Showing results by narrator "Jeff Woodman" in All Categories

Caribbean born novelist Tobias Buckell established himself as a gifted new voice in science fiction with his stunning first novel, Crystal Rain. Now, in his first collection, Buckell demonstrates his strengths in the short form, offering readers a collection of stories that are compelling, smart, wonderfully imagined, and entertaining. Tides from the New Worlds contains 19 stories that range from multicultural science fiction to magical realism, some in print for the first time.

The Cocaine Chronicles contains tough tales by a cross-section of today's most thought-provoking writers. Featuring brand-new stories by: Susan Straight, Lee Child, Laura Lippman, Ken Bruen, Jerry Stahl, Nina Revoyr, Bill Moody, Emory Holmes II, James Brown, Gary Phillips, Jervey Tervalon, Kerry E. West, Donnell Alexander, Deborah Vankin, Robert Ward, Manuel Ramos, and Detrice Jones.

This short story is from the anthology Mitigated Futures. Twelve science fiction stories about the oncoming future, each of them representing a possible glimpse of what could be just around the corner... or much further down the corridor. These stories previously appeared in places like Clarkesworld Magazine, The Year's Best SF, Subterranean Magazine, and in various anthologies. They deal with the future of war, our climate, and technology's effect on our lives.

In “The Pleasure of Her Company,” a lonely, single woman befriends the married couple next door, hoping to learn the secret of their happiness. In "Long Distance," a man finds himself relieved of the obligation to continue an affair that is no longer compelling to him, only to be waylaid by the guilt he feels at his easy escape. And in the incandescently wise and moving title novella, a dentist, aware that his wife has fallen in love with someone else, must comfort her when she is spurned....

Bill Buford spends a wild night in the park; Jonathan Safran Foer envisions it as a tiny, transplanted piece of a mythical Sixth Borough; and Marie Winn answers definitively Holden Caulfield's question of where the ducks go when the park's ponds freeze over. There are bird sightings and fish sightings; Jackie Kennedy and James Brown sightings; and pieces by Colson Whitehead, Paul Auster, and Francine Prose. This vibrant collection presents Central Park in all its many-faceted glory, a 51-block swath of special magic.

Central Park is perhaps the most well-trod and familiar green space in the country. It is both a refuge from the city and Manhattan's very heart; a respite from the urban grind and a hive of activity all its own. Eight hundred forty-three carefully planned acres allow some 37 million visitors each year to come and get lost in a sense of nature. Unsurprisingly, the park also inspires a wealth of great writing, and here Andrew Blauner collects some of the finest fiction and nonfiction - 20 pieces in all.

Kaiju Rising: Age of Monsters is a collection of 23 stories focused around the theme of strange creatures in the vein of Pacific Rim, Godzilla, Cloverfield, and more. The anthology opens with a foreword by Jeremy Robinson, author of Project Nemesis, the highest selling Kaiju novel in the United States since the old Godzilla books - and perhaps even more than those. Then, from New York Times best sellers to indie darlings Kaiju Rising: Age of Monsters features authors that are perfectly suited for writing larger-than-life stories.

Novelist, essayist, memoirist, playwright, screenwriter, actor, sexual liberationist, traitor to his class, balloon-popper of the pious and pretentious, the country's last true man of letters (they should now retire the title), Gore Vidal belonged to the Greatest Generation of American authors, and was the last great one to go. (He died on July 31st, 2012 at the age of 86.) The triumphant arc of Vidal's literary career wasn't solely a mastery of language, though that never hurts.

On an extravagant evening in May 100 years ago, the scandalous premiere of The Rite of Spring rocked the epicenter of culture and fashion - Paris - and sent aftershocks across the world. Not bad for a ballet! But this was no traditional scamper in tulle and pink toe-shoes, but a bold provocation by a trinity of avant-garde genius: composer Igor Stravinsky, choreographer Vaslav Nijinsky (the first male god of dance), and impresario Serge Diaghilev, founder of the Ballet Russes.

This story of two Norwegian-American farm boys who discover the remarkable magic of storytelling is vintage Gary Paulsen - earthy, gritty, and ultimately poignant. Be aware that Paulsen vividly describes the reality of farm life, including slaughtering pigs and shoveling manure, as the story unfolds.

A singular life often circles around a singular moment, an occasion when one's life in the world is defined forever and the emotional vocabulary set. For the extraordinary writer James Salter, recipient of the PEN/Faulkner Award, this moment was contained in the fighter planes over Korea where, during his young manhood, he flew more than one hundred missions.

Eve is haunted by her dead cats, Willie is not content to turn a blind eye to suffering, and Maria carries on lengthy conversations with a silent caller. Theirs are the odd, but strangely realistic stories you will find in this collection. Avi’s stories address real concerns in a way young people can relate to. Always entertaining, they broach difficult topics like divorce, teenage runaways, adolescent cruelty, and homelessness.

It’s been three long months since Chris’ little sister, Molly, disappeared from the riverbank. His parents are learning to accept the official verdict - death by drowning - and hope that 13-year-old Chris will soon do the same. Their family therapist believes that revisiting the tragic scene and reviewing the video of that fateful day will help. But something about that video is haunting Chris. Watching it for the first time since the fateful day he shot it he comes to an awful realization....

Benjamin was nine years old in the spring of 1855 when his father met with the accident that changed Benjamin’s life. Called home from boarding school, his first sight of his father lying nearly lifeless in the bed petrified him. Gone was the energetic man who had held the family together when Benjamin’s mother succumbed to diphtheria. With the courage and strength that had brought the family to the Oregon Territory, Benjamin and his siblings work to build the barn their father had been excitedly planning when he was struck down.

Learn the 25 keys to doing business on an international scale, from foreign exchange risks to import/export duties with this program from The New York Times Pocket MBA Series.

Learn the 25 keys to improving your management and leadership skills, including effective communication, efficient implementation, and strong team building. This program is part of The New York Times Pocket MBA Series. The series also includes a valuable program on Sales and Marketing.

But when he encounters a monster straight out of stories one night, Baltasar faces trouble even he can't talk his way out of. Captured by the Malleus Maleficarum, a mysterious witch-hunting arm of the Spanish Inquisition, Baltasar is put to the question. The Inquisitor demands he reveal the whereabouts of Amir al-Katib, a legendary Moorish sorcerer who can bring myths and the creatures within them to life.

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett and Raymond Chandler, Erle Stanley Gardner and John D. MacDonald got their start in Black Mask. The urban crime stories that appeared in Black Mask helped to shape American culture. Modern computer games, films, and television are rooted in the fiction popularized by the magazine.

From syndicated humor columnist Marc Acito comes a wildly inventive and hysterically funny novel that is equal parts Ferris Bueller's Day Off, Fame, Risky Business, Dead Poets Society, and The Catcher in the Rye.

It was made like a television movie, and completed in less than three months. It killed off its star in 40 minutes. There was no happy ending. And it offered the most violent scene to that date in American film, punctuated by shrieking strings that seared the national consciousness. Nothing like Psycho had existed before, and the movie industry, even America itself, would never be the same.