Beauty History

Millions of people climb the grand marble staircase into New York's Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They're the guards in dark blue suits, keeping careful watch over this vast treasure house. Caught up in the early days of a glamorous journalism career, Patrick Bringley never thought he'd be one of them. Then his brother was diagnosed with fatal cancer and he needed to escape the mundane clamour of daily life. So he quit, and sought solace in the most beautiful place he knew.

In a trio of popular gender rituals—sorority rush, beauty pageants, and the Confederate Pageant of the Natchez (Mississippi) Pilgrimage—young white southern women have readily ditched contemporary modes of dress and comportment for performances of purity, gentility, and deference. Clearly, the ability to "do" white southern womanhood, convincingly and on cue, has remained a valued performance. Based on ethnographic research and taped interviews, Southern Beauty goes behind the scenes of the three rituals to explore the motivations and rewards associated with participation.

Not long after Martin Luther's defiance of the Church in 1517, dialogue between Protestants and Catholics broke down, brother turned against brother, and devastating religious wars erupted across Europe. Desperate to restore the peace and recover the unity of Faith, Catholic theologians clarified and reaffirmed Catholic doctrines, but turned as well to another form of evangelization: the arts.

Justice is blind, they say, but perhaps not to beauty. In supposedly dispassionate courts of law, attractive women have long avoided punishment, based largely on their looks, for cold-blooded crimes. The Beauty Defense: Femmes Fatales on Trial gathers the true stories of some of the most infamous femmes fatales in criminal history, collected by attorney and true crime historian Laura James.

Desde o garbo e a elegância nos primeiros anos da República até a atual banalização das cirurgias plásticas, História da beleza no Brasil trata das transformações ligadas aos padrões estéticos e aos cuidados com o corpo, mas também do martírio causado pela feiura e da tumultuada luta para driblar o envelhecimento, a solidão e o fracasso.

Responding to many recent calls for redress and restitution, Richardson summarises the historical and current situation and attributes its problematics to the fact that theorists and historians have taken the concept art as a generic that includes both design and craft - which are actually and validly distinguishable from art by application of the concept function/al-or else ignored the two entirely.

Intimate and richly detailed, The Beauty of Living begins with E. E. Cummings's Cambridge upbringing and his relationship with his socially progressive but domestically domineering father. It follows Cummings through his undergraduate experience at Harvard, where he fell into a circle of aspiring writers including John Dos Passos, who became a lifelong friend. Steeped in classical paganism and literary Decadence, Cummings and his friends rode the explosion of Cubism, Futurism, Imagism, and other "modern" movements in the arts.

When A Beauty That Hurts first appeared in 1995, Guatemala was one of the world’s most flagrant violators of human rights. An accord brokered by the United Nations brought a measure of peace after three decades of civil war, but the country’s troubles are far from over. W. George Lovell revisits Guatemala to grapple once again with the terror inflicted on its Maya peoples by a military-dominated state.

In the 1970s, Dr. Alan Scott sought to selectively weaken eye muscles to treat strabismus (when one or both eyes are misaligned) without surgery. After failed attempts with other agents, Scott developed a method to stabilize the bacteria that causes botulism, culminating in a drug that eventually became known as Botox.

Ophelia DeVore boldly overcame tragedy and hardship to become the first Black model in the United States of America. She possessed grace, finesse, intelligence, natural beauty, and courage. Being the first black graduate of the Vogue Modeling School, she eventually became a powerful business mogul, an exuberant entrepreneur, and a respected leader in her field. Her story is unique because she redefined "beauty" in America. Throughout her life, she sought to prove to the world beauty could be found in every shade of color.

Survey documents three leading artists—Lubaina Himid, Yinka Shonibare CBE and Hew Locke—exploring their work and ideas in development, in reviews, and recorded conversations, drawn from the Cv/Visual Arts Research Archive.