Showing results by narrator "Steven Crossley Crossley" in All Categories

Bill Buford spends a wild night in the park; Jonathan Safran Foer envisions it as a tiny, transplanted piece of a mythical Sixth Borough; and Marie Winn answers definitively Holden Caulfield's question of where the ducks go when the park's ponds freeze over. There are bird sightings and fish sightings; Jackie Kennedy and James Brown sightings; and pieces by Colson Whitehead, Paul Auster, and Francine Prose. This vibrant collection presents Central Park in all its many-faceted glory, a 51-block swath of special magic.

Central Park is perhaps the most well-trod and familiar green space in the country. It is both a refuge from the city and Manhattan's very heart; a respite from the urban grind and a hive of activity all its own. Eight hundred forty-three carefully planned acres allow some 37 million visitors each year to come and get lost in a sense of nature. Unsurprisingly, the park also inspires a wealth of great writing, and here Andrew Blauner collects some of the finest fiction and nonfiction - 20 pieces in all.

Trapped in a London laboratory during a worker uprising in 1924, ex-artillery officer and physics instructor Jeremy Tuft awakens 150 years later - in a neo-medieval society whose inhabitants have forgotten how to build or operate machinery. Not only have his fellow Londoners forgotten most of what humankind used to know, before civilization collapsed, but they don't particularly care to re-learn any of it. Though he is at first disconcerted by the failure of his own era's smug doctrine of Progress, Tuft eventually decides that post-civilized life is simpler, more peaceful.

Secret agent Mr. Adolph Verloc operates from a seedy Soho shop, where he deals in pornography and espionage. Idle, treacherous, and self-righteous, he makes the life of his wife, Winnie, one of silent misery. When Verloc is assigned to plant a bomb at Greenwich Observatory, his plans go terribly awry, and his family has to deal with the tragic repercussions of his actions. Joseph Conrad's dark satire on English society, while rooted in the Edwardian period, remains strikingly contemporary.

Acclaimed biographer Carolly Erickson brings history vibrantly to life with her powerful flesh-and-blood portrait of Charles Stuart, the Young Pretender to the British throne. Courageously attempting to conquer England, this significant figure in Scottish history divides the troubled British kingdom and disturbs decadent monarchies throughout the entire European continent.

Life has been difficult for 10-year-old Colley Trevelyan ever since he lost his mother and father in a fatal carriage accident. Most of the servants have been dismissed, and the house feels empty. To make matters worse, soon he will be living with his aunt and uncle who have never liked him. One night he suddenly wakes up wrapped tightly in a rough blanket. As he struggles to free himself, a strange man carries him to a waiting carriage.

Long ago, in a land by the sea, 12-year-old Aaron lives with his mother in the wooded countryside. Because the boy is mute, he depends on his mother completely. But when a sudden blizzard strands his mother in a distant town, Aaron finds himself alone for the first time in his life. Setting out in the snow to look for his mother, the boy embarks on a perilous, silent journey that will carry him to the eerie Half-a-Moon Inn. There, held captive by the sharp-eyed Miss Grackle, Aaron will discover her wicked powers.

After being set adrift at sea, baby Mordred is found by fisherfolk who raise him as their own. One day, a beautiful, magical lady appears to carry him back to his birth-mother's cold castle. There, alone but for his faithful dog, he comes of age and learns the horrible truth about his identity. Everyone knows Mordred as the dark, evil son who kills the noble King Arthur. But what would it be like to be born as Mordred, an unwanted child with a dreadful destiny?

Eleven-year-old Amelia Fairwick is eagerly waiting for her widowed father to return from his business trip. But a letter arrives with shattering news - Papa has been lost in a terrible hotel fire. Now Amelia must leave her London home to live in America with a relative she has never met. Amelia thinks things can’t get much worse when stern Cousin Charlotte travels with her on the voyage across the Atlantic. Amelia must stay alone in the cabin, talking to no one. But the day the ship arrives in New York City is worst of all....

London, 1811: The twisting streets of Wapping hold many an untold sin. Bounded by the Ratcliffe Highway to the north and the Dock to the south, shameful secrets are largely hidden by the noise of Trade. But two families have fallen victim to foul murder, and a terrified populace calls for justice. Based on the real-life story of the gruesome Ratcliffe Highway murders, The English Monster takes us on a voyage across centuries. A brilliantly imagined debut from a major new literary voice.

In celebration of the 50th anniversary of the Apollo 11 landing, the endlessly-mysterious moon is explored in this reprint short science fiction anthology from award-winning editor and anthologist Neil Clarke (Clarkesworld, The Best Science Fiction of the Year).

The year is 2130. The first-ever expedition is sent to Mercury to search for the cause of an unknown source of electromagnetic radiation that can destroy spaceships passing by the planet. Thought to be inhospitable and lifeless, the surface of Mercury provides startling surprises for the crew that endanger their lives and challenge their established notions of what it means to be a sentient being. And some of the crew members have their own separate agendas.

Both pseudoscience and science fiction (SF) are creative endeavors that have little in common with academic science, beyond the superficial trappings of jargon and subject matter. The most obvious difference between the two is that pseudoscience is presented as fact, not fiction. This engaging and well-researched audiobook explores a wide range of intriguing similarities and differences between pseudoscience and the fictional science found in SF.

Sung in moments of personal isolation or on state occasions watched by millions, “Amazing Grace” has become an unparalleled anthem for humankind. How did a simple Christian hymn, written in a remote English vicarage in 1772, come to hold such sway in all corners of the modern world? With this short, engaging cultural history, James Walvin offers an explanation.