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"Locksley Hall" is a dramatic monologue written in 1835 and published in 1842. Tennyson explained that the poem was not autobiographical but purely imaginary, "representing young life, its good side, its deficiences and its yearnings".

This poem was written by Wordsworth after a walking tour through the Welsh Borders. As usual with many of Wordsworth's poems, it opens with a description of the countryside which is then developed into a philosophical reflection about beauty and the suggestive power of recollection.

John Keats died in Rome in February 1821, at the age of 25. Shelley, who was to follow him to the grave the following year, was inspired to compose this pastoral lament, which consists of 55 Spenserian stanzas

This poem consists of 11 stanzas of varying length, the first four of which were composed in 1802. These deal with the subject of death, a concept with which Wordsworth confesses to having struggled within childhood.

This evocative poem was first published in 1832 but republished in 1842 with extensive alterations.

As with many of Ostrovsky's plays, the target of the author's satire is the merchant class and the inevitable corruption associated with mercantile endeavors. In Ostrovsky's bitterly realistic world, all personal encounters end in transactions, some humourous and some tragic.

This collection follows on from Australian Christmas Yarns Volume I and consists of 10 stories by notable Australian author Mary Grant Bruce (1878-1958). These stories sketch challenges of landscape, relationship, loss and hope.

"Enoch Arden" is a long narrative poem that is built on a theme that has been widely explored in literature and on film. A man is separated from his family due to shipwreck and marooned on an island. After several years of absence from his home, it is assumed that he has died, and his wife remarries and starts a new family. After 10 years, the man finally makes his way home and has to deal with the trauma of discovering his wife and family happily established in a new relationship.

Christian Daa Larson (1874- 1954) is considered to be one of the founders of the New Thought movement and was a significant influence on many New Thought authors. Between 1907 and 1920, he published over 20 books covering the application of New Thought principles to a variety of fields, including psychology, metaphysics, business, health, and personal success.

Joseph McCabe was one of the most learned and prolific of atheist writers. In his earlier life, he had been a Catholic priest, fluent in several languages, who taught philosophy and history in ecclesiastical colleges. He wrote over two hundred books and pamphlets and also translated a number of significant texts.

Ebenezer Mac Crotchet, Esq., who has a mixed Scottish and Jewish parentage, has inherited some sterling qualities but is determined to destroy, as much as possible, all vestiges of his extraction. His villa has become a resort for literary and scientific men, with the result that the author easily provides himself with enough characters to introduce his favourite remarks on a wide range of topics, including Ancient Greek, transcendentalism, contagion, education, political economy, and meteorology.

Robert Bridges, who was English Poet Laureate between 1913 and 1930, published three versions of his sonnet sequence, The Growth of Love: 1876 - 24 sonnets, 1889 - 79 sonnets, 1898 - 69 sonnets. This recording is of the 1889 edition. The poems are essentially meditations on the elusive subject of love, and display the poet's reverence for his great poetic forebears, particularly Milton and Shakespeare.

Not all the young poets whose lives were cut short during the First World War were actual casualties of the conflict. James Elroy Flecker and Rupert Brooke both died in 1915, each leaving a body of finished work which places him in the ranks of the major poets of the 20th century. Brooke seems to have had a premonition of his untimely demise for a considerable period. The subject of death is very prominent in his verse, which, even in its most playful moments, is characterized by a profoundly elegaic quality.

A central theme of Ostrovsky's plays is the inevitable struggle between the demands of personal morality and and those dictated by social propriety. In this grim drama, the dramatist sketches a tragic incident arising from the conflict of two social classes: the petty tradesmen and the nobility. From the coarse environment of the first emerge honest, upright natures like Krasnov, the earnest shokeeper; from the superficial, dawdling culture of the second come weak-willed triflers like the ineffectual landowner, Babayev.

Solicitor, journalist, poet, and war veteran, Andrew Barton Paterson is today best known for his colorful and jingoistic verse, in particular The Man from Snowy River. Paterson's prose works include An Outback Marriage (1906), and Three Elephant Power and Other Stories (1917), the latter being a collection of tall tales and serious (but often humorous) reporting.

Thomas Troward was a divisional Judge in British-administered India who had a particular interest in the study of comparative religion. Influences on his thinking, as well as on his writing, included the teachings of the New Testament, Islam, Hinduism, and Buddhism. After his retirement from the judiciary in 1896, Troward applied himself to the study of cause and effect in the spiritual realms using the principles of judicial investigation.

In this extended pamphlet, free-thinking advocate Henry Tichenor presents the life story of Gotama Buddha in the style of a hagiography, in which the fundamental doctrines of Buddhism are interwoven.

This aggressive diatribe against the Bible was published in 1894 and is based on an assertion that formed the basis of many of Ingersoll's attacks on organized religion - the concept of divine inspiration and the evils that spring from this contention.

This meditation on artistic creativity was written during the latter months of 1815, during a sojourn on the border of Windsor Forest. Critics have concurred in the opinion that the anonymous hero of the poem is Shelley himself, who feared that he too would become an "inheritor of unfulfilled renown". Today, the poem is considered to be the first major work of Shelley's maturity.

Accusation is the unperceived catalyst for this dramatic narrative; Job is framed by the accusation that his self-invested allegiance to God will evaporate if he is exposed to adversity. Job is unaware that this wager against his integrity has taken place. The drama that ensues on an epic scale resonates with universal experiences of human suffering - from Job's searching questions, to the grating interventions of Job's friends, and the sense that human misfortune can seem contingent on the whim of unseen powers.