Showing results by narrator "Emily Rankin" in All Categories

Catalina Baylor is looking forward to wearing her maid of honor dress and watching her older sister walk down the aisle. Then the wedding planner gets escorted off the premises, the bride’s priceless tiara disappears, and Rogan's extensive family overruns his mother’s home. Someone is cheating, someone is lying, and someone is plotting murder. To make this wedding happen, Catalina will have to do the thing she fears most: use her magic. But she’s a Baylor, and there’s nothing she wouldn't do for her sister's happiness.

Cent can teleport. So can her parents, but they are the only people in the world who can. This is not as great as you might think it would be - sure, you can go shopping in Japan and then have tea in London, but it's hard to keep a secret like that. And there are people, dangerous people, who work for governments and have guns, who want to make you do just this one thing for them. And when you're a teenage girl things get even more complicated. High school. Boys. Global climate change, refugees, and genocide. Orbital mechanics.

Here on Earth, Danny North is still in high school, yet he holds in his heart and mind all the stolen outselves of 13 centuries of gatemages. The Families still want to kill him if they can’t control him - and they can’t control him; he is far too powerful. On Westil, Wad is now nearly powerless - he lost everything to Danny in their struggle. Even if he can survive the revenge of his enemies, he must still somehow make peace with the Gatemage Daniel North, for when Danny took that power from Loki, he also took responsibility for the Great Gates.

It is almost impossible to envision what childhood would be like without the enchanting world of fairyland. Three-headed trolls, horses that carry their masters up mountains of glass, giants and dwarfs, monsters and magicians, fairies and ogres - these are the companions who will thrill young boys and girls of all lands and all times, as Andrew Lang's phenomenally successful collections of stories have proved.

Heartbroken Natalie Harper inherits her mother’s charming, cash-strapped bookshop and finds herself the carer for her ailing grandfather Andrew. She thinks it’s best to move him to an assisted-living home to ensure his care, but to pay for it, Natalie will have to sell up the bookshop. However, Grandpa Andrew owns the building and refuses to budge. Moving into the studio apartment above the shop, Natalie hires a contractor, Peach Gallagher, to do some repairs. His young daughter becomes a regular at the shop, and she and Natalie begin reading together while Peach works.

Annabelle has lived in Wolf Hollow all her life: a quiet place still scarred by two world wars. But when cruel, manipulative Betty arrives in town, Annabelle's calm world is shattered along with everything she's ever known about right and wrong. When Betty accuses gentle loner Toby - a traumatised ex-soldier - of a terrible act, Annabelle knows he's innocent. Then Betty disappears.... Now Annabelle must protect Toby from the spiralling accusations and hysteria until she can prove to Wolf Hollow what really happened to Betty.

Helena's home is like anyone else's. With a husband and two daughters, and a job she enjoys. But no one knows the truth about her childhood. Born into captivity and brought up in an isolated cabin until she was 12, Helena was raised to be a killer by the man who kept her captive – her own father.

The theme that unites these stories in this dazzling first collection by Curtis Sittenfeld is how even the cleverest people tend to misread others and how much we all deceive ourselves. Sharp and tender, funny and wise, this collection shows Sittenfeld’s knack for creating real, believable characters while also skewering contemporary mores with brilliant dry wit.

Cent has a secret. She lives in isolation, with her parents, hiding from the people who took her father captive and tortured him to gain control over his ability to teleport, and from the government agencies who want to use his talent. Cent has seen the world, but only from the safety of her parents' arms. She's teleported more than anyone on Earth, except for her mother and father, but she's never been able to do it herself. Her life has never been in danger. Until the day when she went snowboarding without permission and triggered an avalanche. When the snow and ice thundered down on her, she suddenly found herself in her own bedroom.

From the 1920s to 1950, Georgia Tann ran a corrupt baby business at the Tennessee Children's Home Society in Memphis. She offered up more than 5,000 orphans tailored to the wish lists of eager parents - hiding the fact that many weren't orphans at all but stolen sons and daughters of poor families, desperate single mothers and women told in maternity wards that their babies had died. The publication of Lisa Wingate's novel Before We Were Yours brought new awareness of Tann's child trafficking.

Marian Engström has found her true calling: working with rescue dogs to help protect endangered wildlife. Her first assignment takes her to Northern Alberta, where she falls in love with her mentor, the daring and brilliant Tate. When they’re separated on another assignment, she’s shattered to learn of his tragic death. Before long, Marian discovers disturbing inconsistencies about Tate’s life and begins to wonder if the man she loved could have been responsible for the unsolved murders of at least four women.

Seventeen-year-old Hope Long's life revolves around her brother Jeremy. So when Jeremy is accused of killing the town's beloved baseball coach, Hope's world begins to unravel. Everyone is convinced Jeremy did it, and since he hasn't spoken a word in 9 years, he's unable to defend himself. Their lawyer instructs Hope to convince the jury that Jeremy is insane, but all her life Hope has known that Jeremy's just different than other people - better, even.

Full of friendship and revenge, each story and setting is more strange and wonderful than the last, brimming with new technologies and beings. And yet, in these futuristic lands, the people must still confront deeply human emotions and dilemmas. Veronica Roth reaches into the unknown and immerses listeners into six short stories that feel startlingly familiar and profoundly beautiful. With two new stories from the Carve the Mark universe, this collection has something for everyone.

When Laura Costello arrives in downtown Los Angeles, her life has somewhat fallen apart. Her apartment building has caught fire, her engagement to her high school sweetheart has been broken off and she's just been caught in a rare LA downpour and has no dry clothes. But when she seeks shelter in Nina Hill's local neighbourhood bookshop, she finds herself introduced to the people who will become her new family. And as Laura becomes friends with Nina, Polly and Impossibly Handsome Bob, things start to look up.

Astrid Strick has always tried to do her best for her three children. Now, they're finally grown up - but you could be forgiven for thinking otherwise. Elliott doesn't have any idea who he really is, or how to communicate with his own sons. Porter is, at last, pregnant - but feels incapable of rising to the challenge. Nicky has fled to distant New Mexico, where he's living the bohemian dream. And Astrid herself is up to things that would make her children's hair curl.

In these nine tales, Margaret Atwood ventures into the shadowland earlier explored by fabulists and concoctors of dark yarns such as Robert Louis Stevenson, Daphne du Maurier and Arthur Conan Doyle - and also by herself, in her award-winning novel Alias Grace. In Stone Mattress, Margaret Atwood is at the top of her darkly humorous and seriously playful game.

In 2008, 13-year-old Jon Bronson disappears on his morning walk to school. After even his parents give him up for dead, only his best friend, Chloe, remains certain that he would come back. Four years later, Jon returns with no memory of anything after the day he disappeared. But something’s different about him. His presence seems to cause spontaneous nosebleeds in those around him. When he hugs his father, the older man passes out. The family dog disappears. Jon’s only clue to his missing four years is the battered book left behind by the man he believes abducted him.

The tide is turning against the colonists in the Revolutionary War, and 18-year-old Elizabeth Morris cannot sit by idly. Quietly disdainful of her Tory parents, who drag her along to society events and welcome a British soldier into their home during their occupation of New York City, Elizabeth decides to take matters into her own hands. She realizes that, as a young woman, no one around her believes that she can comprehend the profound implications of being a nation at war - she is, effectively, invisible. And she can use this invisibility to her advantage.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the end of the world. In science fiction the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.

When I arrive unannounced at my husband's studio in need of a shoulder to cry on after hearing that my best student, Alex, has died, I see a pair of wineglasses drying by the sink, and my deepest fear is confirmed: my husband is having an affair. Most women would fall to their knees in tears and throw him out of the house - but I just can't bring myself to do it. Instead, I go home and cook a healthy dinner for our children, walk the dog, and unload the dishwasher without complaint. I need this marriage to work to protect a terrible secret of my own....