Showing results by narrator "Julia Barrie" in All Categories

Emma Appleby's arrival in the County Durham village of Tow Law is sudden and mysterious, provoking deep suspicion in the locals. And because she has a child with her, seemingly out of marriage, they want nothing to do with her - except for pub landlord Mick Castle. When Emma opens an academy and sets herself up in competition with the local school, she provokes a savage response from the community.

When Jake tells Lyssa it's not working, she knows he's not talking about the toaster. Her immediate reaction is to sob into her pillow and wait for Jake to come to his senses. But slowly Lyssa begins to understand that's not an option. In a bid to escape, she embarks on a trekking holiday in Nepal. Lyssa needs to get away - it never occurred to her that she might fall in love.... When it's time to go home - back to reality and a very sheepish Jake - Lyssa is faced with the hardest choice of her life.

It is Spring 1871 when Lizzie Ross accompanies her formidable Aunt Parry on a restorative trip to the south coast. Lizzie's husband, Ben, is kept busy at Scotland Yard and urges his wife to stay out of harm's way.

As a child, Kerry Darke witnessed the abduction of her sister, Sally, the final victim of the murderous Fell Man, a terrifying serial killer. Sally has never been found and the Fell Man never identified. Decades later, Kerry is a detective inspector in London. When a 10-year-old girl is murdered in a drive-by shooting, a ghost of Kerry’s past returns to trouble her. Tortured by the vengeful spirit of Swain, a notorious gang leader, Kerry struggles to maintain a grasp on the case and her sanity, but she is more determined than ever to lay all her ghosts to rest.

When Rachel discovers a Twitter message arranging a romantic liaison, she assumes her husband is having an affair and follows him. What she witnesses is so much worse: a hit-and-run using his car. Meanwhile, Rachel’s friend and business partner Suzie is increasingly worried about her fiancé, who’s not been in touch for days. When Suzie learns of huge debts racked up in her name, she fears he has run out on her, but then the threatening calls start, and she thinks something terrible has happened.

Ellie opens the door to a man who is a stranger but instantly recognisable as the father of her housekeeper's young son. Mikey had been conceived at a party during which his mother, Vera, a schoolgirl, had been drugged and raped. Abdi hadn't wanted anything to do with her, but now he is a consultant whose wife cannot have children, and he aims to pay off Vera and adopt Mikey. Ellie discovers that Vera still thinks fondly of her then boyfriend, even though he had also rejected her.

When Becky steps into Jonathon Nelson’s photography studio, she is simply a journalist looking for a story. But when she puts on the beautiful Victorian dress and poses, she encounters flashbacks from a life that isn’t her own. As she and Jon begin to unravel the mystery, the attraction they have for each other continues to grow and leads them to question: Have they met not just in this life but in another?

Ellie's friend on the police force asks her to enquire about some deaths which might or might not be suicide. Unbeknown to the police, an elderly lady with dementia has come across some drugs and is using them to ease people in pain out of their misery. At the same time, the project to turn the quirky, turreted Pryce House into a hotel is dogged by problems and suspicion falls on the difficult twelve-year-old boy Mikey who Ellie has taken in.

It is 1718 and, in a small parish near Newcastle, Eliza Tally, a headstrong girl of 16, embarks on a reckless love affair that will prove her undoing. When her lover casts her off, denying their union, she is forced to travel to London, a city that attracts and alarms her in equal measure. There, she takes up a position in the house of an apothecary, Grayson Black, whom she trusts to salvage what remains of her reputation.

When young John Vincent died, the outward respectability of the Cornwall household was undermined. Strangers pried, asked too many questions and pointed accusing fingers at Charlotte - herself eager to escape from the oppressive atmosphere of her father's home.

It is March 1950 and Honey Brown marries the farmer she adores - August Blake Esq. With her mother-in-law determined to turn Honey, an ex-showgirl, into a respectable lady of the manor she has a struggle on her hands. Honey longs for the bright lights and glamour of the Windmill Theatre and the companionship of the other girls. To make matters worse, Honey feels increasing animosity towards dairyman Nick and his insolent stare. Why does she dislike the handsome young man when everyone else appears to like him?

Why is Rosamund so paralyzed by Tyler and his secrets? The whole world was once in love with her. Now, married to the dangerously charismatic Tyler, estranged from her conservationist father, despairing of her teenage son's silences, she feels completely alone. Revisiting the almost forgotten...

When Ellie Quicke's friend, Felicity, witnesses a Pitbull savage a young mother in the park, she goes into shock and calls on Ellie for help. Ellie's enquiries indicate that the dog and its owner are strangers to the neighbourhood, but soon there are other attacks...and after each one, the dog vanishes.

Shirley Steadman, a 70-year-old living in a small town in the North East of England, loves her volunteer work at the local hospital radio. She likes giving back to the community, and even more so, she likes getting out of the house. Haunted by the presence of her son, a reluctant Royal Navy officer who was lost at sea, and still in the shadow of her long-dead abusive husband, she doesn't like being alone much. One day, at the radio station, she is playing around with the equipment and finds a frequency that was never there before.

Teri has dated more men than she's had low-calorie, low-fat dinners, and she still hasn't found Mr Right. She's found other men, though: Mr Lazy, Mr Greedy, Mr Completely Selfish, Mr Looking-for-Mother-Substitute and Mr Pervert. But no Mr Right. That is until she's literally knocked off her feet by Jamie Duncan as they rush to catch the same train from Euston station: the 18.07 from platform eight. It's not long before love blossoms and commuting takes on a whole new meaning.