Showing results by narrator "Alan Weyman" in All Categories

The classic horror story of dual personalities gone too far, this full-cast narration explores the attempts of Utterson, a London lawyer, to investigate the strange occurrences surrounding his friend, Dr. Henry Jekyll, and the shocking discoveries he makes along the way. The impact of this story has been so strong that "Jekyll and Hyde" has become part of our vernacular, referring to those who are outwardly good but inwardly evil.

Reality is relative. There is no such thing as universal truth. But lies are always lies. From auctions to assassinations, from cosmos to subconscious mind, the roots feeding into these short stories start fine, but thicken and tangle as they grow deeper. Follow these wayward souls through their darkest moments, each beginning with a bang and each trying desperately to avoid ending with the same.

This classic farce was first performed in 1892. Since the record-breaking initial run in London, it has been revived many times around the world in a variety of languages, and has also been adapted for a number of presentations on film. The play incorporates many of the features which have become standard in romantic comedies: a cross dressing central character, identity confusion, young lovers kept apart by parental influence and older lovers unexpectedly reunited.

Richard Dudgeon, who has become an outcast from his puritanical family due to his religious apostasy, returns home on the death of his father. Much to everyone’s surprise, it is revealed that the father changed his will shortly before his death and has left the bulk of the estate to Richard. Now that he is lord of the manor, Richard asserts himself and declares his opposition to the colonial British authorities. Later, he is arrested by the British and sentenced to death but is rescued in the nick of time by a local militia commanded by Anthony Anderson, who, ironically, is a pastor.

According to George Bernard Shaw, Joan of Arc was in fact one of the first Protestant martyrs. She was one of the first apostles of nationalism, and the first French practitioner of Napoleonic realism in warfare. She also refused to accept the specific woman's lot, and dressed and fought and lived as men did. Shaw's exploration of the story of this ingenuous and eponymous heroine is set in six scenes and an epilogue, which takes place in 1456, when the church cleared Joan of the charge of heresy and condemned her accusers of corruption.

A man was hanged in Reading Gaol during Wilde's imprisonment there. In "The Ballad", written after his release, he tells of the horror of the event and its effect on himself and his fellow prisoners. First published 1898, under the pseudonym C.3.3 - the number by which Wilde was known in the prison, consisting of the cell block, landing number and cell number of his cell.

King Claudius, when a young man, wrote a five-act tragedy which was damned, and all reference to it forbidden under penalty of death. The King has a son - Hamlet - whose tendency to soliloquize has so alarmed his mother, Queen Gertrude, that she has sent for Rosencrantz and Guildenstern to devise some Court revels for his entertainment. Rosencrantz is a former lover of Ophelia, to whom Hamlet is betrothed, and they lay their heads together to devise a plan by which Hamlet may be put out of the way. Some Court theatricals are in preparation.

Cole, an old sea captain, lives on a ship with his daughter and her immigrant husband. The trio prepares for a deluge, while Cole meets Daphne, a mermaid who seduces and tempts him. As tensions rise with the rolling tides, Cole must make a difficult choice: take a leap into the unknown, or stay on the safe side. This is a story about connection and separation, about tolerance and the decision to cut ties.

These six plays are Japanese classics from the 14th century and are presented in the order of a traditional Nō programme. Nō, the Japanese word for "skill", is a form of Japanese musical drama that originated in the eighth century, and is the oldest major theatre art that still survives today. Alongside Nō plays were kyōgen plays, which were short works typically inserted as a comedic interlude of sorts between the more classical Nō performances.

Little Stevie just wanted a friend to help make snowmen and snow angels and have fun and games with. Ever unpopular and often lonely, a lot of experiences most children his age have passed him by. A heavy winter brings the town to a standstill, and he seeks the opportunity to play in the snow, but something else is already playing in the snow, and the game it is playing is deadly enough to destroy mankind.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In Castle Wetterstein, that role is represented by Effie, the young daughter of a bourgeois widow, who is being courted by the man who killed her late husband in a duel.

Two British members of Parliament - one an elder conservative, the other a younger man with a liberal bent (and an eye on the older man's daughter) face a difficult choice. Some stranger has left each of them a considerable fortune on condition they give up their well-respected family names and adopt that of Wurzel-Flummery.

A scholar wracked by the prospect of a grisly civic duty contends with a wife who abhors him, a discovery that could kill him, and the unlikely spiritual heirs of a dead rebel. But the most fearsome thing of all could be a puppy - if not a still, small voice.

An anthology selected and edited by Edward J. O’Brien and John Cournos with an introduction by John Cournos and Edward O'Brien.

A visit to the Royal Collection of Charles I at the Royal Academy, 26th March 2018. Viewing works by Rubens, van Gyck, Mantegna, and Holbein, with comments and responses of the spectators.

Frank Wedekind (1864-1918) was the most controversial dramatist of his age. Most of his work focuses on the ubiquity and inevitably corrupting influence of sexual attraction. His most famous plays are the two that depict the rise, fall, and eventual gruesome death of the vampish Lulu, who, in Wedekind’s presentation, became a ghastly parody of Goethe’s “Eternal Feminine”. The first of the plays is Earth Spirit, in which Lulu marries and survives three husbands, only to face prosecution for the shooting of the third.

Two very short stories from the master of the witty turn of phrase and of narrative.

If you had discovered a way to become invisible, would it bring you tremendous power? Or tremendous problems?

The Online Stage presents Shakespeare’s most famous and most quoted play, a revenge drama which explores the inevitable conflict between conscience and justice, between morality and obligation. The tragedy arises, not from an obvious weakness in the character of Hamlet, but rather from his inability to deal with an apparently insoluble moral dilemma.

Listeners are invited to sit back and enjoy this collection of classic Yuletide tales....