Showing results by narrator "Cassandra A Campbell" in All Categories

Faye Longchamp is overjoyed to be paid to do archaeological work she would have done anyway - excavating a site that was once her family's. But that joy ends abruptly when intruders break into a dear friend's house and leave him dead among the scattered remains of Faye's artifacts.

Archaeologist Faye Longchamp and her friend Joe Wolf Mantooth have traveled to Neshoba County, Mississippi, to help excavate a site near Nanih Waiya, the sacred mound where tradition says the Choctaw Nation was born. When farmer Carroll Calhoun refuses their request to investigate a nearby mound on his land, Faye and her colleagues are disappointed, but his next action breaks their hearts: He tries to bulldoze the huge relic to the ground. Faye and Joe rush to protect history - with their bodies, if necessary.

The suspicious drowning death of Captain Edward Eubank breaks archaeologist Faye Longchamp’s heart. It also confuses her, because he was found in scuba gear and she’s never heard him even mention scuba diving. During their last conversation, he told her that he believed he’d found a storied shipwreck, but when Faye checks it out she finds nothing there—not a plank, not a single gold coin, nothing. If there’s no treasure, then why is her friend dead? But the situation quickly escalates beyond a murder mystery.

Faye has traveled to Memphis, a city steeped in music, poverty, history, and the smoky tang of barbecue. She's there working alone to do an assessment of a site, welcome work for her small archaeological consulting firm. When Faye spies a child too young to be wandering along a creek alone, she follows the girl. A day later she uncovers a dying woman, buried alive near a spot where Kali might well be hiding. Nobody would blame Faye for running hard, but she can't make herself leave Kali, the woman's now-orphaned daughter, who might be in danger.

Lightspeed was founded on the core idea that all science fiction is real science fiction and that science fiction is vast. It is inclusive. Science fiction is about people, and queer people, no matter how they identify, are a big part of that. They always have been. They're just sometimes harder to see. So, in the interests of visibility, Queers Destroy Science Fiction! shows just how wide the spectrum of sexuality and gender identity can really be.

Out for a hike one scorching afternoon in Sycamore, Arizona, a newcomer to town stumbles across what appear to be human remains embedded in the wall of a dry desert ravine. As news of the discovery makes its way around town, Sycamore's longtime residents fear the bones may belong to Jess Winters, the teenage girl who disappeared suddenly some 18 years earlier, an unsolved mystery that has soaked into the porous rock of the town and haunted it ever since.

Faye Longchamp-Mantooth, who runs a small archaeological consulting firm, is in Oklahoma so she and Joe can join his father, Sly Mantooth, in dispersing his mother's ashes. While there, Faye is serving as archaeology consultant on the reopening of a site closed down decades before when an archaeologist disappeared. The Muscogee Creek Nation intends to create a park, if nothing sacred lies in the soil. But the bones that emerge as the backhoe completes its work prove to be those of Dr. Sophia Townsend, killed by a blow to the head.

For years Maggie Sheets has been an invisible hand in the glittering homes of wealthy New York City clients, scrubbing, dusting, mopping, and doing all she can to keep her head above water as a single mother. Everything changes when a former employer dies, leaving Maggie a staggering inheritance - a house in Sag Harbor. The catch? It comes with an inhabitant: the deceased's 82-year old mother, Edith.

Faye Longchamp doesn't believe in ghosts. But she's an archaeologist - dead people are her life. While working in Rosebower, a rural New York town founded by spiritualists, Faye is surrounded by people who talk to the dead on a regular basis. When the most influential spiritualist in town, Tilda Armistead, invites Faye and her project assistant to commune with the dead, she can't say no. An hour later, her crystal ball shows Faye things no rational mind can explain. Tilda is dead.

Time is not on Faye Longchamp’s side. She and her husband Joe are working near the mouth of the Mississippi, researching archaeological sites soon to be swamped by oil. The Deepwater Horizon disaster has morphed her run-of-the-mill contract job into a task that might swamp her fledgling company. It isn’t helping that an injured babysitter has left Faye to work with a toddler underfoot.

Faye Longchamp has lost nearly everything, except for her quick mind and a grim determination to keep her ancestral home, Joyeuse, a moldering plantation. When the property taxes rise beyond her means, Faye sets out to save Joyeuse by digging for artifacts on her property and the surrounding national wildlife refuge and selling them on the black market. A tiny bit of that dead glory would pay a year’s taxes, and a big, valuable chunk of the past would save her home forever. But instead of potsherds and arrowheads, she uncovers a woman’s shattered skull, a Jackie Kennedy-style earring nestled against its cheek bone.

Faye Longchamp, back in school to pursue her archaeological aspirations, has landed a job as chief archaeologist for a rural development project, so she heads to the hills of Alabama with Joe, her Cherokee assistant. She’s looking forward to a legitimate dig and hopes to uncover the mystery of the Sujosa, an ethnic group of mysterious origin. The Sujosa have lived in Alabama’s most remote hills for centuries and have shown an impressive immunity to many diseases, including AIDS.

Faye Longchamp’s new archaeological firm has landed a project in St. Augustine, Florida. In four centuries, America’s oldest city has accumulated skeletons that should probably stay buried. Within a day of Faye’s arrival, a woman disappears, leaving behind blood, priceless artifacts, and a note asking for Faye’s help.

In New Orleans, the intersection between the past and the present is all too often deadly. Archaeologist Faye Longchamp and her excavating team are horrified when a corpse surfaces that's far too new to be an archaeological find. Faye and her fiancé, Joe Wolf Mantooth, are drawn into the investigation by a detective who believes their professional expertise is critical to the case.

Norway, 1940. Nazis pour into Oslo, a shroud of dread looms over the city, and eighteen-year-old Ingrid Solberg fears the worst. Under German rule, harsh rationing and the exorbitant cost of medicine threaten the lives of many, including Ingrid’s mother. And when Ingrid meets a young SS officer, she’s forced to make a desperate choice. Seventy years later, after the death of Ingrid in her adopted country of Canada, her son, Arnold, finds a disturbing letter in her belongings. He embarks on a journey to Oslo to understand his family’s history....

The whales of Bathsheba's pod live for the hunt. Led by the formidable Captain Alexandra, they fight a never-ending war against men. Then the whales attack a man ship, and instead of easy prey they find the trail of a myth, a monster, perhaps the devil himself.... With their relentless Captain leading the chase, they embark on the final hunt, one that will forever change the worlds of whales and men.

Love alone isn’t enough to overcome some obstacles. Lena Kauffman is a young Old Order Amish schoolteacher who has dealt all her life with attention raised by a noticeable birthmark on her cheek. Having learned to move past the stares and whispers, Lena channels her zest for living into her love of teaching. But tensions mount as she is challenged to work with a rebellious young man and deal with several crises at the schoolhouse that threaten her other students.

When Lucy West and Kate Cunningham meet, the two spirited young women recognize kindred spirits in each other. Both Lucy and Kate married early and lack complete confidence in the brave new world of mothering. As their friendship deepens, their lives become fully intertwined. With husbands and children in tow, they spend glorious summers together in a large house on Nantucket island, sailing and feasting on lobster - and when their husbands are back on the mainland, the two women even get a chance to kick up their heels.

Quinn recognized Francesca Maroun as his soulmate the moment he met her in grad school. Of course he did. The Merriams always recognize their soulmates instantly. It just never occurred to him that world events could drive them apart so they wouldn't end up together. Knowing there was no one else for him, Quinn devoted himself to the family business instead. Since he’s taken the reins of the troubled company, he doesn't have the time to dwell on Francesca - much.

After Emma's parents died, her disagreeable grandmother often sent her to stay with the Eshes, a nearby family. When her grandmother died, Emma was sent to live with distant relatives. While Emma was comfortable at their home, she never felt she truly belonged. On her 20th birthday, things took a turn for the worse when her uncle announced he was finding her a suitable husband. Emma was shocked to learn the man was Thomas Esh, who was said to be a secret drunkard and a gambler.