Showing results by narrator "Steven Crossley" in All Categories

Arnold Landon finds himself drawn into another bitter dispute over land—in which a defenseless old woman pays the ultimate price. To the casual observer, Penbrook Farm might seem like a ramshackle hovel, buried deep in the woods of Northumberland. But to fragile old Sarah Ellis, it’s home. And the developers can have the place over her dead body. Of course, no one ever expected it to come to that.

From his breakout role in Die Hard to his outstanding, multifaceted performances in the Harry Potter films, Galaxy Quest, Robin Hood: Prince of Thieves, and more, Alan Rickman cemented his legacy as a world-class actor. His air of dignity, his sonorous voice, and the knowing wit he brought to each role continue to captivate audiences today. But Rickman’s ability to breathe life into projects wasn't confined to just his performances.

In this Very Short Introduction, Georgios A. Antonopoulos and Georgios Papanicolaou uncover the reality of organized crime in our world today. Shining a light on the people involved in organized crime, Antonopoulos and Papanicolaou question whether the term "organized" is used to evoke the image, the operations, and power of a legitimate organization, such as a corporation. Discussing whether there are particular crimes that the label "organized crime" applies to, or if any crime can be organized, they also consider what happens when organized crime extends beyond borders.

Matthew Bramble, a gout-ridden misanthrope, travels Britain with his nephew, niece, spinster sister, and man-servant, the trusty Humphry Clinker. In poor health, Bramble sees the world as one of degeneracy and raucous overcrowding, and will not hesitate to let his companions know his feelings on the matter. Peopled with pimps, drunkards, decadents, and con-men, Humphrey Clinker displays Smollett's ferociously pessimistic view of mankind, and his belief that the luxury of 18th-century English existence was the enemy of sense and sobriety.

Three cell phones ring in an opulent London suite. The calls go unanswered, because their recipients are dead. Earlier that night, four old friends and lovers meet for a reunion dinner. Miko and Robert haven't seen each other in 10 years; Miko hates Robert for the money he's made with shady ethics. Unbeknownst to Miko, his wife, Veera, also slept with Robert the last time everyone was together. Robert's young trophy wife, Elise, has no old grudges to bear, but will be swept up in the murderous fray.

In The Last of All Possible Worlds, royalty, bankers, lovers, and wives intertwine to create a vivid portrait of Europe in the early 1900s. We meet wise and worldly Prince Sobieski, Vienna's ambassador in London, his enchanting wife, her English lover, and her enigmatic lifelong companion, Josefa. When Sobieski's illegitimate daughter makes a demand of her influential father, the unspoken rules of the family are challenged.

"The Chimes" focuses on Trotty, a poor elderly messenger who is filled with gloom over reports of crime and immorality in the newspapers. After losing faith in society, Trotty follows a call to the church bell tower, where he encounters goblins that teach him - and listeners - lessons in the form of visions about the mistreatment of the lower class in society. This story of social awakening inspires listeners to treat everyone with fair kindness.

Someone is trying to kill leading British Shakespearean actor, husband, father, ladies' man, and soon-to-be knight of the realm Winstanley Fortescue. The actor, rehearsing his starring role in the forthcoming play Serpent in the Heather, is conked on the head backstage. He falls off a ladder and lands on the resident pest-control officer, Montmorency D. Mousa (otherwise known as Monty), the company cat. When Fortescue comes to, he finds, to his horror, that he has become trapped in Monty's body.

Bill Buford spends a wild night in the park; Jonathan Safran Foer envisions it as a tiny, transplanted piece of a mythical Sixth Borough; and Marie Winn answers definitively Holden Caulfield's question of where the ducks go when the park's ponds freeze over. There are bird sightings and fish sightings; Jackie Kennedy and James Brown sightings; and pieces by Colson Whitehead, Paul Auster, and Francine Prose. This vibrant collection presents Central Park in all its many-faceted glory, a 51-block swath of special magic.

Central Park is perhaps the most well-trod and familiar green space in the country. It is both a refuge from the city and Manhattan's very heart; a respite from the urban grind and a hive of activity all its own. Eight hundred forty-three carefully planned acres allow some 37 million visitors each year to come and get lost in a sense of nature. Unsurprisingly, the park also inspires a wealth of great writing, and here Andrew Blauner collects some of the finest fiction and nonfiction - 20 pieces in all.

Trapped in a London laboratory during a worker uprising in 1924, ex-artillery officer and physics instructor Jeremy Tuft awakens 150 years later - in a neo-medieval society whose inhabitants have forgotten how to build or operate machinery. Not only have his fellow Londoners forgotten most of what humankind used to know, before civilization collapsed, but they don't particularly care to re-learn any of it. Though he is at first disconcerted by the failure of his own era's smug doctrine of Progress, Tuft eventually decides that post-civilized life is simpler, more peaceful.

Secret agent Mr. Adolph Verloc operates from a seedy Soho shop, where he deals in pornography and espionage. Idle, treacherous, and self-righteous, he makes the life of his wife, Winnie, one of silent misery. When Verloc is assigned to plant a bomb at Greenwich Observatory, his plans go terribly awry, and his family has to deal with the tragic repercussions of his actions. Joseph Conrad's dark satire on English society, while rooted in the Edwardian period, remains strikingly contemporary.

Sebastian, the alchemist's son, must face a new evil. An old enemy, a magician whose power lies in stealing souls, has reappeared in a new and cunning disguise. He is using an ancient spell book to bring about a terror beyond imagining. Once again, Pip and Tim brave sorcery and danger to help Sebastian as he pursues his enemies through the centuries.

Life has been difficult for 10-year-old Colley Trevelyan ever since he lost his mother and father in a fatal carriage accident. Most of the servants have been dismissed, and the house feels empty. To make matters worse, soon he will be living with his aunt and uncle who have never liked him. One night he suddenly wakes up wrapped tightly in a rough blanket. As he struggles to free himself, a strange man carries him to a waiting carriage.

Eleven-year-old Amelia Fairwick is eagerly waiting for her widowed father to return from his business trip. But a letter arrives with shattering news - Papa has been lost in a terrible hotel fire. Now Amelia must leave her London home to live in America with a relative she has never met. Amelia thinks things can’t get much worse when stern Cousin Charlotte travels with her on the voyage across the Atlantic. Amelia must stay alone in the cabin, talking to no one. But the day the ship arrives in New York City is worst of all....

London, 1811: The twisting streets of Wapping hold many an untold sin. Bounded by the Ratcliffe Highway to the north and the Dock to the south, shameful secrets are largely hidden by the noise of Trade. But two families have fallen victim to foul murder, and a terrified populace calls for justice. Based on the real-life story of the gruesome Ratcliffe Highway murders, The English Monster takes us on a voyage across centuries. A brilliantly imagined debut from a major new literary voice.

In celebration of the 50th anniversary of the Apollo 11 landing, the endlessly-mysterious moon is explored in this reprint short science fiction anthology from award-winning editor and anthologist Neil Clarke (Clarkesworld, The Best Science Fiction of the Year).

The year is 2130. The first-ever expedition is sent to Mercury to search for the cause of an unknown source of electromagnetic radiation that can destroy spaceships passing by the planet. Thought to be inhospitable and lifeless, the surface of Mercury provides startling surprises for the crew that endanger their lives and challenge their established notions of what it means to be a sentient being. And some of the crew members have their own separate agendas.

Both pseudoscience and science fiction (SF) are creative endeavors that have little in common with academic science, beyond the superficial trappings of jargon and subject matter. The most obvious difference between the two is that pseudoscience is presented as fact, not fiction. This engaging and well-researched audiobook explores a wide range of intriguing similarities and differences between pseudoscience and the fictional science found in SF.