Showing results by narrator "John Brown" in All Categories

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

'Butch Minds the Baby' & 'Breach of Promise' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'Touching for a Pal' & 'Princess O'Hara' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'A Nice Price' & 'The Idyll of Miss Sarah Brown' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. 

'Romance in the Roaring Forties' & 'The Lemon Drop Kid' from from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. 

'Tobias the Terrible' & 'Little Miss Marker' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. 

In April of 2010, British Petroleum gave orders to speed up production on its colossal drilling rig, the Deepwater Horizon. Despite the objections of many on the rig, safety measures were ignored or overlooked. On April 20th, the Deepwater Horizon exploded. Eleven men paid the ultimate price and countless thousands who call the Gulf Coast home found their lives irrevocably altered.

It's a city of a million stories, and Broadway knows them all! High rollers and low lifes, classy dames and shady dealers are in it for the laughs (and the payoff) in this collection of 16 tales from the pen of Damon Runyon. John Brown stars as your narrator in these yarns of the Great White Way, along with Paul Dubov as homicide detective Johnny Brannigan (and a good many other characters). Join radio favorites Jack Webb, Ed Begley, Jeff Chandler, Alan Reed, Sheldon Leonard, and more for unusual bets, uncommonly good luck, and an unearthly meal at Mindy's.

In VOLUME 9 of The Things Our Fathers Saw® series, ‘Homefront/Women At War’, we will take an often-overlooked view of the story of World War II. You will visit with the people on the homefront, from schoolkids navigating growing up during the Great Depression and the War, to the women on the factory floor and the armed services, newly independent but having to fight for their rights and later, their jobs, laying the seeds of societal change for the future.

Inspired by true events, this adaptation by director/producer May Wuthrich and Grant Overstake, author of the acclaimed novel, recaptures the trials faced by a generation of young teens. Dr. Martin Luther King, Jr’s slaying sparks riots as the bitter divide over civil rights and the Vietnam War wracks the country, and Wichita, Kansas is no exception. There, 13-year-old TJ Crowley, who’s about to face his first year of junior high at a newly integrated school, lives alone with his unstable mother, Kate.

From Brooklyn to Inglewood, here comes radio's favorite blue-collar family man—leaving a trail of confusion wherever he goes! Chester A. Riley is back, with long-suffering wife Peg, trouble-prone kids Junior and Babs, moochy pal Gillis, and Digger O'Dell, The Friendly Undertaker, in sixteen hilarious half-hour episodes. William Bendix is heard as Riley, along with co-stars Paula Winslowe, John Brown, Tommy Cook, and Barbara Eiler—plus series creator Irving Brecher, and special guest Red Skelton!

Jade and Max share a deep love, though revelations from his past have recently shaken their marriage. And Jade is completely smitten with Max’s little son, Asa, whom she is now raising as her own. Their blended family brings her a joy she’s never known. But there is one more secret to be uncovered. One that will impact them all.