Horror Comedy Dark

There is a general belief that books give a wider room for imaginations - even wider than the room that watching a movie affords you, and truthfully so. These tales, when listened to in the dark, will leave you with much to imagine - an arm covered in goose bumps and the back of your neck with all the hackles on their ends. The curtains you see might not be curtains. The mirrors, too, might become home to many faces and the old man by the road might not be what you think he is. Welcome to the home of scary and macabre tales. 

Jaunty the Clown just wants to entertain families with lighthearted slapstick antics, but people think of clowns as terrifying, nightmarish creatures who hide in closets or under beds. When Jaunty, along with his fellow performers, are fired from the circus, they're told that the world just doesn't like clowns anymore. Still, clowns have to eat. And since these clowns don't eat children, to make ends meet they're eventually forced to take a job in a popular haunted attraction, the Mountain of Terror. But millions of oversized spiders are about to invade....

Patrick Bateman is 26 and works on Wall Street. He is handsome, sophisticated, charming, and intelligent. He is also a psychopath. And he is taking us to a head-on collision with America's greatest dream - and its worst nightmare...

Pandemonium: a twilight dimension of nightmare creatures, mythical beings, the undead, and everything in between. To Dead Jack, it’s hell sweet hell. In the first book of the series, the tortured, drug-addicted detective and his associate, the homunculus Oswald, face rogue leprechauns, ghost pirates, a sex-obsessed shark woman, sycophantic ghouls, an insecure fire demon, and a goateed maniac who calls himself the Duke of Pandemonium.

When horror writer Nick Steen gets sucked into a cursed typewriter by the terrifying Type-Face, Dark Lord of the Prolix, the hellish visions inside his head are unleashed for real. Forced to fight his escaping imagination - now leaking out of his own brain - Nick must defend the town of Stalkford from his own fictional horrors, including avascular-necrosis-obsessed serial killer Nelson Strain and Nick's dreaded throppleganger, the Dark Third.

Vampires have walked among us for thousands of years. These reanimated corpses survive by draining and consuming the blood of the living, and their threat to humanity cannot be ignored. Throughout the centuries, professors and peasants have offered their own vampire-fighting tips, but these were often old wives' tales, based more on superstition than on fact. Here, for the first time, is a comprehensive vampire-fighting guide for the 21st century.

This manual provides a review of the tactical combat advantages enjoyed by zombies and gives the listener a step-by-step guide to adopting them for him or herself. Have you wondered where the great military leaders of modern history have found their collective inspirations? Well look no further. It is the walking dead upon whom the most important tactical infantry innovations of the last three hundred years have been based.

A smash-hit reality show is offering a lifetime of luxury to the one person living the world's worst life, and now everyone is out to prove just how bad they've got it. Want in? All you've got to do is accept ocular implants that let the whole world see life through your eyes, 24 hours a day, seven days a week. Fortunately, there's still one person who hasn't lost faith in all humanity. The show's ever-smiling host is determined to wring some tiny bit of meaning out of this twisted competition and your unhappy existence.  

A woman wakes up, frightened and alone - with no idea where she is. She's in a room but it's shaking and jumping like it’s alive. Stumbling through a door, she realises she is in a train carriage. A carriage full of the dead. This is the Night Train. A bizarre ride on a terrifying locomotive, heading somewhere into the endless night. How did the woman get here? Who is she? And who are the dead? 

Quick, punchy, and unpredictable—the same goes for the novella as it does for its titular protagonist, Chuck Masters. Chuck thought he was the next big gift to cinema, but he has proven himself a raging disappointment to the craft and to his family. Chuck is finally ready to claim his glorious return to the spotlight … in the worst hotel imaginable. Ghosts! Frights! Craft services! Enter the world of the Royal Eugenia Hotel, and watch a Master at work. It might just be his last.

It is 1953, and Melbourne society is looking forward to coronation season, the grand balls and celebrations for the young queen-to-be. Tilly Dunnage is, however, working for a pittance in a second-rate Collins Street salon. Her talents go unappreciated, and the madame is a bully and a cheat, but Tilly has a past she is desperate to escape and good reason to prefer anonymity.

It would be easier for Thomas Mullen to move on from what he'd seen if Sarah stopped calling. It would be even better if she stopped appearing to him, and only him, to remind him of what he was powerless to stop. But months later, after Thomas loses his phone and the random woman who recovers it arranges to return it to him, his predicament intensifies. This woman tells him that while she's had his phone, his mother has called. His mother really needs him to call her back. And who is Sarah? 

Alison Hart, a medium by trade, tours the dormitory towns of London's orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists....

Life is hard. Change is difficult. But adjusting to being a ghost? Well, that is just darn near impossible. And Bridget Sway is struggling. It's not just the job, the uniform, the housemates, the rules, the community service. It's everything. And now she's facing a week-long group assessment to evaluate her adjustment.As if that isn't bad enough, some inconsiderate soul has shoved another dead ghost in her locker. Things are looking bleak for Bridget. If she fails the assessment, she'll be "re-educated."  

Haunted by Chuck Palahniuk is a novel made up of stories: 23 of them, to be precise. Twenty-three of the most horrifying, hilarious, mind-blowing, stomach-churning tales you'll ever encounter, sometimes all at once. They are told by people who have answered an ad headlined "Writers' Retreat: Abandon Your Life for Three Months", and who are led to believe that here they will leave behind all the distractions of "real life" that are keeping them from creating the masterpiece that is in them.

While on her daily walk with her dog in the nearby woods, our protagonist comes across a note, handwritten and carefully pinned to the ground with stones. Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body. Shaky even on her best days, she is also alone and new to this area, having moved here from her long-time home after the death of her husband, and now deeply alarmed. Her brooding about the note grows quickly into a full-blown obsession as she explores multiple theories about who Magda was and how she met her fate.

In the land of Lapvona, the lord of the land Villiam is cheating the local villagers of their food, their water, their livelihoods. Grotesque and ridiculous, he marries the pregnant and tongueless ex-nun Agata, whom he believes will make him God, and his son will be the second Christ.

Lydia is hungry. She's always wanted to try sashimi, ramen, onigiri with sour plum stuffed inside—the food her Japanese father liked to eat. And then there is bubble tea and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But Lydia can't eat any of this. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London—where she is living away from her vampire mother for the first time—is much more difficult than she'd anticipated.

In the aftermath of a family tragedy, an aspiring author is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds...and remembers.

I played all those cool video games. I watched all those movies. I even read the books. In most of 'em, the hero shoots the bad guys, drives a sweet car, never gets hungry, and always seems to get laid by the end. Yeah. Whatever. I gotta be straight with you about why I wrote this journal, and it comes down to one thing, the apocalypse kinda sucks. It doesn’t meet my expectations at all.