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This brief and lively pamphlet on the history of the medieval church is a concise and entertaining introduction to an extremely complex subject. Covering the period between the seventh century and 1500, the author provides succinct summaries of major developments like the Crusades, the growth of scholastic and mystical theology, the removal of the Papacy to Avignon, and the great councils convened to resolve the papal schism.

Today Thomas Gray is remembered almost solely for this melancholy meditation on the inevitability of death and the insignificance of fame. The poem was originally thought to have been inspired by the death of Gray's close friend, Richard West, but modern critics think this to be unlikely. Retiring by nature, Gray did not want the elegy to be published, but his hand was forced by an unscrupulous editor who planned to publish the poem without permission. The polished elegance of the versification has ensured that the poem has retained its appeal over the centuries.

On 16 August 1819, a crowd of about 60,000 people gather at Manchester in a peaceful demonstration to demand reform of the parliamentary electoral system. The government of the day interpreted the gathering as an act of rebellion and ordered the militia to disperse the crowd. In the resulting fracas, fifteen demonstrators were killed and several hundred injured. Shelly was living at Leghorn at the time of the massacre, and the news of the massacre roused his fiery republican sentiments. The result was The Mask Of Anarchy, a rousing call to action on behalf of the oppressed.

Calidore is a fragment of an unfinished romance and may be considered unique among Peacock's work. Composition probably commenced after the publication of Peacock's largest novel, Melincourt, in 1817. The action concerns the adventures of a young man, Calidore, who finds himself in Wales, en route to London in search of "a wife and a philosopher".

The Witch of Atlas is a poetic narrative, written in 1820 and published posthumously in 1824. The witch is the daughter of the Pleiades, the seven daughters of Atlas and Pleione. The plot is built around her adventures, during which she creates an androgynous creature, Hermaphroditus, who is both the companion of and the servant to the witch. She plays a series of pranks upon mankind, with the ultimate aim of revealing the essential foolishness of oppression and conflict and enabling the realization of a final Utopia.

Thomas Love Peacock is today remembered as the author of seven satirical novels which many regard merely as literary curiosities. However, he was also a man of considerable learning, a skilled poet, and an astute literary critic. This collection includes Recollections of Thomas Love Peacock, an affectionate reminiscence by Sir Edward Strachey; Some Recollections of Childhood, a window into Peacock's early youth; "Four Ages of Poetry", in which he pokes fun at his contemporaries; and "The Last Day of Windsor Forest", an old man's recollection of a memorable episode.

The Bridge of Fire, which appeared in 1907, was Flecker's first published collection of poetry. It contains 35 poems, a number of which were revised and republished in later collections. As with Flecker's other collections, two persistent themes emerge: the poet's fascination with the glories of Grecian antiquity and his premonitions of an early demise. Flecker seemed to be acutely aware that not only would he pass away himself, but also the fading world of British imperialism of which he was a characteristic representative.

James Elroy Flecker, linguist, scholar, critic, poet, and diplomat, like his illustrious poetic peers, Wilfred Owen and Rupert Brooke, did not survive the First World War. All three died young: Owen and Brooke in the line of battle, and Flecker, who never fought due to a long-standing respiratory illness, in a sanatorium in Switzerland in 1915. Flecker's poems are generally short: none of his original verse works exceeds 1200 words in length. Flecker revised his poems regularly, refining their spare but telling verbiage and achieving simplicity and directness.

A prominent focus of the works of New Thought author Christian Larson (1874-1954) was the cultivation of positive mental states for the attainment of success and happiness. In this short treatise, he analyzes some common mental maladies and gives suggestions for their treatment.

Among his many other attributes, James Elroy Flecker was a skilled linguist and an expert translator of Latin poetry. In 1913, he planned to write a book to be entitled An interpretation in blank verse of Virgil, Aeneid VI, based on the poetic value of the sounds, together with Latin text and ten prefaces. The surviving translation consists of lines 1-19 and 264-547 from book six, which describe Aeneas' encounter with Sibyl and his visit to the underworld.

Much of Tennyson's poetry is elegiac in nature, featuring characters who have been disempowered by isolation, age, or lack of opportunity. One of the most famous examples of this is the dramatic soliloquy, "Ulysses". "Columbus", written many years later, is also a dramatic narrative. In both cases, the narrators are elderly mariners, who have a long history of daring forays into remote regions, and who are eager to venture forth again but are hampered by lack of opportunity and the effects of aging.

This is the first of Tennyson's poems to be based on Sir Thomas Malory's Morte d'Arthur. The first draft was composed in 1834, and the finished work was published in Poems (1842). Later Tennyson incorporated the poem into the Idylls of the King (1870) under the title of "The Passing of Arthur". The narrative of this poem was drawn from the third, fourth, and fifth chapters of the 21st book of Thomas Malory's romance.

In this short treatise, New Thought author Christian Larson discusses the power of the subconscious mind and the importance of establishing a working relationship with it. In the words of the author: "What is produced in the within will invariably come forth into expression in the personality; therefore, by knowing how to impress the subconscious, man may give his personal self any quality desired, and in any quantity desired."

In "Icarus; or, The Future of Science," Bertrand Russell explores the potential consequences of scientific advancement, drawing parallels between the myth of Icarus and the development of technology. He argues that while science can lead to progress, it also poses risks, particularly regarding power and societal structures.

A significant focus of the literature of the ancient Near East, which includes the Bible, is the creation of the known world. The clay tablets, which were discovered in the ruins of the library of King Ashurbanipal (B.C. 668-626) at Kuyunjik (Nineveh), contain detailed descriptions of the views and beliefs of the Babylonians and Assyrians about the Creation.

A group of highly opinionated individuals gather at a remote country estate in Hampshire and indulge in lengthy conversations about issues of the day over extravagant dinners. The young and idealistic Algernon Falconer resides in the opulent country house with seven young "handmaidens', whom he calls "Vestals." A learned and garrulous local clergyman, Dr. Opimian, becomes a friend and confidant of Mr. Falconer and decides that the young man would make a suitable husband for Morgana Gryll, a niece of one of his friends.

Between 1895 and 1898, H. G. Wells wrote five science fiction novels, which have become among the most celebrated examples of the genre. The first of these was The Time Machine, in which Wells explores not only the fascinating subject of time travel but also the potential dangers to human autonomy by the advance of civilization. Well's world-weary Time Traveller, who is the main narrator, is one of his most quirky and appealing characters.

This book explores the position of the Church and the Papacy at the end of the First World War. It is a synoptic presentation of the material discussed in much greater detail in his later works, Crises in the History of The Papacy (1919) and A History of the Popes (1939).

In regard to Christianity and, especially, Catholicism, Joseph McCabe was one of the most learned atheist writers of the 20th century. McCabe was a former Catholic priest, fluent in Latin and several other languages, who had taught philosophy and ecclesiastical history in a Catholic university. During his lifetime he wrote hundreds of books and pamphlets, and translated dozens of others, on various aspects of science and history, and a great many texts on religious topics.

"Locksley Hall" is a dramatic monologue written in 1835 and published in 1842. Tennyson explained that the poem was not autobiographical but purely imaginary, "representing young life, its good side, its deficiences and its yearnings".