Showing results by narrator "Richard Parker" in All Categories

In this spellbinding collection, Sara Paretsky showcases her extraordinary talents with 14 short stories, including one new V.I. story and seven other classics featuring the indomitable detective. In 'Miss Bianca' a young girl becomes involved in espionage when she befriends a mouse in a laboratory that is conducting dark experiments. Ten-year-old V.I. Warshawski appears in 'Wildcat', embarking on her very first investigation to save her father.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. This decade is resplendent with literature and its many prodigiously talented authors who write on as varied a range of subjects as might be thought possible. Yet each is studded with careful literary precision and narrative verve. It is a remarkable decade.

When archaeologist Annja Creed is hired to find the lost city of Promise in Brazil, she is more than intrigued. Legends abound of a magical place where slaves were rumored to have discovered the secret to eternal youth and life. But strangers are not welcome in Promise. Annja soon learns that the residents have gone to extreme lengths to guard their precious secret. Making her way from the steamy port of Belém to the brutal slums of Northeast Brazil, Annja faces unexpected peril, from poisoned arrows to Amazonian anacondas.

Henri René Albert Guy de Maupassant was born on August 5th, 1850, near Dieppe in France. In 1880 he published what is considered his first great work, ‘Boule de Suif’, (translated as as ‘Dumpling’, ‘Butterball’, ‘Ball of Fat’, or ‘Ball of Lard’), which met with a success that was both instant and overwhelming. Flaubert at once acknowledged that it was ‘a masterpiece that will endure.’ Maupassant had used his talents and experiences in the war to create something unique.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

With the talents on display the most difficult task is choosing only ten. Their virtuosity, their craft and ambition scare belie the difficulties that society places upon most women. Their words cannot be denied, their literary heritage is safe forever.

Still working on securing the partnership with Grace Milligan for her fuel refinery while in Fairzie, Trader and Marsh cross paths with a scouting party that has followed stories about a fuel source. That’s only the tip of the spear. That scouting party has been sent by Ironhand Jackson, the boss of El Dorado. In El Dorado, Ant, a woman who works as an enforcer for Hoyt Lynch, the self-made lord of Boardwalk, arrives to kill Jackson. Lynch has learned of the fuel refinery’s existence and desperately needs it because his own fuel reserves are running out.

I created this book to share what I have learned about an incredibly powerful tool - SSAS (small self-administered scheme) pension. This tool has enabled me to take control over my pension wealth and legacy. Prior to this, I had a corporate pension and expected to just take the regular payments each month when I retired as that’s what everyone does, don’t they? Well no, as I was to discover.

In this volume we gather together verse from lesbian poets that is deeply personal and at times overwhelming. It is not just a search for physical love but a journey through the spiritual to completeness, to becoming whole. However we recognise that the label lesbian might be anachronistic and so also include those who stand by their sides or who have a view in verse that helps us to revel in their love. For in the end that is all our journey is about.

The human race prides itself on being the most organised of animals. We manage the fate of all other species. All other animals bow to our control or suffer. In diminishing numbers we allow some to live in the wild, but in increasing numbers we domesticate them, and whether they become part of the family, a best friend or wonderfully decorative accessory, we take their compliance for granted.

On a summer’s day we have perhaps all wished to take flight and view life and the world from the vantage point of a clear blue sky. Our feathered friends do it as a matter of course, and in this volume some of our finest wordsmiths speak with imagination, longing and desire on their behalf.

With classics such as ‘My Last Duchess’ and ‘The Pied Piper of Hamelin’ Robert Browning’s status as one of the great Victorian poets will always be secure in popular culture, while for the more literary he is considered a master of dramatic verse and dramatic monologues. It is interesting to note that his career bloomed late. Indeed, it was only after the death of his wife Elizabeth in 1861 and his return to England from their life in Italy that his work came into wider acceptance and critical acclaim.

The office of Poet Laureate is a high honour amongst poets. The ancient Greeks had the first idea, and their heroes and poets wore wreaths of laurel in honour of the god Apollo. Many countries now have a laureate, as do many societies and organisations. But perhaps ranked first among them all is that of our own Poet Laureate. Unfortunately no single authentic definitive record exists of the office of Poet Laureate of England. In some form it can be traced back to 1189 and Richard Canonicus, who was employed by Richard I with the title 'versificator Regis'.

Many people dream of being a fly on the wall or, even better, a companion and friend to the great artists of the day. We cannot offer you quite that, but we can take you on a walk through parts of London that will give you a real sense and feel of the world of Dickens and its impact upon himself, his characters and his stories. Your tour guide is Emma Parker, and the book extracts are read by Richard Mitchley.

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.

Poetry has over the centuries grouped poets or poems into many different themes and movements. Amongst its most unusual movements are the English wordsmiths, The Silver Poets. This select band lived during the sixteenth century reign of Queen Elizabeth 1st. Amongst their storied ranks were Sir Thomas Wyatt, Sir Philip Sidney, Henry Howard, the Earl of Surrey, Sir Walter Raleigh, John Davies, Michael Drayton and Mary Sidney (Herbert), the Countess of Pembroke.

Barry Eric Odell Pain was born at 3 Sydney Street in Cambridge, on 28th September 1864. He was one of 4 children. It is often said that Pain was discovered by Robert Louis Stevenson, who compared his work to that of Guy de Maupassant. It’s an apt comparison. Pain was also a master of disturbing prose but able to inject parody and light comedy into many of his works. A simple premise could in his hands suddenly expand into a world very real but somehow emotionally fraught and on the very edge of darkness as many of these short stories demonstrate.

In this collection of short stories some of our most popular and well-known authors are grouped together with an unfortunate tag: dead at 44. These authors are not run-of-the-mill or ten a penny; they are literary leviathans who left enduring works of literature and sadly may have left us many more had they lived. We will never know.

Montague Rhodes James is cited as perhaps the greatest English writer of ghost stories, an opinion few would disagree with. Many of his elegant yet terrifying tales were created by discarding the prevailing gothic clichés and placing his characters and narrative in a realistic setting. Thereby the stories gained atmosphere and menace on a grand scale and he was famed as the originator of the antiquarian ghost story. Although story-telling and writing these 30 or so tales was a hobby, when published their effect transformed the genre and still chill the bones in our more modern times.

Aleksander Głowacki, who wrote under the nom de plume Boleslaw Prus, was born on 20th August 1847 at Hrubieszów in the Kingdom of Poland, at that time, controlled by the Russian Empire. It seems he had doubts as to the scale of his talents and early on adopted the name ‘Boleslaw Prus’, for both his journalistic and literary offerings. His work as a short-story writer met with much acclaim. He wrote several dozen of them, originally published in newspapers and ranging in length from micro-story to novella. His keen observation of everyday life and sense of humor are evident in them.