American Theatre

Julia Lambert is in her prime, the greatest actress in England. Off stage, however, she is bored by her handsome husband, coquettish, and undisciplined. She is at first flattered and amused by the attentions of a shy and eager young fan, but before long Julia is amazed to find herself falling wildly, dangerously, in love.

When does popular entertainment become art—and who is responsible when it does not? In The Theatre, celebrated drama critic George Jean Nathan delivers a sharp, unapologetic assessment of the American stage during the early twentieth century. Nathan examines a theatrical culture in which safe...

Here is a diverse and fascinating story of the Theatre, from the first tragedies and comedies of Ancient Greece to the high-tech mega-musicals of the late 20th century. It is an absorbing listen, encompassing ancient tales, medieval theatre, Commedia dell'Arte, the great dramas of the Elizabethan age, and more.

Bloomsbury presents Opening Doors, written and read by John Doyle. “In this honest, self reflective piece, John so beautifully and succinctly shares of his experience in theatre and the passion with which he pursues the opportunity to create art that is connective tissue for humanity and a...

The mythical legends and historical allure of the old west come galloping onward with The Old West Collection: Amazing Legends and Incredible Tales of the American West. This thundering audio compendium celebrates the epic events of America's frontier, whether rediscovering the California gold rush at Sutter's Mill in '49 or recreating the outsize personalities of John Jacob Astor to Belle Starr and Billy the Kid. From racing on horseback for Oklahoma land in '89 to Dodge and Last Chance Gulch.

How is the individual and the ‘nation’ constructed and promoted in American theatre? How does theatre enable a nation to invent and reinvent itself? Who are the ‘people’ in ‘We the People’? This brief study examines the intersection of the USA’s sense of self with its theatre...

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate.

For young dance lovers, a picture book about a young boy whose father has the unique position as a ballet dancer. Written by American Ballet Theatre principal dancer Thomas Forster. Ben and his friends are playing in their favorite part of the classroom-- the dress-up corner! They are talking...

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.

In this survey of eighteenth and nineteenth century American drama, Tice L. Miller examines American plays written before a canon was established in American dramatic literature and provides analyses central to the culture that produced them. Entertaining the Nation evaluates plays in the early years of the republic, reveals shifts in taste from the classical to the contemporary in the 1840s and 1850s, and considers the increasing influence of realism at the end of the nineteenth century.

Timothy R. White begins his history of the theater industry with the dispersed pre-Broadway era, when components such as costumes, lights, and scenery were built and stored nationwide. Subsequently, the majority of backstage operations and storage were consolidated in New York City during what is now known as the golden age of musical theater. Toward the latter half of the 20th century, decentralization and deindustrialization brought the emergence of nationally distributed regional theaters and performing arts centers.

The idea of American musical theater often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theaters, after-school programs, summer camps, and dinner theaters. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theater in US culture and examines it as a social practice - a live, visceral experience of creating, watching, and listening.  

"Telling Tales of Civil Warriors" has been adapted and expanded from the Audie Award-winning production of The Civil War Tales of Ambrose Bierce and has been selected by AudioFile magazine as a recipient of it's prestigious Earphone Award.

Telling Tales of Civil Warriors was recorded by Joel Block at The Production Block Studios.

William Shakespeare est considéré comme l'un des plus grands poètes, dramaturges et écrivains de la culture anglaise. Il est réputé pour sa maîtrise des formes poétiques et littéraires, ainsi que sa capacité à représenter les aspects de la nature humaine. Figure éminente de la culture occidentale, Shakespeare continue d'influencer les artistes d'aujourd’hui. Ses pièces sont régulièrement jouées partout dans le monde. Shakespeare est l'un des rares dramaturges à avoir pratiqué aussi bien la comédie que la tragédie.

The American cowboy came into the west to begin after a bloody civil war had ended. He worked long hours in lonely cow camps and his pay was meager, but he had grit and determination. He faced constant danger; he fought Indians and rustlers and braved swollen rivers and stampedes. And, finally, when the days of the open range were over, he rode off into the sunset. But his legacy lives on.

It is hard to imagine Christmas season without the rich and fanciful Yuletide tales of Charles Dickens. Indeed, late 19th century newspapers in both England and the United States hailed him as "The man who invented Christmas". This Magical Reality Chautauqua Show Presentation illustrates why. Dickens guides us through scenes of merriment, redemption and poignant joy.