Showing results by narrator "David Parker" in All Categories

In Framley Parsonage, the fourth novel of Trollope's Chronicles of Barsetshire, the author leaves the confines of Barchester and looks to the countryside, where he relates the moral difficulties of Mark Robarts, the young clergyman who has recently been appointed Vicar of Framley. Desperate to keep up with the local aristocracy, the country parson is persuaded to underwrite the debts of Sowerby, a well-respected peer.

Returned from Ireland after the death of his wife, Phineas Finn has a newfound ambition to rise through the ranks of English politics. But not long after regaining his seat in parliament, Phineas's luck begins to desert him. His reputation is tarnished after the press circulate rumours of an affair with Laura Kennedy, and his ambitions are frustrated by opposition from within the Party. Then, when his Party rival Mr Bonteen is discovered dead, all fingers point towards Phineas, leading to his incarceration and humiliation at the dock.

It tells the tale of Frank Gresham and Mary Thorne, a couple intent on marriage despite their conflicting social backgrounds. Frank is engaged in a fierce battle with his family as his mother vehemently opposes the marriage and pushes him to marry a wealthy heiress; however, Frank shuns her attempts and is determined to accept Mary on her own terms.

At the Vis Ta Vie inn, Reneé and Jean-Paul De La Rue face the daunting decision to close their beloved home for good. They’re not the only ones going through a season of change, though. Their guests include three couples in crisis: Hollywood celebs Leo and Penny are spending their silver anniversary together while on the cusp of divorce. Lucy, a practical-minded therapist, and Henry, an astronomer with his head in the stars, are struggling to find common ground.

Michael returns to fulfill a promise to his love, but the world isn't the same place. Michael, the Archangel himself, has returned after a hundred and fifty years rejuvenating in the Etheric Dimension. Now, the most powerful male Vampire the world had ever known is back. The problem? The world went through an Apocalypse and what little honor and justice that previously existed, is gone. Further, his love has left to the stars somewhere, fighting for those on Earth.

Someone has to die.... Henning Juul sits in a boat on a dark lake. A man with a gun sits opposite him. At the man's feet is a body that will be soon be dumped into the water. Henning knows that the same fate awaits him. And he knows that it's his own fault. Who started the fire that killed Henning's young son? How is his sister, Trine, involved? Most importantly, who can be trusted?

The email dropped into my mailbox about 9:30 on Tuesday night. I opened it, surprised to see that the email had been sent to a mailbox and email address I hadn’t used for ages.

In this series we explore the many facets of love through literary talents that span both time and country. Love is good. It’s positive, a source of joy, nourishment and all over goodness. But sometimes other more malevolent forces come to play. They infect that love, they see their form as better. Instinctively we would shy away but sometimes its pull is too powerful, almost attractive. We are drawn closer into the shadows.

The picturesque coastal town of Florence was known for millennia as a pleasure resort for the Nobility. As retribution for their decadence, the cruel and beautiful vampire inhabitants were ""punished,"" driven out more than a thousand years ago by a solitary traveler in black. Only one—Baron Meinster—refused to leave, only to be thrown to the waves by the mysterious assassin.

Even a reluctant hero can't refuse the last request of a beautiful woman. On her deathbed, the mortally wounded woman gives him a strange gem and asks him to deliver the priceless stone to her sister, far off in a North Sea fishing village. D's journey is made ever more perilous by a series of scoundrels and rogues hired by the girl's murderer. They'll stop at nothing to claim the jewel. Will they catch him?

Dot's had quite enough of making tea in the Cabinet War Rooms. When she finds a cryptic message in the newspaper she enlists the help of her gals - will this be the big break Dot's been waiting for? Follow Dot as she gets squiffy over Agent Bertie Whiff-Whaff, concocts stirring yet pithy slogans for the war effort and goes on a mission to St Horribly Vulture’s School for Boys to enlist a teacher for...'shhhh...Bletchley Park!'

Visible Gods is an imaginary dialogue between Socrates and four fictitious modern-day characters. Socrates' worldview is of a living cosmos with man only half-way up the hierarchy of all beings; above him reign suprahuman beings of great majesty and power - the visible gods. The moderns with whom Socrates converses disdain his ancient Greek cosmos as primitive and false.

Barchester Towers, the sequel to The Warden, is the second novel in Trollope's major series, the Chronicles of Barsetshire. It focuses on the power struggle between Archdeacon Grantly, Mr. Slope and the Proudies as they fight for control of the diocese of Barchester. Meanwhile, another struggle is taking place for the heart of Eleanor Bold. Who will win her? The vile Mr. Slope, the idling Bertie Stanhope or someone else entirely?

Ryūnosuke Niihara was born in Kyōbashi, Tokyo in Japan on the 1st March 1892. Sadly, his mother suffered severe mental illness after his birth and so, at only eight months old, he was sent to be raised by his maternal uncle and aunt, from whom he received the Akutagawa family name. Akutagawa published "Rashōmon" in 1915 and whilst it was disliked by his friends everyone else knew better. As other short stories followed so did his growing literary reputation as the father of the Japanese short story.

Upon inheriting the Moonstone, a huge and priceless diamond, Rachel Verinder's delight turns to dismay when the gem suddenly disappears. But this is no ordinary theft. Sergeant Cuff of Scotland Yard is called in and immediately suspects an intricate plot. However, not even his powers of detection can penetrate fully the mysteries surrounding the diamond.

Along the centuries numerous interpretations and definitions of Sufism have waxed and waned but the undeniable beauty of their verse in its myriad of forms including the musical Ghazal (love song), Masnavi (narrative) and Rubai (quatrain) always remains. Our chronological volume of the classic Sufi poets helps us understand the spiritual direction of Sufism, starting with Rabia in the 8th century through to Khwaja Ghulam Farid over a thousand years later.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. The Russian short story is, in many respects, in a genre of its own. It is at its captivating best whether it’s an exploration of real-life experiences, through fantasy and fables and on to total absurdity.

For an atheist it’s a great deal, though it does suggest atheism may have a weak point. For those of faith it’s a matter of jam now and purgatory tomorrow. A bargain many artists feel is something they can live with. For agnostics it’s usually a question of can the afterlife really be that bad, would workplace regulations reach all parts of heaven and hell. However, in this volume the terms are agreed and the Devil pays his fees and the character his dues, each happy to wait a few decades for the eternal payback.

In this volume we examine the German language. Or rather the authors who wrote in German but are here translated into English. German is most often called the language of philosophers due to its precision and clarity. However, if you’ve studied German, you will know that sentence construction can be difficult to grasp. However, within these stories the language of these great talents express themselves in dazzling prose and searching narratives. And the characters? Clearly the works of genius.

In this volume the English language reveals itself in a scale and depth that few others can compare with. It seems to be an advantage to be able to choose from over a million words and yet, it is not the words but the way in which they are used that resonate with us all. Is there some bond between the English and writing poetry? Maybe, maybe not, but let us celebrate these poems down the ages, not as one nation’s hoard but humanity’s gift.