Showing results by narrator "Seán Barrett" in All Categories

"I heard, with an unpleasant surprise, close to me, a voice that was drawling, and, I fancied, sneering, repeat the words: 'Food for worms, dead and rotten; God over all.' There was a small window in the wall, here very thick, which had been built up, and in the dark recess of this, deep in the shadow, I now saw a sharp-featured man, sitting with his feet dangling. His keen eyes were fixed on me, and he was smiling cynically...."

Henry Fielding’s riotous tale of innocents in a corrupt world was one of the earliest English novels, blending bawdy slapstick, philosophical musing, and pointed social satire to create a work of moral complexity and generous, life-affirming humanity. Published in 1742, it tells the story of the chaste servant Joseph Andrews who, after being sacked for spurning the advances of the lascivious Lady Booby, takes to the road, accompanied by his beloved Fanny Goodwill and the absent-minded, much put-upon Parson Adams.

The Chuzzlewits are a family divided by money and selfishness; even young Martin, the eponymous hero, is arrogant and self-centered. He offends his grandfather by falling in love with the latter’s ward, Mary, and sets out to make his own fortune in life, travelling as far as America – which produces from Dickens a savage satire on a new world tainted with the vices of the old. Martin’s nature slowly changes through his bitter experience of life and his enduring love for Mary.

Escaping the guillotine, Victor Frankenstein is now posing as Doctor Stein, altruistic patron of the hospital for the poor. But in a secret basement laboratory he is harvesting body parts from his helpless patients, using them in his twisted experiments in a bid to create the perfect man. And this time he has help from a would-be pupil. His pupil seeks knowledge, but Frankenstein desires vengeance against all those who have tried to stop his terrifying work. The first time he tried, it ended in bloody mayhem, but now he is determined that nothing will go wrong.

Pleasures of the Garden begins in ancient China and ends on the Isle of Man; it admires both stately landscaped parks and a soap box full of red geraniums on a fire-escape. It shows that gardening is for everybody, whatever their resources.

A wolf howls through the forests of Transylvania, the murky graveyards of H.P. Lovecraft, the mythic marshes of Count Stenbock and the ghostly vaults of English cathedrals in these timeless stories read by award-winning actors from The Story Circle company.

Arthur C Clarke is the world's foremost writer of science fiction and accessible science; his predictions have been coming true since he invented the idea of communications satellites in the 1940s. In Holiday on the Moon, teen Daphne Martin travels to the moon to visit her astronomer father.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story, whether it be simple or complex in a longer form. Among the most ancient forms of poetry, it has widespread roots through almost every culture. In Volume 4 we bring you the classics 'The Eve of St Agnes' by John Keats; 'Flodden' by Sir Walter Scott; 'The Ballad of Agincourt' by Michael Drayton; 'Tam O'Shanter' by Robert Burns; and 'The Pied Piper of Hamelin' by Robert Browning.

Nineteen stories of the supernatural: The Brazilian Cat by Arthur Conan Doyle Read by Paul Panting, Eveline’s Visitant by Mary E. Braddon Read by Hayward Morse, The Leopard Man’s Story by Jack London Read by Garrick Hagon, The Eyes of the Panther by Ambrose Bierce Read by Garrick Hagon, The Voice in the Night by William Hope Hodgson Read by Sean Barrett, Oshidori by Lafcadio Hearn Read by Liza Ross, Markheim by Robert Louis Stevenson Read by Paul Panting.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story whether it be simple or complex in a longer form. Among the most ancient forms of poetry, it has widespread roots through almost every culture. In Volume 2 we bring you the classics 'Sohrab and Rustum' by Matthew Arnold, 'The Prisoner of Chillon' by Lord Byron, and 'Faithless Sally Brown' by Thomas Hood. They are read for you by the renowned actors Sean Barrett and David Shaw-Parker.

When we think of Oscar Wilde we think of his wonderful wit and of course his plays and short stories. We rarely think of his poetry. We should. His work brings new insights into both his view of the world and how we can view him.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story whether it be simple or complex in a longer form. Among the most ancient forms of poetry it has widespread roots through almost every culture. In Volume 1 we bring you 'The Ballad of Reading Gaol' - Oscar Wilde; 'The Highwayman' - Alfred Noyes; and 'The Rime of the Ancient Mariner' - Samuel Taylor Coleridge.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story, whether it be simple or complex in a longer form. Among the most ancient forms of poetry, it has widespread roots through almost every culture. In Volume 3 we bring you the classics 'Goblin Market' by Christina Rosseti; 'The Wreck of the Hesperus' by Henry Wadsworth Longfellow; 'The Raven' by Edgar Allan Poe; 'Morte D'Arthur' by Alfred Lord Tennyson; and from 'Horatius' by Thomas Babington Maculay.

Paganini – showman, womaniser, dazzling virtuoso – is one of the most fascinating characters in the history of classical music. His violin is now kept in Genoa, where it is played once every two years by the winner of an international competition. This year, an unsavoury art dealer is found dead in his hotel room the day after the concert. Clutched in his fist is a scrap of sheet music torn off a page that belongs to the competition winner. But how did the dead man get hold of it? And why?

The office of Poet Laureate goes back many centuries - informally to the time of Geoffrey Chaucer in 1389 and followed thereafter by a number of ‘volunteer laureates’. It was formally assigned to Ben Jonson in 1617 and, as a Royal office by letters patent in 1670, to John Dryden. It is a rich, rewarding history that bursts with the words, themes and visions of many great poets that has bound poetry and poets to a nation's soul.

At three p.m. on a Saturday afternoon in 1911, Oskar Johansson is caught in a blast in an industrial accident. The local newspaper reports him dead, but they are mistaken. Because Oskar Johansson is a born survivor. Though crippled, Oskar finds the strength to go on living and working. The Rock Blaster charts his long professional life - his hopes and dreams, sorrows and joys. His relationship with the woman whose love saved him, with the labour movement that gave him a cause to believe in, and with his children, who do not share his ideals.

Brexit looms, and Charles Thoroughgood, Chief of MI6, is forbidden for political reasons from spying on the EU. But when an EU official volunteers the EU’s negotiating bottom lines to one of his officers, Charles has to report it. Whitehall is eager for more, but as the case develops, Charles realises that it may not be quite what it appears. At the same time, he finds he has a family connection with a possible terrorist whom MI5 want checked out. In both cases, Charles is forced to become his own agent, seeking what he really does not want to find.

All over Britain, POW camps are filling up with defeated German soldiers. But only the most dangerous are sent to Camp 21 - 'black' prisoners - SS diehards who've sworn death before surrender. As one fanatic plots a mass breakout and glorious march on London, Max Hartmann dreams of the oath he pledged to the teenage bride he scarcely knows and the child he's never met. Where do his loyalties really lie?

The first ever collection of poems by the acclaimed author of the Aubrey/Maturin series of Napoleonic naval adventures. As we have stood with Jack and Stephen on the deck of the Surprise and other ships, listeners around the world have been transported to a place and time at once familiar and exotic, routine and dramatic. At all times, Patrick O’Brian’s deep knowledge of the period and profound empathy with the landscape of the sea has ensured there is always a firm hand on the tiller.

Twins Aaron and Clive have been estranged for 40 years. Aaron still lives in the empty, crumbling tower block on the riverside in Deptford where they grew up. Clive is a successful property developer, determined to turn the tower into luxury flats. But Aaron is blocking the plan, and their petty squabble becomes something much greater when two ghosts from the past - twins Annette and Christine - appear in the tower. At once, the desolate estate becomes a stage on which the events of one scorching summer are relived - a summer that shattered their lives and changed everything forever.