Showing results by author "Margaret Atwood" in All Categories

In these nine tales, Margaret Atwood ventures into the shadowland earlier explored by fabulists and concoctors of dark yarns such as Robert Louis Stevenson, Daphne du Maurier and Arthur Conan Doyle - and also by herself, in her award-winning novel Alias Grace. In Stone Mattress, Margaret Atwood is at the top of her darkly humorous and seriously playful game.

From Margaret Atwood, the internationally acclaimed, award-winning author of The Handmaid's Tale and The Testaments, comes a dazzling collection of fifteen stories. These stories explore the full warp and weft of experience, from two best friends disagreeing about their shared past, to the right way to stop someone from choking; from a daughter determining if her mother really is a witch, to what to do with inherited relics such as World War II parade swords.

Part detective novel, part psychological thriller, Surfacing is the story of a talented woman artist who goes in search of her missing father on a remote island in northern Quebec. Setting out with her lover and another young couple, she soon finds herself captivated by the isolated setting, where a marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices. Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose.

Toronto, 1843: Das junge Dienstmädchen Grace wird mit sechzehn des Doppelmordes an ihren Arbeitgebern schuldig gesprochen. In letzter Sekunde wandelt das Gericht ihr Todesurteil in eine lebenslange Gefängnisstrafe um. Sie verbringt Jahre hinter Gittern, bis man sie schließlich entlässt. Im Haushalt des Anstaltdirektors begegnet sie dem Nervenarzt Simon, der ihrer Geschichte auf den Grund gehen will: Ist Grace eine gemeingefährliche Verbrecherin oder unschuldig?

Amparándose en la coartada del terrorismo, unos políticos teócratas se hacen con el poder y, como primera medida, suprimen la libertad de prensa y los derechos de las mujeres. Esta trama, inquietante y oscura, que bien podría encontrarse en cualquier obra actual, pertenece en realidad a esta novela escrita por Margaret Atwood a principios de los ochenta, en la que la afamada autora canadiense anticipó con llamativa premonición una amenaza latente en el mundo de hoy.

When Russia invaded Ukraine on February 24, 2022, Victoria Amelina was busy writing a novel, taking part in the country's literary scene, and parenting her son. Now she became someone new: a war crimes researcher and the chronicler of extraordinary women like herself who joined the resistance. These heroines include Evgenia, a prominent lawyer turned soldier, Oleksandra, who documented tens of thousands of war crimes and won a Nobel Peace Prize in 2022, and Yulia, a librarian who helped uncover the abduction and murder of a children's book author.

After decades of significant progress, the prospects of women and girls in Afghanistan are once again dependent on radical Islamists who reject gender equality. When the United States announced the end of their twenty-year occupation and the Taliban seized control of the country on August 15, 2021, a steep regression of social, political, and economic freedoms for women in the country began. But just because a brutal regime has taken over doesn't mean Afghan women will stand by while their rights are stripped away.

Cuando las puertas de la furgoneta se cerraron de golpe tras Defred al final de El cuento de la criada, los lectores no tenían forma de saber cuál iba a ser su futuro: la libertad, la prisión o la muerte. Con la publicación de Los testamentos, la espera ha terminado. Margaret Atwood recupera la historia quince años después de que Defred se adentrara en lo desconocido, con los testimonios asombrosos de tres narradoras del mundo de Gilead.

Imprisoned by walls of their own construction, here are three people, each in midlife, in midcrisis, forced to make choices - after the rules have changed. Elizabeth, with her controlled sensuality, her suppressed rage, is married to the wrong man. She has just lost her latest lover to suicide. Nate, her gentle, indecisive husband, is planning to leave her for Lesje, a perennial innocent who prefers dinosaurs to men.

A man finds himself surrounded by women who are becoming palel, more silent and literally smaller; a woman's intimate life is strangely dominated by the fear of nuclear warfare; a melancholy teenage love is swept away by a hurricane, while a tired, middle-aged affection is rekindled by the spectacle of rare Jamaican birds...

Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other: Not only will it boost his reputation, it will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And brewing revenge.

Drawing on letters and diaries, some of which have never been published before, this book will reveal Jane Austen's bond with a family servant, the amateur playwright Anne Sharp, how Charlotte Brontë was inspired by the daring feminist Mary Taylor, the transatlantic relationship between George Eliot and the author of Uncle Tom's Cabin, Harriet Beecher Stowe, and the underlying erotic charge that lit the friendship of Virginia Woolf and Katherine Mansfield - a pair too often dismissed as bitter foes.

Marian is determinedly ordinary, waiting to get married. She likes her work, her broody flatmate and her sober fiancé Peter. All goes well at first, but Marian has reckoned without an inner self that wants something more, that calmly sabotages her careful plans, her stable routine—and her digestion. Marriage à la mode, Marian discovers, is something she literally can't stomach . . .

Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.

In einem fiktiven Staat in Nordamerika haben religiöse Fundamentalisten die totalitäre Republik Gilead errichtet. Nach einer atomaren Verseuchung ist ein großer Teil der weiblichen Bevölkerung unfruchtbar. Frauen werden entmündigt und in drei Gruppen eingeteilt: Ehefrauen von Führungskräften, Dienerinnen und Mägde. Letztere werden zur Fortpflanzung rekrutiert und sollen nach biblischem Vorbild für unfruchtbare Ehefrauen Kinder empfangen.

Fat girl, thin girl. Red hair, brown hair. Polish aristocrat, radical husband. Joan Foster has dozens of different identities, and she's utterly confused by them all. After a life spent running away from difficult situations, she decides to escape to a hill town in Italy to take stock of her life. But first she must carefully arrange her own death.

Devant la chute drastique de la fécondité, la république de Gilead, récemment fondée par des fanatiques religieux, a réduit au rang d'esclaves sexuelles les quelques femmes encore fertiles. Vêtue de rouge, Defred, "servante écarlate" parmi d'autres, à qui l'on a ôté jusqu'à son nom, met donc son corps au service.

Ganadora en dos ocasiones del Premio Booker -en el año 2000 con El asesino ciego y en 2019 con Los testamentos-, un hecho insólito en la historia del máximo galardón literario de las letras anglosajonas, la aclamada autora de El cuento de la criada nos sorprende con una valiente reelaboración del mito de Penélope, esposa de Odiseo y símbolo por excelencia de la fidelidad conyugal a lo largo de los siglos.

Myrna, Leonie, and Chrissy meet every Thursday to sample fine cheeses, to reminisce about their former lives as professors, and lately, to muse about murder. Decades ago, a vicious cabal of male poets contrived—quite publicly and successfully—to undermine the writing career, confidence, and health of their dear friend Fern. Now, after Fern has taken a turn for the worse, her three old friends decide that it’s finally time to strike back—in secret, of course, since Fern is far too gentle to approve of a vendetta.

By turns moving, playful and wise, the poems gathered in Dearly are about absences and endings, ageing and retrospection, but also about gifts and renewals. They explore bodies and minds in transition, as well as the everyday objects and rituals that embed us in the present. Werewolves, sirens and dreams make their appearance, as do various forms of animal life and fragments of our damaged environment.