Showing results by author "G.K. Chesterton" in All Categories

Father Brown is an eccentric priest with his own particular ways of dealing with crime. David Timson, having completed the whole of Arthur Conan Doyle's Sherlock Holmes canon, a remarkable achievement, turns his hand to the genial but certainly not innocent priest! This collection contains a group of stories from the Innocence of Father Brown, told unabridged.

Evan MacIan is a tall, dark-haired, blue-eyed Scottish Highlander and a devout Roman Catholic. James Turnbull is a short, red-haired, gray-eyed Lowlander and a devout but naïve atheist. The two meet when MacIan smashes the window of the street office where Turnbull publishes an atheist journal. This act of rage occurs when MacIan sees posted on the shop's window a sheet that blasphemes the Virgin Mary, presumably implying she was an adulteress who gave birth to an illegitimate Jesus.

Considered by many to be one of G.K. Chesterton’s greatest works, The Everlasting Man (first published in 1925), along with many of Chesterton’s other works, were heavily influenced by his own spiritual journey into Christianity. Published in 1925, The Everlasting Man is said to be a rebuttal of H.G. Wells’ The Outline of History, in which Chesterton delves into the history of religion and the spiritual exploration of Western society while defending any objections to Christianity.

A wonderful collection of classic thrillers, mystery stories, crime tales and weird accounts of uncanny events.1. Query by “Seamark” 2. The Furnished Room by O. Henry 3.The Dancing Partner by Jerome K. Jerome 4. The Squaw by Bram Stoker 5. The 19 Club by A. J. Alan 6. The Interruption by W. W. Jacobs7. Laura by Saki 8. A Descent into the Maelström by Edgar Allan Poe 9. The Diver by A. J. Alan10. The Man of the Night by Edgar Wallace11. The Burglary by Arnold Bennett

Among the oldest stories of human civilization, Aesop's fables are a collection of extended proverbs with moral messages attributed to the Greek slave Aesop, who lived in the fifth century BC. Children will delight in these basic human truths represented by talking animals and plants, and adults will marvel at the plainspoken language of these ancient tales.

Murder comes in two familiar forms. Whether as a crime of passion with high emotions or a cold dispassionate plot to take life in order to gain in some way, the act strikes us all as somehow inhuman. Beneath us as civilised beings. But however we cloak our animal instincts the need to remove a human being and gain relief from abuse or gain from money, the term is just the same – MURDER. Robert Louis Stevenson, Arthur Conan Doyle, J M Barrie, W W Jacobs and many others bring their literary heft to bear in as calculating a way as any killer could.

This classic novel by the brilliant G. K. Chesterton tells the rollicking tale of Innocent Smith, a man who may be crazy - or possibly the most sane man of all. Arriving at a dreary London boarding house accompanied by a windstorm, Smith is an exuberant, eccentric, and sweet-natured man. Smith has a positive effect on the house - he creates his own court, brings a few couples together, and falls in love with a paid companion next door. All seems to be well with the world.

El conjunto de los relatos del padre Brown, escrito a lo largo de más de veinte años, constituye quizá la obra más popular de Chesterton. El simpático cura-detective que los protagoniza resuelve en ellos, armado únicamente con su paraguas, su inocencia y su sabiduría, intrincados casos gracias a un conocimiento sencillo a la par que profundo de la naturaleza humana.

This audiobook is wonderfully narrated by British actor Nigel Peever, who brings the story to life. Published by Chesterton Books.

In What's Wrong With the World, G.K. Chesterton discusses big business, education, government, feminism, and more. The work draws on thousands of essays Chesterton contributed to newspapers and periodicals over his lifetime. Eloquently opposing materialism, hypocrisy, and snobbery, Chesterton was a steadfast champion of family, faith, and the working man. The work includes a discussion of humankind and its nature, the power of spirituality and the consequences of increasing secularism in the modern world, and the role of education in shaping the young to fit into the society.

1. "August Heat" by W. F. Harvey 2. "A Madman’s Manuscript" by Charles Dickens 3. "The Hair" by A. J. Alan 4. "My Favourite Murder" by Ambrose Bierce 5. "Cannibalism in the Cars" by Mark Twain 6. "Gabriel-Earnest" by Saki 7. "The Pistol Shot" by Alexander Pushkin 8. "The Mark of the Beast" by Rudyard Kipling 9. "At the Farmhouse" by E. F. Benson 10. "The Parasite" by Sir Arthur Conan Doyle 11. "The Murder of the Mandarin" by Arnold Bennett 12. "Moon’s Gibbet" by Egerton Castle 13. "Query" by Seamark

In The Napoleon of Notting Hill, his first novel, G. K. Chesterton creates a witty satire of staid government, set in a London of the future. Auberon Quinn, a common clerk who looks like a cross between a baby and an owl and is often seen standing on his head, is one day told that he has been randomly selected to be His Majesty the King. He decides to turn London into a medieval carnival for his own amusement - with delightful results.

In this classic of Christian apologetics, Chesterton lays out a sort of “spiritual autobiography”—how he personally came to believe. Chesterton considered it a companion book to his earlier work Heretics. Where Heretics was a collection of essays defending the Christian faith, Orthodoxy is Chesterton’s own story of how he came to believe that faith.

The Sherlock Holmes & Father Brown Collection, read by Jonathan Keeble (as Sherlock) and Nicholas Boulton (as Father Brown), includes unabridged recordings of the complete short stories featuring two of the most iconic amateur detectives in literature - Father Brown and Sherlock Holmes.

The G.K. Chesterton Faith Collection brings together six of Chesterton's major works on faith and religion, including his seminal early work on moral theology, Heretics, all the way to his late-life writings on Saint Thomas Aquinas. This collection takes you through the broad breadth of Chesterton's thinking—from his early full-throated philosophy on everything from war to morality, to his later focus on the Church and his conversion from high church Anglicanism to Catholicism.

The Complete Father Brown Collection: Books 1-5, read by the outstanding Nicholas Boulton, includes unabridged recordings of the complete works of Father Brown—G. K. Chesterton's beloved amateur sleuth.

The G.K. Chesterton Fiction Collection brings together thirteen of Chesterton's major novels and short story collections, including the complete compendium of his beloved Father Brown stories. This collection takes you from his first published novel, The Napoleon of Notting Hill (often cited as inspiration for 1984) to stories of his monocled amateur sleuth, Father Brown, and all the way through to his final novel, the high satire The Return of Don Quixote.

In this important book, G.K. Chesterton offers a remarkably perceptive analysis of social and moral issues, even more relevant today than in his own time. With a light, humorous tone but a deadly serious philosophy, he comments on errors in education, on feminism vs. true womanhood, on the importance of the child, and other issues, using incisive arguments against the trendsetters’ assaults on the common man and the family.

G. K. Chesterton joyously skewers modern philosophers, authors, and artists in Heretics. This is the companion volume to Orthodoxy. Visit www.chestertonbooks.com to see other books in our G. K. Chesterton series.

A Short History of England (1917) is Chesterton’s commentary on the philosophical, social, and religious history of England. The book focuses on those highlights that have shaped the nation, and is presented in the author’s customary wit. Having displayed strong Roman Catholic leanings at this time of his life, the author equates Anglicanism with atheism, but does commend the upliftment achieved by the Wesleyans. Chesterton views the story of England as the story of robber barons who became an aristocracy and who concealed their rise to power and hegemony through Parliament.