Showing results by narrator "Sarah Bacaller" in All Categories

A Comic Wake: Extrapolations from Acts' offers two essays exploring themes from the New Testament writings known as Acts. The first essay, "Comedy of Christian Faith" explores the nature of comedy, finding parallels in many dynamics of Christian faith and identity. The second essay, "In the Wake of Acts" explores an absence of mourning as a cultural phenomenon in the early Christian community in Acts, and asks what this might indicate regarding Christian faith and hope.

New South Wales struggled as a new British penal colony, facing drought, famine, social incoherence, and the development of an intransigent military cartel which did not lose any opportunity to exploit the circumstances. Together with an entrepreneurial landowner society led by John Macarthur, they made the task of the Governor, William Bligh (of The Bounty) very difficult.

The 36 poems, many of which are written in Aussie vernacular, highlight the extraordinary, the comic, and the tragic of daily life in Australia. Quirks of culture, geography, and language are simultaneously caricatured and celebrated, while the challenges and ironies of human experience are touched upon with humor and pathos. Many of these poems first appeared in Australian periodicals during the early 20th century. As a collection, Backblock Ballads and Later Verses was first published in 1918 and includes the notorious mock anthem, "The Austra-laise".

As a compilation of notable fragments from the writings of German philosopher G. W. F. Hegel, this audiobook functions as a helpful and intriguing introduction to the keynotes of his thought. This audiobook, comprised of short selections from Hegel's writings and organized by theme, includes a preface by Elizabeth Haldane and a foreword by Sarah Bacaller. Each Hegelian fragment includes a reference to its original source for those who want to further pursue particular selections.

Digger Smith is an Australian soldier who has fought at Gallipoli. An old mate of Ginger Mick's (The Moods of Ginger Mick), he returns from the war to visit the family of a fellow solder, Jim Flood. Narrated by Bill (the protagonist of The Songs of a Sentimental Bloke and a neighbour of the Floods), the story is woven together with sobering reflections and emotive dynamics expressed within a community of neighbours - friends and families of Australia's soldiers.

Alice Gerstenberg (1885-1972) was an American playwright, actress, and activist. She is best known for her many feminist plays, which often feature female lead characters and all-female casts (a rare occurrence at the time). This is a collection of ten one-act plays, which cover a wide range of topics -highlights include a lighthearted farce involving gossiping women, a satire about dinner parties, and a comedy about the pretensions of conventional theater, but some plays also touch on more serious themes such as death, war, and the effects of an unhappy marriage.

Stirling addresses themes including ethical relationality, religious language, biblical hermeneutics, political engagement, and Restoration Movement heritage and ethos. This engagement is fuelled by his conviction that the good news of Christian faith can and must speak deeply into the most pressing issues and concerns of human life.

Less Is More: Hegelian Fragments is a compilation of aphoristic fragments that explore philosophical aspects of human, and specifically Christian, identity. Engaging Hegel in particular, along with a selection of his precursors and recent interpreters, these fragments explore diverse aspects and tensions of human existence through heuristic interpretation of Hegelian themes. This exploration takes the form of compressed aphoristic writing whereby "less is more".

In this short work, G.K. Chesterton writes with characteristic vivacity as he explores the compelling paradoxes of the book of Job, as found in the Hebrew Scriptures. Armed with keen precision and incisive wit, Chesterton revels in the reversions of expectation found in this story, particularly regarding the character of God. Indeed Chesterton names the God of Job a blasphemer, an atheist...and identifies the loneliness of God as the central idea of the Hebrew Scriptures. Listeners will delight in the twists and turns of Chesterton's thought.

Here Frances Hodgson Burnett describes her delightful encounter with an English robin, who became the inspiration for Mary's little friend in The Secret Garden. Burnett's relationship with the robin, who frequently visits her outdoor writing desk in a rose garden in Kent, unfolds with affection and intimacy. "He was more than a robin," she writes, "He was a soul".

This grimly picturesque novel by Arthur Morrison was first published in 1897. The central character is Dicky Perrott, an urchin living in the Jago, an extremely squalid district of London's East End. The Jago is based on the Old Nichol slum, which lay at the back of Shoreditch High Street, and which has since been demolished. The novel describes Dicky's futile attempts to escape from the soul-destroying environment of the Jago, with the support of the Reverend Henry Sturt, who was based on the historical East End crusader, Arthur Osborne Jay, to whom the book is dedicated.

An anthology selected and edited by Edward J. O’Brien and John Cournos with an introduction by John Cournos and Edward O'Brien.

Why do humans have a horror of skeletons? Is this aversion justified? What does it signify? Such are the animating questions of this essay by G. K. Chesterton, who acts as a witty defendant for humanity’s hidden form.

With G. K. C.’s characteristic wit, he explores in this essay the virtues of baby-worship, as adults are invited to see the world anew through the eyes of children. Furthermore, argues G. K. C., an appreciation of our youngest humans “forces us actually to remodel our conduct in accordance with this revolutionary theory of the marvellousness of all things.”

Skippy Blackfeet lives behind the cemetery walls. He’s often hungry and lonely … but safe. When May finds Skippy Blackfeet and brings him home, their adventures begin. For starters, they need to win May’s dad over. Then there’s the fierce neighbourhood dog, birthday party bungles, tumultuous trips to town, fireworks and thunderstorms, and everything in between! But Skippy Blackfeet and May go together like milk and sardines, and together they can face any challenge. Three stories in one collection of a loving cat and his best friend May.

Humility gets a bad rap these days, especially when contrasted with philosophies of egoism and self-assertion. But can we see the world as it really is without losing ourselves for a moment to take up the perspective of another?

This essay is one in a series titled The Defendant, first published as a collection in 1901, after the individual essays were published in The Speaker. Here, a selection of these essays has been reissued by Voices of Today for a new generation.

This essay is from a series titled The Defendant, first published as a collection in 1901, after the individual essays were published in The Speaker. Here, a selection of these essays has been reissued by Voices of Today.

When it was first published in 1847, Wuthering Heights was considered highly controversial for its blunt portrayal of domestic abuse, alcoholism, and the dismissal of Christian values by some of its characters. Today, this gothic novel is considered one of the greatest in English literature.

Here, Eliot explores ethical problems inherent in certain strands and styles of Christian evangelical teaching—particularly as displayed in the writings of one Dr. Cumming. While Eliot’s critique is focused on the work of this particular preacher, her insights are enduringly pertinent for those interested in the politics and ethics of religious discourse today. As always, Eliot’s authorial voice is abounding in pathos and concern for contexts of human relationality.