Showing results by author "E. M. Forster" in All Categories

When the young English widow Lilia Herriton takes off on the grand tour and along the way marries a penniless Italian, her in-laws are far from amused. That the marriage should fail and poor Lilia die tragically are only to be expected. But that Lilia should have had a baby - and that the baby should be raised as an Italian - are matters of grave concern to Philip Herriton, his dour sister Harriet, and their well-meaning friend Miss Abbott.

In this searching tragicomedy of manners, personalities, and world views, E.M. Forster explores the "idea of England" he would later develop in Howards End. Bookish, sensitive, and given to wild enthusiasms, Rickie Elliot is virtually made for a life at Cambridge, where he can subsist on a regimen of biscuits and philosophical debate.

Collected here are three of E.M. Forster's classic novels: "A Room With a View," "Howards End" and "A Passage to India," each a stand-alone masterpiece and all of them celebrated as among the finest novels of early 20th century literature.

First published in 1910, this classic tale of three very different and socially distant families, whose lives intertwine through chance encounter, still has the power to move and entertain us. The passionate and artistic Schlegels, with their idealism and compassion find themselves inextricably linked with the pragmatic and capable Wilcox family, through a series of events which change the course of their lives forever.

English widow Lilia causes a scandal by marrying Gino, a highly unsuitable Italian 12 years her junior. But when her relatives are confronted by the beauty of Italy and the charm of Gino, they are forced to examine their own narrow lives.

The major part of the human population lives under the surface of Earth. Humankind has created a Machine which meets all possible needs. Travelling is permitted but people do not feel the need for it. Everybody lives in a separate room and communication is made via messages and videos only. However, not everyone is content with this life. There are rebels like Kuno who want to explore and get out of the limitations set by the Machine. Kuno will try to escape but without success.

A Room with a View is a novel by English writer E. M. Forster, about a young woman in the restrained culture of Edwardian era England. Set in Italy and England, the story is both a romance and a critique of English society at the beginning of the 20th century. The first part of the novel is set in Florence, Italy, and describes a young English woman's first visit to Florence, at a time when upper middle class English women were starting to lead independent, adventurous lives.

Adela Quested travels to India with her chaperone Mrs Moore, on the premise of deciding whether to marry Mrs Moore's son Ronny Heaslop, the city magistrate. Finding her India very disappointingly English, Adela jumps at the chance the two women are given to travel to the distant Marabar caves with Aziz, a charismatic young Indian Doctor. When Adela is subjected to an attempted assault in one of the caves, Dr. Aziz is arrested and tried in court.

Lucy Honeychurch is a zesty young English woman living in the confines of Edwardian Britain. Whilst travelling in Italy, she meets the quirky George Emerson, who opens her eyes and arouses conflicting feelings. E.M. Forster’s 1908 “A Room with a View” explores themes of class, societal expectations, and the transformative power of true love, culminating in Lucy’s choice to embrace her heart over tradition.

"Howard's End" by E.M. Forster is a timeless novel of class conflict, personal connections, and the search for meaning in a rapidly changing world. This podcast examines the lives of the Schlegel sisters and their complex relationships with the wealthy Wilcox family. Explore themes of love, idealism, and the struggle for personal integrity in a society divided by wealth and status.

A Room with a View is a romance that makes use of the convention of the marriage plot, but it is also a comedy parodying British tourism in Italy. Forster had spent one year travelling in Italy between 1901 and 1902, and the people and situations he observed during his visit greatly influenced the novel. Lucy’s visit to Northern Italy references the 18th-century Grand Tour, the trip across southern Europe, which was seen as a necessary way for young gentlemen to complete their education. In Forster’s novel, Lucy and her cousin travel to Florence to see the ‘real Italy’ but stay in a ...

Young, naive Lucy Honeychurch is visiting Italy for the first time, accompanied by her older cousin and chaperone, Charlotte Bartlett. On arrival at the Pension Bertolini, a mix-up over rooms leads to a meeting with the eccentric Mr Emerson and his brooding son, George. Frank, free-spirited and lower-class, the duo are not respectable companions for a lady - but as Lucy tentatively explores Florence and the beautiful Tuscan countryside, she discovers a land of freedom and sensuality, where rigid social barriers are meaningless.

Howard's End is about three families in England at the beginning of the twentieth century. The three families represent different gradations of the Edwardian middle class: the Wilcoxes, who are rich capitalists with a fortune made in the Colonies; the half-German Schlegel siblings (Margaret, Tibby, and Helen), who represent the intellectual bourgeoisie and have a lot in common with the real-life Bloomsbury Group; and the Basts, a couple who are struggling members of the lower-middle class. The Schlegel sisters try to help the poor Basts and try to make the Wilcoxes less prejudiced.

Lucy Honeychurch and her cousin are on a vacation in Florence. The girls are given a room looking into the courtyard, but they would rather have one with a view over the river. George Emerson and his father offer the two girls to change rooms and this is how George and Lucy meet for the first time. George grows fond of Lucy but she is not sure of her feelings towards him. She returns home to England where she accepts to marry Cecil Vyse, a man who had already proposed to her three times.

The story from which this collection takes its title describes the adventures of an imaginative boy who discovers an omnibus that enables him to travel to the past in the company of famous historical personages. When at his invitation, an incredulous adult accompanies him on a journey, the astonishing new vistas unfolding alarm the security-conscious older man, who wishes himself back in his comfortable suburban home.

Lucy Honeychurch is a young English girl abroad in Italy for the first time and is ready to experience all the beauty, art, and romance it has to offer. She is hampered by the oppressive attentions of her chaperone, her prim cousin Charlotte, as well as the presence of a substantial British expatriate and tourist community in Florence.

In a London suburb is a dead-end alley where twice a day a horse-drawn omnibus leaves for the Promised Land. Just make sure you get a return ticket before you leave, or you won't be coming back.

This brilliant novel depicts cultural clashes between a middle-class English family and a penniless Italian. His marriage to a young widow from Sawston leads to a tumultuous situation within the family.

When Lilia, an English widow, marries a penniless Italian while on vacation, her dead husband's relatives are not amused. That the marriage should fail and Lilia die tragically are to be expected. But that she should have a baby, and that the baby should be raised Italian, of all things, are matters requiring immediate correction. E.M. Forster's first novel addresses cultural collisions and English middle-class sterility.

E. M. Forster’s first novel explores the comic and tragic effects of culture clash between insular, provincial British personalities and sensual Italian culture and atmosphere. Lilia Herriton, an impulsive 33-year-old widow from London, travels to Tuscany, where she falls in love with both Italy and the handsome, carefree Gino Carelli, a dentist’s son 12 years her junior. When news reaches the snobbish Herriton family that Lilia intends to marry again, this time to an unsuitable Italian, the domineering Mrs. Herriton sends her son, Philip, to prevent the catastrophe - but he arrives too late.