Comic History

Experience history as a glorious and uproarious comedy of errors. Murderers, schemers, traitors, fools, thieves, oligarchs, and torturers make up the real history of Britain's "nobility" and their misdeeds, this Victorian bestseller was written by one of the founders of Punch narrated with wicked wit by Charles Featherstone.

Starting with the Civil War and cartoonist Thomas Nast, creator of the lasting images of Uncle Sam and Santa Claus, author Jeremy Dauber whizzes listeners through the progress of comics in the 20th century and beyond. Follow the history from the golden age of newspaper comic strips - Krazy Kat, Yellow Kid, Dick Tracy - to the midcentury superhero boom - Superman, Batman, Wonder Woman - and from the moral panic of the Eisenhower era to the underground comix movement; from the grim and gritty Dark Knights to the graphic novel’s rise.

Forget dusty textbooks and noble senators. The real history of Rome is a chaotic, blood-soaked circus of power-crazed maniacs, backstabbing politicians, and enough megalomaniacs in togas to outfit a farce.

The defining, behind-the-scenes chronicle of one of the most extraordinary, beloved, and dominant pop cultural entities in America’s history -- Marvel Comics – and the outsized personalities who made Marvel including Martin Goodman, Stan Lee, and Jack Kirby. “Sean Howe’s history of...

Step right up for the most uproariously irreverent chapter of Gilbert Abbott A’Beckett’s Comic History of England—where crowns are comedy props and history’s biggest egos trip over their own dogma!

Prepare for the most uproariously grim tour of Tudor England ever recorded! Gilbert Abbott A'Beckett's classic satire skewers the so-called "golden age" of English monarchy, revealing the Tudors as they truly were: a parade of tyrants, schemers, and royal disasters who treated their subjects like pawns in a deadly game of power.

The second in an uproarious, sardonic and incisive look through English history. In this volume, we discover the actions of the Normans and King Richard, giving clear reasons why we history should hold them in nothing but contempt. It also covers the signing of the Magna Carta, the first bill of rights in England, which came about because a powerless king tried to go to war, realised that he had no-one behind him, and was bullied into signing in order to not simply be executed.

Comic Book Women offers a feminist history of the golden age of comics, revising our understanding of how numerous genres emerged and upending narratives of how male auteurs built their careers. Considering issues of race, gender, and sexuality, the authors examine crime, horror, jungle, romance, science fiction, superhero, and Western comics to unpack the cultural and industrial consequences of how women were represented across a wide range of titles by publishers like DC, Timely, Fiction House, and others.

This work dissects the origin and growth of superhero comic books, their major influences, and the creators behind them. It demonstrates how Batman, Wonder Woman, Captain America and many more stand as time capsules of their eras, rising and falling with societal changes, and reflecting an amalgam of influences. The book covers in detail the iconic superhero comic book creators and their unique contributions in their quest for realism, including Julius Schwartz and the science-fiction origins of superheroes.

A NEXT BIG IDEA CLUB MUST-READ BOOK A groundbreaking new perspective on the moral mind that rewrites our understanding of where moral judgments come from, and how we can overcome the feelings of outrage that so often divide us "A riveting read. . . . Overturns widespread assumptions about...

Step into the madcap medieval world of A Comic History of England, Book IV, where Gilbert Abbott à Beckett turns the tumultuous era of Henry IV to Richard III into a sidesplitting spectacle!

In the third drily hilarious volume of A Comic History Of England, we move forward to the thirteenth century, when a succession of Edwards and Henrys gain the throne and immediately use it to steal everything they can from the population, in order to fund attempts to conquer France (or pay their debts from conquering England). Along the way we get the fabled Black Prince, one of the greatest battles in English history, a queen far more powerful than her king or sons, and a consideration of the manners and condition of the English period up to this point in the history.

A captivating, uproarious and informative journey through the beginnings of British history. Gilbert Abbott à Beckett was one of the great journalists of his time, being a descendant of Thomas Becket who edited Figaro, was a founder member of Punch, and wrote for The Times, The Morning Herald, and The Illustrated London News. He also wrote around fifty plays, as well as two operas, and is best known for this history of England.

This well focused and perceptive analysis of a phenomenon in our popular culture - the new respectability of the comic book form - argues that the comics medium has a productive tradition of telling true stories with grace and economy. It details vividly the outburst of underground comics in the late 1960s and '70s, whose cadre of artistically gifted creators were committed to writing comic books for adults, an audience they made aware that comic books can offer narratives of great power and technical sophistication.

Doc Savage is the prototype of the modern fictional superhero. The character exploded onto the scene in 1933, with the Great Depression and the gathering clouds of war as a cultural backdrop. The adventure series is examined in relation to historical events and the changing tastes of readers, with special attention paid to the horror and science fiction elements. The artwork features illustrations, covers, and original art. Chapters cover Doc Savage paperbacks, pulp magazines, comic books, and fanzines, and an appendix offers biographies of all major contributors to the series.

The influence of the comic book has never been greater, from movies to streaming and beyond, but the journey comics took from little-regarded kids' magazines to literary prize-winning books and global franchises turned on a highly unusual group of writers and artists. Few would have expected a small gathering of British comic book fans and creators in the early 'seventies to be a global cultural pivot-point, but this was the start of a disparate movement of punks, dropouts, and disaffected youths who reinvented a medium and became the imaginative heart of a global success story.

Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form.

Wright's lively study also focuses on the role comic books played in transforming children and adolescents into consumers; the efforts of parents, politicians, religious organizations, civic groups, and child psychologists to link juvenile delinquency to comic books and impose censorship; and the changing economics of comic book publishing over the course of the century. Comic Book Nation is at once a serious study of popular culture and an entertaining look at an enduring American art form.

Examining current debates and the questions raised by comics adaptations, including those around authorship, style, and textual fidelity, the contributors consider the topic from an array of approaches that take into account representations of sexuality, gender, and race as well as concepts of world-building and cultural appropriation in comics from Modesty Blaise to Black Panther. The result is a fascinating re-imagination of the texts that continue to push the boundaries of panel, frame, and popular culture.

The early 1970s saw the birth of the modern comic book shop. Its rise was due in large part to a dynamic entrepreneur, Phil Seuling. His direct market model allowed shops to get comics straight from the publishers, bypassing middlemen. Stores could better customize their offerings and independent publishers could now access national distribution. In this way, shops opened up a space for quirky ideas to gain an audience and helped transform small-press series, from Teenage Mutant Ninja Turtles to Bone, into media giants.