Showing results by author "William Golding" in All Categories

A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys’ delicate sense of order fades, so their childish dreams are transformed into something more primitive and their behaviour starts to take on a murderous, savage significance.

Christopher Martin, the sole survivor of a torpedoed destroyer, is stranded upon a rock in the middle of the Atlantic. Pitted against him are the sea, the sun, the brutal cold and the aching terror of his isolation. To drink, there is a pool of rainwater; to eat, seaweed and anemones, preyed upon by feathered reptiles. As he descends into the abyss of his consciousness, weathering lightning strikes of memory, Martin must try to assemble the truth of his fate - piece by terrible piece.

Edmund Talbot is sailing to Australia in the early 19th century. In his journal, he records mounting tensions aboard the ancient, stinking warship, as officers, sailors, soldiers and emigrants jostle in the cramped darkness below decks. But when something happens to Reverend Colley that brings him into a 'hell of self-degradation', it seems that shame is a force deadlier than the sea itself....

Dean Jocelin has a vision: that God has chosen him to erect a great spire on his cathedral. His mason anxiously advises against it, for the old cathedral was built without foundations. Nevertheless, the spire rises octagon upon octagon, pinnacle by pinnacle, until the stone pillars shriek and the ground beneath it swims. Its shadow falls ever darker on the world below, and on Dean Jocelin in particular.From the author of Lord of the Flies, The Spire is a dark and powerful portrait of one man's will, and the folly that he creates.

When spring comes, the people leave their winter cave, foraging for honey and shoots, bulbs and grubs, the hot richness of a deer's brain. They awaken the fire to heat their naked bodies, lay down their thorn bushes and share pictures in their minds. But strange things are happening - inexplicable scents, sounds and violence - and, suddenly, unimaginable creatures are half-glimpsed in the forest: an upright new people of bone-faces and deerskins. What the early people don't know is that their season is already over....

On the last stretch of its epic voyage from England to Australia, a disintegrating warship inches towards land. But there are still trials ahead, as the vessel is smashed against an ice cliff and blasted by a great storm, while the claustrophobic passengers battle erotic desires, masculine rivalry and violent power struggles—all experiencing a sea change in their natures. And when an unseen fire begins to smoulder below decks, the other side of the world has never seemed further away.

A decrepit warship is becalmed halfway to Australia, stilled in an ocean wilderness of heat and sea mists. In this surreal, fête-like atmosphere, a ball is held with a passing ship: the passengers dance and flirt, while beneath them seaweed like green hair spreads ominously over the hull. Half-mad with fear, drink, love and opium, both vessel and passengers feel themselves going to pieces, and the very planks seem to twist themselves alive as the ship comes apart at the seams.

Prvotina britského nositele Nobelovy ceny Williama Goldinga z roku 1954 je dodnes živou alegorií tyranie, fanatismu a vrozeného sklonu lidské povahy ke zlu. Během nespecifikované světové války se zřítí evakuační letadlo na malý neobydlený ostrov. Zachrání se jen skupinka chlapců ve školním věku. Zpočátku se chlapci těší, jaká dobrodružství je čekají, vzájemně spolupracují, podporují se. Hra na Robinsony se však brzy změní v boj všech proti všem, v němž je hlavní předností síla, autorita a schopnost šířit strach.

Senhor das Moscas é um dos romances essenciais da literatura mundial. Adaptado duas vezes para o cinema e traduzido para 35 idiomas, o clássico de William Golding já foi visto como uma alegoria, uma parábola, um tratado político e até mesmo uma visão do apocalipse.