Showing results by narrator "David Shaw-Parker" in All Categories

Some people have basic needs of foods and materials that only theft can provide an answer for, and some others just pursue the taking of what they want, whenever they want and from whoever they want. These are their stories.

Visible Gods is an imaginary dialogue between Socrates and four fictitious modern-day characters. Socrates' worldview is of a living cosmos with man only half-way up the hierarchy of all beings; above him reign suprahuman beings of great majesty and power - the visible gods. The moderns with whom Socrates converses disdain his ancient Greek cosmos as primitive and false.

Ryūnosuke Niihara was born in Kyōbashi, Tokyo in Japan on the 1st March 1892. Sadly, his mother suffered severe mental illness after his birth and so, at only eight months old, he was sent to be raised by his maternal uncle and aunt, from whom he received the Akutagawa family name. Akutagawa published "Rashōmon" in 1915 and whilst it was disliked by his friends everyone else knew better. As other short stories followed so did his growing literary reputation as the father of the Japanese short story.

With the talents on display the most difficult task is choosing only ten. Their virtuosity, their craft and ambition scare belie the difficulties that society places upon most women. Their words cannot be denied, their literary heritage is safe forever.

Along the centuries numerous interpretations and definitions of Sufism have waxed and waned but the undeniable beauty of their verse in its myriad of forms including the musical Ghazal (love song), Masnavi (narrative) and Rubai (quatrain) always remains. Our chronological volume of the classic Sufi poets helps us understand the spiritual direction of Sufism, starting with Rabia in the 8th century through to Khwaja Ghulam Farid over a thousand years later.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. The Russian short story is, in many respects, in a genre of its own. It is at its captivating best whether it’s an exploration of real-life experiences, through fantasy and fables and on to total absurdity.

For an atheist it’s a great deal, though it does suggest atheism may have a weak point. For those of faith it’s a matter of jam now and purgatory tomorrow. A bargain many artists feel is something they can live with. For agnostics it’s usually a question of can the afterlife really be that bad, would workplace regulations reach all parts of heaven and hell. However, in this volume the terms are agreed and the Devil pays his fees and the character his dues, each happy to wait a few decades for the eternal payback.

In this volume we examine the German language. Or rather the authors who wrote in German but are here translated into English. German is most often called the language of philosophers due to its precision and clarity. However, if you’ve studied German, you will know that sentence construction can be difficult to grasp. However, within these stories the language of these great talents express themselves in dazzling prose and searching narratives. And the characters? Clearly the works of genius.

In this volume the English language reveals itself in a scale and depth that few others can compare with. It seems to be an advantage to be able to choose from over a million words and yet, it is not the words but the way in which they are used that resonate with us all. Is there some bond between the English and writing poetry? Maybe, maybe not, but let us celebrate these poems down the ages, not as one nation’s hoard but humanity’s gift.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Amy Levy was born in London, England, in 1861, the second of seven in a fairly wealthy Anglo-Jewish family. The children read and participated in secular literary activities and became firmly integrated into Victorian life. Amy’s writing career began early; her poem ‘Ida Grey’ appeared when she was only fourteen. Her acclaimed short stories ‘Cohen of Trinity’ and ‘Wise in Their Generation,’ were published by Oscar Wilde in his magazine ‘Women's World’.

Vicente Blasco Ibáñez was born in Valencia, Spain on 29th January 1867. At university, he studied law and graduated in 1888 but never felt the urgency to practice—he was more interested in politics, journalism, literature and women. Ironically his fame in the English-speaking world has come not as a novelist but as the stories behind some of Hollywood’s greatest silent movies.

In June 1900 the foreign legations at Peking were attacked by troops of the Boxer rebellion and Imperial Chinese troops. The ensuing siege lasted 55 days and shook the world. In this work, Peter Fleming traces its history and impact.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

Henri René Albert Guy de Maupassant was born on August 5th, 1850, near Dieppe in France. In 1880 he published what is considered his first great work, ‘Boule de Suif’, (translated as as ‘Dumpling’, ‘Butterball’, ‘Ball of Fat’, or ‘Ball of Lard’), which met with a success that was both instant and overwhelming. Flaubert at once acknowledged that it was ‘a masterpiece that will endure.’ Maupassant had used his talents and experiences in the war to create something unique.

As Islam moved from its Arabian heartland to a wider geographic area, its core message remained albeit adapted to different lands, to different ears. Poets were ever eager to provide an alternate way of delivering the ‘message’ in beautiful verse. Their simplicity was embracing, their ornateness a humble offering to greater forces. The poems here are both profound and wide-ranging.

The office of Poet Laureate goes back many centuries - informally to the time of Geoffrey Chaucer in 1389 and followed thereafter by a number of ‘volunteer laureates’. It was formally assigned to Ben Jonson in 1617 and, as a Royal office by letters patent in 1670, to John Dryden. It is a rich, rewarding history that bursts with the words, themes and visions of many great poets that has bound poetry and poets to a nation's soul.

The office of Poet Laureate is a high honour amongst poets. The ancient Greeks had the first idea, and their heroes and poets wore wreaths of laurel in honour of the god Apollo. Many countries now have a laureate, as do many societies and organisations. But perhaps ranked first among them all is that of our own Poet Laureate. Unfortunately no single authentic definitive record exists of the office of Poet Laureate of England. In some form it can be traced back to 1189 and Richard Canonicus, who was employed by Richard I with the title 'versificator Regis'.

In The Last Chronicle of Barset, Trollope concludes his saga of ecclesiastical life. At the heart of the novel is the plight of Josiah Crawley, a proud, impoverished clergyman who faces difficult legal circumstances. Caught amid poverty, Josiah appears to have stolen a check and is forced to stand trial - despite the fact that he cannot remember its origins. To make matters worse, his daughter, Grace, desperately seeks the approval of Archdeacon Grantly, whose son she intends to marry.

John Clare was the forgotten Romantic poet, until the late 20th century. Known by his contemporaries as the Peasant Poet, he recorded in his poems the natural landscape of rural England before the Industrial Revolution. His poems rival Wordsworth’s for their sensitivity to nature and pantheism: ‘I feel a beautiful providence ever about me,’ Clare wrote. But his life was a long struggle against poverty and mental collapse. Some of his finest poems were written in the local asylum