Fiction Realism

In a land where a ruthless goddess demands absolute devotion, Thalron Blackvein is cast into exile for a childhood misstep that nearly cost him his life. Left for dead, he survives twenty years in the wilderness, growing stronger and mastering dark magic. Armed with the knowledge of his ancestral powers, Thalron returns, determined to overthrow the goddess Valeria and free the realm of Valdrion from her oppressive reign.

Saffron finally has the one thing he's always wanted: a chance to attend school. To be able to do so alongside Prince Cylvan, even while glamoured as a high fey and pretending not to know one another, Saffron is eager to finally experience the education he's always dreamed of. But the expectations of being a perfect fey lord are suffocating enough, and are only made more difficult as the unfettered rowan magic in his body runs wild.

In einem entlegenen Shinto-Schrein nahe Tokio findet ein geheimnisvolles Ritual statt: Während der Neumondnächte darf ein einzelner Gast mit einer Kerze das Innere eines hohlen Baumes betreten – und an diesem Ort eine Erinnerung hinterlassen. Der junge Reito kennt das Geheimnis des Schreins zuerst nicht. Doch indem er beobachtet, welche Wunder des Nachts im Inneren des Baumes geschehen, erfährt auch er mehr über sich selbst, seine Herkunft und was es bedeutet, einer Familie anzugehören.

Es stimmt nicht, dass der Drache die Mädchen, die er sich holt, verspeist. Ganz gleich, was für Geschichten man sich außerhalb unseres Tales erzählen mag … Agnieszka liebt ihr Dorf und das Tal, in dem sie lebt. Doch jenseits des silbernen Flusses im Dunklen Wald lauert eine böse Macht. Nur der »Drache«, ein mächtiger Zauberer, kann sie unter Kontrolle halten. Dafür fordert er alle zehn Jahre ein Mädchen, das ihm dienen muss. Der Zeitpunkt der Wahl naht, und alle wissen, dass es Kasia treffen wird, Agnieszkas beste Freundin.

When Trisha Low moves West, her journey is motivated by the need to arrive “somewhere better” - someplace utopian, like revolution; or safe, like home; or even clarifying, like identity. Instead, she faces the end of her relationships, a family whose values she has difficulty sharing, and America’s casual racism, sexism, and homophobia. In this book-length essay, the problem of how to account for one’s life comes to the fore - sliding unpredictably between memory, speculation, self-criticism, and art criticism, Low seeks answers that she knows she won’t find.

Mit leichten Booten aus Schilf wagen sie sich auf den wilden Atlantik, um eine neue, sichere Heimat zu finden. Sie entdecken die Glücklichen Inseln. Der Roman schildert ihren Überlebenskampf, Seestürme, Vulkanausbrüche und verheerende Waldbrände. Aber es geht auch um Freundschaft, Liebe, Mord und Magie.

One war. One world. One woman. It all comes down to that. It always has. Genevieve Beaufont just never knew she'd decide the fate of the planet. Somethings are better left as a secret until the very end.

I've never been one to play by the rules. It's my world, my life and I do things my way. I see the way they stare at my body covered in tattoos and my lavender hair; I just don't give a damn. There is only one thing in this world that can get me fired up, that's screwing with my daughter. As a single mom, it's my job to protect her, fight for her. She is and will always be my top priority. So, when I get a call that she's in trouble at school, with a boy—no less, my claws are out and ready to strike. And the boy's father, some high society stockbroker, isn't about to deter me.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.

Dos escuelas de escritores hiperbreves luchan por hacerse con el dominio del género. Los fundadores de las escuelas son los gemelos Salazar, irremediablemente enfrentados por su ideología y por un odio fratricida. Es este libro se recogen las obras de los excéntricos o los desgraciados que formaron parte de una de estas escuelas. Fantasía, horror, ciencia ficción, noir y realismo mágico quedan miniaturizados en los cien microcuentos que recoge la antología.