Showing results by narrator "Dana" in All Categories

Dann muss es wohl Liebe sein ... Nach ihren großen Bestsellererfolgen "Ich hatte mich jünger in Erinnerung" und "Ich will so bleiben, wie ich war", die sich um das Älterwerden drehen, nimmt sich Monika Bittl nun die Paarbeziehung vor. In herrlich unterhaltsamen Alltagsgeschichten beleuchtet sie die liebenswerten wie absurden Seiten, die ein Eheleben mit sich bringt. Sie geht der Frage auf den Grund, ob der häufigere Scheidungsgrund eine Affäre oder die ewig herumliegenden dreckigen Socken des Partners sind - und sucht die Formel für eine erfüllte, lange Ehe.

Ein Neustart in St Ives - wer träumt nicht von einem Haus in Cornwall? Elodie hatte bisher eigentlich andere Pläne - bis ihre Beziehung spektakulär scheitert und Ex-Freund Per ihr auch noch Geld für einen Neuanfang bietet. Als sie auf das Inserat für ein hübsches kleines Bed & Breakfast in St Ives stößt, räumt Elodie kurz entschlossen ihr Konto leer, kauft das Haus und reist nach Südengland. In dem kleinen Fischerdörfchen stürzt sie sich nicht nur in die Renovierung, sondern lernt auch die schüchterne Helen und die lebenslustige alte Dame Brandy kennen.

Luke Martelli had been hours away from working his dream job with a pit crew when a freak accident took that chance away. Then Ellison Carlisle, a rich girl from Kentucky, has the nerve to tell him to accept his fate. What does she know about pain? For Ellie, moving to Brooklyn was supposed to be a fresh start. She's homesick, but getting away from painful memories in Lexington is worth the change. Until she meets Luke, who's entirely too sexy for his attitude. Her track record for boyfriends is 0-for-3. Is it worth the risk to try to break that big chip on Luke's shoulder?

The Empire of Lucent has stood for centuries as a beacon of strength and light. But now an otherworldly realm has unleashed an army of nightmarish creatures upon the peaceful empire, spreading a lethal plague called The Decay that consumes its victims mercilessly from the inside out. The king of the Empire of Lucent calls upon "Lady of Death" Zephera Travelle - an infamous assassin with a weakness for braided cinnamon bread and a striking aptitude for murder and mayhem. He sends her on an impossible quest to find the one person who can concoct a cure and save the realm from total annihilation.

I'm in the business of hunting down and acquiring the planet's most coveted objects. Nothing thrills me more than finding and buying pieces with unbelievable value...and selling them for a massive profit. Nothing...until she bursts onto the scene. She might have the world's most tantalizing body and a smoldering look in her eyes, but she's made it clear that I have no chance. It's a challenge I can't turn down.

Interview conducted with Christiane Baumgartner in 2010, by emailed questions and replies, in which she describes the process of her graphic and video work; incorporating ideas of stop-motion time frames applied to subjects of landscape, travelling, traffic, highways, and military installations.

Painter Claudia Carr describes her surreal landscapes, composed from reflections of found objects that suggest imaginative scenarios of play and dreams.

Interview recorded with Rachel Howard at the artist's studio in July 2011. Explores her childhood and upbringing, awareness of "God", and experience of a Quaker schooling. Attendance at Goldsmiths and work for Damien Hirst on pharmacy cabinets and the Spot Paintings. Recent exhibition in Italy, the "Via Dolorosa"; discussion of her paintings and drawings; the desired effect of her work.

Interview with painter Anthea Holmes, recorded in April 1988 at her Whitechapel Studio. She describes her training at Kingston University and at The Pratt Institute New York; with the development of an intricate play between figure, ground and light in an intimate process of accumulation and elision of elements.

Artist Louise Sheridan interviewed at her exhibition at The Cafe Gallery Southwark in 1993. She describes her travels in Nepal and Thailand, and the works produced from a fellowship in Barcelona, Spain. She focuses on "The Envelope Series", votive objects made with wax and encaustic, and works made with Nepalese bark paper.

Renowned artist Thérèse Oulton describes her series, Territory, detailed aerial views in small-scale paintings, exhibited at Marlborough Fine Art London. She considers their source and her excursions in London and elsewhere, and their bearing on her work.

Spring Etienne is a pretty, charming 15-year-old psychopath who will do anything to bring herself out of poverty - including seducing a lonely older man. Hank is indeed a lonely older man - but he is also an incubus who feeds on the dreams of his victims. Together, they form a bizarrely functional, darkly comedic couple. When a murder forces the couple to flee to Hank's homeland in Germany, they are drawn deep into the world of the incubi - a world where Spring fits in very, very well.

An interview recorded with the leading ceramic designer and studio potter Janice Tchalenko explores her development, from training with Mick Casson at Harrow Schoolo of Art to growing her own practice, leading to a major commission of supply to the Next retail chain. Tchalenko describes her appointment to renew China's ceramic industry and her activity as the chief designer of the Dartington pottery.

Interview recorded with Brazilian artist Lara Viana at Domobaal Gallery in January 2010. She describes her interest in souvenirs and votive settings found in the Catholic Church, and acknowledges an influence from the art of Velazquez and Zurbaran in her refined and ethereal paintings. The conversation revolves around a recent set of still life studies; tableaux of nature morte, that carry implications of transient existence in their subtle conception.

Morag Ballard describers her studio in Penzance, Cornwall, and the strategies of her work; paintings which create perspectives and settings referring to certain interiors.

Interview with leading British sculptor Alison Wilding, RA, recorded at Tannery Street Studio, Bermondsey, in 1995. She describes the making of Harbour, in alabaster and pvc moulding, and Echo, a stainless steel sculpture exhibited at Karsten Schubert. Sourcing materials, the levels of the work; assistant Adam Kershaw; and its relation to other contemporary works.

Scottish painter June Redfern interviewed by Livvy Anson for CV Journal in March 1990. The artist discusses her methods and approach, with sources of inspiration for her work.

Interviewed during the installation of "Ghost" at Chisenhale Gallery East London in 1990, sculptor Rachel Whiteread describes her initial experience as an assistant to Alison Wilding and employment as a theatrical props maker. She reveals the development of "Ghost", cast from a room at 286 Archway, and gives details discovered in her first major project of replication.

Sharon Kivland describes strands of influence in her work, which draws on French and Russian literature of the 18th and 19th centuries, in particular concerning the changing roles of women in domestic, social, and political life.

Kelly is a woman who has faced many challenges in her life, including the many obstacles presented as a result of cerebral palsy, but that hasn’t stopped her from climbing the professional ladder. The driving force, for so many years, has been the young children who enter the school with smiles on their faces. Her roles as educator and then administrator allowed her to teach acceptance of physical disability to those young minds. But, when presented with a case of severe mental illness in her school, how will she handle her own biases?