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When Penelope Kite swaps her humdrum life in Surrey for a picturesque farmhouse in the south of France, she imagines a simple life of long lunches and chilled rosé.... What she doesn't imagine is the dead body floating in her swimming pool. Convinced that the victim suffered more than a drunken accident, Penelope plunges headlong into local intrigue and long-simmering resentments to uncover the truth.

Meet Detective Maddie Ives in this absolutely gripping, race-against-time series opener from best-selling author Charlie Gallagher. A young woman’s body is left in a metal container in a remote location. The killer is careful to position her under a camera that links to his smartphone. He likes to look back at his work. He is watching her. But she isn’t dead. So he will return to finish the job. He can barely contain his excitement at the thought of getting to do it all over again. But he must be careful. He cannot rush. Rushing makes you careless....

When the First World War broke out, the suffragettes suspended their campaigning and joined the war effort. For pioneering suffragette doctors (and life partners) Flora Murray and Louisa Garrett Anderson that meant moving to France, where they set up two small military hospitals amidst fierce opposition. Yet their medical and organisational skills were so impressive that in 1915 Flora and Louisa were asked by the War Ministry to return to London and establish a new military hospital in a vast and derelict old workhouse in Covent Garden's Endell Street.

Eighteen months ago, a young boy cowers downstairs as the police try to stop his father from brutally assaulting his mother. Now that man and three other domestic abusers have banded together to get revenge on the people they blame for taking their families away. A ring of brutal men working together against the police. And they have someone on the inside. Can Detective Maddie Ives keep their families safe?

Abigail Jex never expected to see any of the Radleys again. They were extraordinary, captivating creatures transplanted from a bohemian corner of North London to outer suburbia, and the young Abigail found herself drawn into their magic circle: the eccentric Frances, her new best friend; Frances' mother, the liberated, headstrong Lexi; and of course the brilliant, beautiful Rad. Abigail thought she'd banished the ghost of her life with them and the catastrophe that ended it, but 13 years later a chance encounter forces her to acknowledge that the spell is far from broken.

Sylvia knows that she's running out of time. Very soon, she will exist only in the memories of those who loved her most and the pieces of her life she's left behind. So she begins to write her husband a handbook for when she's gone, somewhere to capture the small moments of ordinary, precious happiness in their married lives. From raising their wild, loving son, to what to give their gentle daughter on her eighteenth birthday - it's everything she should have told him before it was too late.

After the publication of Outline, Transit and Kudos - in which Rachel Cusk redrew the boundaries of fiction - this writer of uncommon brilliance returns with a series of essays that offers new insights on the themes at the heart of her life's work. Encompassing memoir and cultural and literary criticism, with pieces on gender, politics and writers such as D. H. Lawrence, Olivia Manning and Natalia Ginzburg, this collection is essential reading for our age: fearless, unrepentantly erudite, both startling and rewarding to behold.

The Limekiln Estate has witnessed many a dark crime over the years. When DI Allie Shenton is called out to a suspicious death, she isn't surprised to see it's a local she knows only too well. While the slaying of Billy Whitmore is on everyone's lips, a woman is stabbed in her home. A day later and a third victim turns up. Three known associates brutally murdered—the bodies are piling up quicker than the forensic evidence is coming back. Yet Allie senses there's something more disturbing going on. She's sure Fiona Abbott, Billy's partner, is involved too.

In the quiet Dutch countryside, 15-year-old Sofie returns home from school to find two armed men in her home. One is holding his rifle to her father’s temple, and the other is ransacking her mother’s purse. Though the Nazis find no proof that the family is Jewish, Sofie knows they have to leave. Although they find safety in a neighbor’s attic, they cannot stay there forever. But a resistance has grown; the town has built a village in the woods to hide Jewish people, and the Nazis can't find it. When Sofie’s mother finds out that they have one space left, Sofie is told to go.

To control the past, they edited history. To control the future, they edited literature. London, 1953, Coronation year - but not the Coronation of Elizabeth II. Thirteen years have passed since a Grand Alliance between Great Britain and Germany was formalised. George VI and his family have been murdered and Edward VIII rules as king. Yet, in practice, all power is vested in Alfred Rosenberg, Britain's Protector. The role and status of women is Rosenberg's particular interest.

When one of the notorious Johnson brothers is murdered and a bag of money goes missing, a deadly game of cat and mouse is set in motion. Detective Allie Shenton and her team are called in to catch the killer, but the suspects are double-crossing each other and Allie has little time to untangle the web of lies. As she delves deeper into the case, things take a personal turn when Allie realises she is being stalked by the very same person who attacked her sister seventeen years ago and left her for dead.

A man's body is found on a canal towpath. In his pocket, a magnetic letter in the shape of an E. Days later, a second victim is murdered, this time with the letter V tucked into her clothing. When the letter E is located near to a third victim, DI Allie Shenton and her colleagues are sent into full alert. Is their killer spelling a word, a name or are the letters an anagram? One thing's for certain as the body count rises—the eerie, childlike clues point to a pattern that doesn't look like stopping.

Every evening Rose Ransom looks in the mirror and marvels that she's even alive. A mere woman, her role in the Leader's death has been miraculously overlooked. She still works at the Culture Ministry, where her work now focuses on the outlawed subject of Poetry, a form of writing that transmits subversive meanings, emotions and signals that cannot be controlled. Therefore all Poetry is banned and Rose is appointed a Poet Hunter.

Rose thought she had it all, but her perfect life crumbled when her so-called friend seduced her husband and destroyed her marriage. Now Rose is left without any passion, romance or plans for the future. Lucy believed she finally had her fairy-tale ending, but being the wife isn't half as glamorous as being the mistress. They desperately envy Connie: happily married, effortlessly juggling two children and a fulfilling career. Connie has found genuine contentment. Until, that is, a dangerous old flame flickers back into view.

A house with history. That's how the estate agent described the old toll house on the edge of the town. For Kelda, it's the perfect rural home for her young son Dylan after a difficult few years. But when Kelda finds a death mask concealed behind one of the walls, everything changes. Inexplicable things happen in the house, Kelda cannot shake the feeling of being watched and Dylan is plagued by nightmares, convinced he can see figures in his room. As Dylan's behaviour becomes increasingly challenging, Kelda seeks answers in the house's mysterious past. But she's running out of time.

Could you stay quiet about a murder? Killed on his way home from a night out, Kit Harper had lots of secrets. At the opposite end of the city, another man is found smothered in his bed. Jack Fletcher had secrets too. A photo of a young woman reveals a clue and with dual cases to run, Detective Allie Shenton and her team are pushed to their limits. As attacks on a close group of friends continue, a link to a cold case twenty years ago is unveiled.

When DI Allie Shenton is called out to a murder suicide, it quickly becomes clear that it's a double slaying, and there is a killer on the loose. The bodies are found in a property owned by local entrepreneur/drug dealer Kenny Webb. Several young women are staying there, they are refusing to talk and one of them is missing. While she waits on forensic evidence, Allie decides to do what she does best. She takes to the community to see who will talk. Right now, she's the only one who can get answers. But then a third murder rattles everyone.

Heartache and hardship in London's East End, from the best-selling author of The Orphans of Halfpenny Street. It's the 1950s, and the orphans of Halfpenny Street have found a new home in the Essex countryside at Halfpenny House. Meanwhile, back among the slum clearances of Bethnal Green, St Saviour's has now been partially given over to a home for disturbed girls, though it still serves as a reception centre for local children who are in desperate need. Amongst these are Archie and his sister, June.

When Karen Finch's 17-year-old daughter, Sophie, arrives home after a night out drunk and accompanied by police officers, no one is smiling the morning after. But Sophie remembers nothing about how she got into such a state. Twelve hours later Sophie's friend Amy has still not returned home. Then the body of a young woman is found. Karen is sure that Sophie knows more than she is letting on. But Karen has her own demons to fight. She struggles to go beyond her own door without a panic attack.

Three sisters and a brother meet up in their grandparents' old house for three long, hot summer weeks. The house is full of memories of their childhood and their past, but now they may have to sell it. And under the idyllic surface, there are tensions. Secrets are uncovered, and passions erupt as a way of life - bourgeois, literate, ritualised - winds down to its inevitable end.