Showing results by author "Milan Kundera" in All Categories

Casting light on the most serious of problems and at the same time saying not one serious sentence; being fascinated by the reality of the contemporary world and at the same time completely avoiding realism - that's The Festival of Insignificance. Listeners who know Kundera's earlier books know that the wish to incorporate an element of the "unserious" in a novel is not at all unexpected of him.

Milan Kundera's brilliant collection of essays is a passionate defence of art in an era that, he argues, no longer values art or beauty. With the same dazzling mix of emotion and ideas that characterises his best-selling novels, the internationally acclaimed author revisits the artists whose works help us better understand what it means to be human. Elegant, startlingly original, and provocative, Encounter combines many of the author's signature themes with personal reflections and stories.

Co zbylo z umírajících lidí v Kambodži? Jedna velká fotografie americké herečky, která drží v náručí žluté dítě. Co zbylo z Tomáše? Nápis: Chtěl království Boží na zemi. Co zbylo z Beethovena? Zamračený muž s nepravděpodobnou hřívou, který pronáší temným hlasem: "Es muss sein!" Co zbylo z Franze? Nápis: Po dlouhém bloudění návrat. A tak dál a tak dál. Dříve než budeme zapomenuti, budeme proměněni v kýč. Kýč je přestupní stanice mezi bytím a zapomenutím.

Kundera brilliantly examines the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy and Musil. He is especially penetrating on Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe. Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action and the creation of character in the postpsychological novel.

In a moment of historic threat and uncertainty in mainland Europe, this collection, makes the case for the 'small countries' of Central Europe as the nucleus of European values and a lightning rod for its potential dangers, where language and culture play an active role in affirming national identity and democracy is under continued threat from the threat of Russian oppression. However, these countries have been historically overlooked by the major powers of Western Europe.

Si tratta sempre di amore, in queste storie. Ma un amore a cui si accompagna ogni volta la mistificazione, con effetto deflagrante. Il mondo va felicemente in pezzi sotto i nostri occhi, frantumato dalla duplice spinta dell’eros e della mistificazione. E l’essenza amorosa, nella sua leggerezza e nel suo pathos, si sprigiona finalmente, come liberata da una costrizione.

In einem ruhigen Kurort in Böhmen schläft die Krankenschwester Rosa mit Klima, einem berühmten Trompeter, der jedoch nur seine eifersüchtige Frau Kamila liebt. Dafür wird Rosa wie wahnsinnig von Franta geliebt. Der Gynäkologe Dr. Skreta dagegen liebt nur sich selbst und injiziert seinen kinderlosen Patientinnen deshalb reihenweise sein eigenes Sperma, was aber nichts nützt. Schwanger wird nur Rosa. Immer schneller drehen sich Kunderas Figuren in diesem verzweifelten, sehnsuchtsvollen Tanz.

Pietra miliare della letteratura del Novecento, il romanzo mette in scena un perfetto quadrilatero amoroso entro cui le storie dei protagonisti s'intrecciano con le grandi domande della vita, come quelle sul valore delle scelte individuali, sul rapporto tra pesantezza e leggerezza, libertà e costrizione. Alla fine degli anni Sessanta, tra la Primavera praghese e l'invasione sovietica, la giovane Tereza e il marito Tomáš, la pittrice Sabina e il suo amante Franz, oscillando tra fedeltà e tradimenti, esplorano passioni e vertigini di un mondo che è diventato una trappola.

Ein erfolgreicher Arzt und Frauenheld trifft ein unbedarftes Mädchen aus der Provinz - so begegnen sich Tomas und Teresa 1968 in Prag. Er lebt seine amourösen Abenteuer aus, sie sucht bei ihm die eine große Liebe und reagiert verletzt und eifersüchtig. Dennoch werden sie ein Paar. Doch mit dem Ende des Prager Frühlings verändert sich ihr Leben dramatisch.

Milan Kundera has established himself as one of the great novelists of our time with such books as The Unbearable Lightness of Being, Immortality and The Book of Laughter and Forgetting. In Testaments Betrayed, he proves himself a brilliant defender of the moral rights of the artist and the respect due to a work of art and its creator's wishes. The betrayal of both - often by their most passionate proponents - is the principal theme of this extraordinary work.

In this thought-provoking, endlessly enlightening and entertaining essay on the art of the novel, renowned author Milan Kundera suggests that 'the curtain' represents a ready-made perception of the world that each of us has - a pre-interpreted world. The job of the novelist, he argues, is to rip through the curtain and reveal what it hides. Here an incomparable literary artist cleverly sketches out his personal view of the history and value of the novel in Western civilization.

Jacques and His Master is a deliciously witty and entertaining 'variation' on Diderot's novel Jacques le Fataliste, written for Milan Kundera's 'private pleasure' in the aftermath of the Russian invasion of Czechoslovakia. When the 'heavy Russian irrationality' fell on Czechoslovakia he felt drawn to the spirit of the eighteenth century - 'And it seemed to me that nowhere was it to be found more densely concentrated than in that banquet of intelligence, humour and fantasy, Jacques le Fataliste'.

In una notte di mezza estate si intersecano due storie di seduzione, separate da più di duecento anni e oscillanti vertiginosamente fra il sublime e l’esilarante. Ma questa è solo l’intelaiatura di una vicenda che non si lascia raccontare, perché Kundera sembra avervi miniaturizzato una quantità imponente di «temi esistenziali». Primo fra tutti quello della lentezza: una parola di cui scopriremo un senso nuovo, come se non l’avessimo mai conosciuta prima.