a bit of a mess and closing in on 40. He’s recently called off a wedding. Now, a few days before Christmas, he’s forced to cancel a long-postponed vacation in order to write, produce, and edit a Superbowl commercial for his diaper account in record time. Fortunately, it gets worse....

Aaron thinks genre fiction is an affront to the fiction-writing craft. He often quotes the essayist Arthur Krystal, who says literary fiction "melts the frozen sea inside of us". Ironically Aaron doesn't seem to realize that he's emotionally frozen. The vivacious Laurie, lover of flamingo-patterned attire and all things hot pink, is the one person who might be capable of melting him.

The Floating Opera and The End of the Road are John Barth's first two novels. Both concern strange, consuming love triangles and the destructive effect of an overactive intellect on human emotions. Separately they give two very different views of a universal human drama.

In this brilliant mix of literary satire and crime caper, Frankie Abandonato, a small-time con man on the run, finds refuge by posing as V. S. Mohle - a famously reclusive writer - and teaching in a prestigious writing program somewhere in Texas. Streetwise and semiliterate, Frankie finds that being treated as a genius agrees with him. The program has been funded by Rex Schoeninger, the world’s richest novelist, who is dying. Buzzards are circling, angling for the remains of Rex’s fortune, and Frankie quickly realizes that he has been presented with the opportunity of a lifetime.

Von Andy Warhol entdeckt, als Stilikone und Talkgast verehrt, ist Fran Lebowitz in den USA eine Kultfigur. Mit der Netflix-Serie "Pretend It's a City" ihres Freundes Martin Scorsese wird sie weltweit gefeiert. Lebowitz' Ruhm begründet aber hat ihr Schreiben, das sie als ebenso aufmerksame wie weise Beobachterin der Menschen und ihres Alltags zeigt.

John Harmon returns from exile expecting to receive an inheritance, but knows that he must marry a stranger, Bella Wilfer, in order to collect. He fakes his own death and takes on a new identity in order to observe her first. Some of the memorable characters in this, the last completed Dickens novel, include Bella who, unlike other Dickens heroines, cannot be accused of unnatural virtue; the insolent barrister Eugene Wrayburn; the amiable Boffin; and the rascal Silas Wegg.

Cy Riemer is the patriarch of a successful and loving Chicago family. But not all is copacetic in Cy's world. The scientific newsletter he publishes is foundering financially, his ex-wife still relies on him for money and intimacy, and he can never seem to find the time or the wherewithal to relax. Much of Cy's stress is caused by the trouble he has with his brilliant and duplicitous son, Jack.

Alors qu’un typhon menace la baie de Hong Kong, la brigade policière de Jackie Thran encercle la cave à vin la plus sécurisée du monde, installée dans d’anciens bunkers de l’armée britannique. Un trio de braqueuses, aux agissements excentriques, s’y est infiltré et retient en otage l’impressionnant stock de M. Coetzer, estimé à trois cent cinquante millions de dollars…Revisitant avec brio les codes du film de braquage, Céline Minard signe un roman drôle et explosif, où la subversion se mêle à l’ivresse.

"Dans la liste des précautions oratoires, celle-ci occupe une place à part. Elle souhaite jouer la surprise par sa forme, une vulgarité appuyée qui aurait pour mission de gommer à l'avance le pire des soupçons : une pensée réactionnaire. L'interlocuteur ne doit pas se récrier avant la remarque promise. Mais une petite réticence aux commissures des lèvres signifiant "Toi, passer pour un vieux con !?" semble bienvenue. Elle était espérée."

Hear two hilarious but improbable letters, one from a very fed-up cat writing to her owner; the second, from a very worn-out husband who's tired of his wife and looking for some semblance of peace.