Showing results by author "Charlotte Perkins" in All Categories

Gilman's most famous short story illustrates attitudes in the 19th century toward women's physical and mental health.

Charlotte Perkins Gilman, (1860 - 1935), gained much of her fame with lectures on women's issues, ethics, labor, human rights, and social reform. She often referred to these themes in her fiction. She is best remembered for her 1892 short story "The Yellow Wallpaper", which was based on her own bout with severe depression and misguided medical treatment.

A petrifying collection of classic tales of the paranormal, spooky happenings, gruesome deeds and uncanny apparitions. Guaranteed to disturb your dreams and keep you awake all night.

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers, we bring you a selection of those we consider the best. In Volume 2 we bring you the classics 'The Yellow Wallpaper' by Charlotte Perkins Gilman and 'Roman Fever' by Edith Wharton.

A woman, struggling with mental illness, fights to maintain her sanity in her home, haunted by an apparition from behind her bedroom’s yellow wallpaper.

The Yellow Wallpaper is Charlotte Gilman's best known work. Written from the perspective of a woman suffering post-partum psychosis, it draws the listener into a world which is both terrifying and fascinating, where strange events occur and where even the wallpaper takes on a sinister and creepy significance. The narration and language are masterful, but it is the way the listener is invited to empathise and almost experience the mental illness first hand which make a lasting impression.

An eclectic collection of many of the spookiest classic tales of horror, including Sir Arthur Conan Doyle's "The New Catacomb"; Edgar Allan Poe's "Masque of the Red Death", "Hop-Frog", and "The Cask of Amontillado"; W. W. Jacobs's "The Monkey's Paw"; Charlotte Perkins Gilman's "The Yellow Wallpaper"; and Algernon Backwood's "The Willows".

Una mujer y su marido que es médico, John, han alquilado una casa antigua para pasar el verano. Deciden en vez de usar la habitación normal de matrimonio instalase en el cuarto de los niños en la planta alta. El marido considera que eso será una forma de tratamiento médico para que su mujer pueda recuperarse de lo que él ha diagnosticado como "una depresión nerviosa temporal con una ligera tendencia histérica", diagnóstico habitual para las mujeres de esa época.

The story's protagonist and narrator is an unnamed woman whose husband, a doctor named John, makes her spend the summer in the country for her health. The woman, her baby, John, John's sister and some servants stay in a large rented house. John chooses a bedroom for himself and his wife which is large and airy but otherwise quite unpleasant. The narrator takes an immediate dislike to the room's yellow wallpaper. She soon starts to see grotesque images in its pattern. After some time, the narrator becomes convinced that the wallpaper depicts a woman trapped behind a cage.

The story is a double play: is it the story of a woman going mad, or a woman possessed by something evil? We begin to suspect that the narrator’s apparently caring husband John may not be as caring as she thinks. Is he trying to control her? We know that Charlotte was much concerned with the emancipation of women and them achieving financial independence, so is the character of John an echo of this?

Mackenzie Menter performs Charlotte Perkins Gilman’s famous 1892 tale of a woman’s decent into madness. The unnamed narrator secretly keeps a journal and chronicles her decent into madness while subjected to her doctor-husband’s severe postpartum rest cure. She begins to see that a woman is trapped in the suffocating wallpaper that envelops her room, and she becomes determined - at all costs - to free her.

This story is told as a series of journal entries from a woman who is on forced rest as a treatment for hysteria following the birth of her child. As was common in the time, she is forbidden from any work or "strenuous" tasks and is left to sit alone most of her days without mental stimulation, trapped in a room and a marriage that are not fulfilling her. The woman's isolation and mental state cause her to believe that there is a woman stuck in the wallpaper of her room.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.

The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. It is an important early feminist work that brings forward complicated issues of gender, citizenship, eugenics, and frontier nationalism.

In her best-known work, The Yellow Wallpaper, Gilman writes about different kinds of oppression that women were exposed to at the time. Herland is a utopian novel from 1915, in which an isolated society composed entirely of women exists. The result is an ideal social order: free of war, conflict, and domination. The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. It is an important early feminist work that brings forward complicated issues of gender, citizenship, eugenics, and frontier nationalism.

The American Classics Collection: Volume II is a century-spanning collection of 15 classic novels, short stories, essay, and poetry by American authors, read by a cast of incredible narrators including Adam Sims; Nathan Osgood; Robert G. Slade; Jonathan Keeble, Katherine Fenton; and more. Included here are stories by some of the greatest writers of all time, including Herman Melville; Upton Sinclair; Mark Twain; Walt Whitman; F. Scott Fitzgerald; Thornton Wilder; Edith Wharton; Jack London; amongst a host of others.

What happens when a woman dares to imagine power in a world that denies her even autonomy? In this sharp, sly, and subversive tale, one of America's most original feminist voices turns the tables on society with cool precision and a dash of irony. Written at a time when women were expected to remain silent and self-sacrificing, this short work pulses with quiet rebellion and razor-edged wit.

Charlotte Perkins Gilman’s haunting chronicle of crippling depression, “The Yellow Wallpaper,” is a cornerstone of weird fiction. First published in 1892, it has now been given an unsettling yet empathetic treatment courtesy of Robert Hunter (original score) and Linda Jones (narration) who skillfully brings the listener into the tale’s interiority and demonstrates its timelessness.

The Strange Case of Dr. Jekyll and Mr. Hyde grew out of a horrifying nightmare Robert Louis Stevenson had one night in Bournemouth, England, in 1886. "The Yellow Wallpaper" sprang from a catastrophic nervous breakdown Charlotte Perkins Gilman had six years later on the other side of the Atlantic following the birth of her daughter. Now these two haunting, iconic tales are brought together for the first time in this powerful classic audio exploration of madness and the duality of the human soul.

In this volume we examine Gothic short stories from the woman’s point of view. More usually in this genre the main examples are almost always given as male. Well, in this volume we prove that view needs severely testing. Here we explore works by classic women authors who, with the sheer breadth of their talents and narratives, can make mere men seem tame by comparison.