Showing results by author "Andrea Janes" in All Categories

Sorrowful widows, vengeful jezebels, innocent maidens, wronged lovers, former slaves, the odd axe-murderess—America's female ghosts differ widely in background, class, and circumstance. Yet one thing unites them: their ability to instill fascination and fear, long after death. Here are the stories behind some of the best-known among them, as well as the lesser-known—though no less powerful. A Haunted History of Invisible Women offers a unique lens on the role these ghostly legends play both within the spook-seeking corners of our minds and in the consciousness of a nation.

We often think of the enduring tropes of the Gothic in terms of fiction and film—breath-catching escapes that tap into our fears, anxieties, forbidden desires, and unsettling dreams. But what if some of these chilly vibes are rooted in the experiences of real and tragic people who danced a macabre waltz with love and death? That's why we're here. Take the case of teenage Mercy Brown, victim—or was it predator?—of Rhode Island's vampire hysteria of the 1890s. Marguerite de la Roque, a French noblewoman condemned for "sexual crimes" to Canada's long-lost Isle of Demons.

When I met Trevor at the bar, I knew I'd be sleeping with him. My roommate had a shift so the house was mine. I made an offhand comment about making it a threesome if she showed up but I never expected it to actually happen! When we got there, though, she was naked and asleep in the bedroom and something just came over me. She didn't seem too happy about me just springing things on her but I'd fantasized for a long time about being with a woman and I wasn't missing the opportunity.

Il potere delle donne: L'Europa è delle donne, l'Italia no. Sul lavoro e in politica il potere femminile è una parola, di Gad Lerner; Effetto Sanna, premier finlandese con due mamme: da Helsinki a Bruxelles la parità è la norma, di Andrea Tarquini; Vanessa Incontrada, belli e imperfetti, di Michela Marzano; Le "fantastiche cinque" che vogliono salvare la politica della Finlandia, di Andrea Tarquini; Io, sottobraccio a Greta, di Jane Fonda.

Catherine Morland ist jung, doch weder hübsch noch vermögend. Männern gegenüber scheu, entwickelt sie erst langsam ihre besondere Anziehungskraft, die das andere Geschlecht bezaubert. Als Satire auf den Schauerroman gedacht, zeigt das Buch Jane Austen auf der Höhe ihrer Kunst. Von scharfer Zunge, aber zärtlichem Herzen, zündet die Autorin ein Feuerwerk an Pointen.