Showing results by author "Lawrence Block" in All Categories

Matthew Scudder investigates the brutal murder of a woman known as the “bag lady.” A seemingly homeless woman, she turns out to have distributed her substantial wealth in a complex will naming random strangers. Where did the money come from? Why was she living in such reduced circumstances? And why in the world did she choose these beneficiaries—the owner of a local newspaper stand, a neighbor she rarely spoke to, the detective himself—when her real friends and acquaintances got nothing at all? And how is all this linked to her murder?

Small-time stoolie Jake "The Spinner" Jablon made a lot of new enemies when he switched careers from informer to blackmailer. And the more "clients," he figured, the more money - and the more people eager to see him dead. So he's greedy but scared, and he turns to his old acquaintance Matthew Scudder, who used to pay him for information back in Scudder's days as a cop. Scudder's his insurance policy - if anything happens to "The Spinner," Scudder can check up on the people who wanted him dead. No one is too surprised when the pigeon is found floating in the East River....

In Matt Scudder's mind, money, power, and position elevate nobody above morality or the law. Now the ex-cop and unlicensed PI has been hired to prove that socialite Richard Thurman orchestrated the brutal murder of his beautiful, pregnant wife. During Scudder's hard-drinking years, he left a piece of his soul on every seedy corner of the Big Apple. But this case is more depraved and more potentially devastating than anything he experienced while floundering in the urban depths.

Broadway Can Be Murder started out to be a novel based on Johnny Midnight, a TV series which everyone has long since forgotten. Except, of course, that nothing manages to be forgotten in the Internet Age. I, whose job it was to knock out 50,000 words of Johnny Midnightish prose and dialogue, had forgotten when it ran and who was in it, but Google took no time at all to remind me that the title role was played by Edmund O’Brien, and that the series ran during the first nine months of 1960. I was in New York, newly married, living at 110 West 69th Street.

Struggling folksinger Ellen Cameron can't believe her luck. Not only is the State Department sponsoring her trip to West Berlin, but her agent has arranged for her to tour Ireland. It's just the break she needs. And better yet, she's meeting the friendliest and most interesting people on her trip, from a kind priest on the plane to a handsome American studying abroad.

In this brand-new novella, Keller, everyone's favorite assassin for hire, is Chicago-bound on Amtrak's City of New Orleans, ready to do what he does best. But it's complicated. Usually there's someone ready to point him toward the target. Or he'll have a photo, say. Or, bare minimum, a name and address. Not this time. When he gets to Baker's Bluff, Illinois, he'll have to play private detective before he can get down to business. Well, okay. He knows how it works. So before he even packs his suitcase, Keller buys a fedora.

This is a city that seduces dreamers - then eats their dreams. Matthew Scudder understands the futility of his search for a longtime missing Midwestern innocent who wanted to be an actress in the vast meat-grinder called New York City. But her frantic father heard that Scudder is the best, and now the ex-cop turned private investigator is scouring the hell called Hell's Kitchen looking for anything that might resemble a lead. And in this neighborhood of the lost, he's finding love - and death - in the worst possible places.

After appraising the worth of a rich man's library—conveniently leaving his fingerprints everywhere in the process—Bernie finds he's the cops' prime suspect when his client is murdered.

Jerry Broadfield thinks he's a good cop. But now he's been charged with extortion - and his former buddies in the NYPD would like to see him laid out on a morgue slab for squealing to a committee on police corruption. Suddenly, he's got a lot of enemies, and when a dead call girl turns up in his apartment, his troubles get even bigger. Broadfield screams "setup," but nobody believes him - except ex-policeman, now unlicensed PI Matthew Scudder. Because Broadfield turned traitor no cop is going to give Scudder any help with this investigation, so Scudder's on his own.

The Sounds of Crime is an exclusive collection of five brand new short stories by some of the best crimewriters around. Using the theme of 'audio', this unique collection features brand new stories by Lawrence Block, Peter James, Val McDermid, Mark Billingham and Christopher Fowler.

All of a sudden the streets of your city are so overpopulated with security cameras and closed-circuit TV that you have to lock yourself in the bathroom to have an undocumented moment. And locks, which used to provide the recreational pleasure of a moderately challenging crossword puzzle, have become genuinely pickproof.

MWA Grand Master Lawrence Block presents 23 stories, all of them on the dark side, and all of them set in the city that never sleeps.

Martin H. Ehrengraf, dapper and diabolical, may be Lawrence Block's darkest creation. He's the defense attorney who never sees the inside of a courtroom, because all his clients are innocent - no matter how guilty they may seem. Some even believe themselves to be guilty: They remember pulling the trigger, or wiring the dynamite to their spouse's car, or holding the bloody blade. But things have a way of working out when Martin Ehrengraf is on the case.

Even before Lawrence Block could rest on his laurels from "In Sunlight or In Shadow", a question arose. What would he do for an encore Suppose each author was invited to select a painting from the whole panoply of visual art - from the cave drawings at Lascaux to a contemporary abstract canvas on which the paint has barely dried. And what a dazzling response!

In the 1980s, Lawrence Block developed an interactional seminar that adapted elements of the human potential movement specifically for writers. For several years, he and his wife, Lynne, traveled the country conducting seminars that focused on the inner game of writing and designed to enable participants to get out of their own way and put their best work on paper.

An MWA Grand Master and a multiple winner of the Edgar, Shamus, and Maltese Falcon awards, Lawrence Block’s reflections and observations come from over a half century as a writer of best-selling crime fiction. Several of his novels have been filmed, most recently A Walk Among the Tombstones, starring Liam Neeson.

The story I wrote, set in the same Hell's Kitchen neighborhood that's home to my detective hero, Matthew Scudder, was "If You Can't Stand the Heat". (And in fact the bar where the story begins bears a definite resemblance to Grogan's Open House, where Matt's friend Mick Ballou holds court.) I didn't know very much about the young woman who stars in "If You Can't Stand the Heat", not even her name. I learned more as I found myself moved to record further adventures for her.

Rhoda’s divorce has her thinking that romance is not for her. But maybe she just needs to look in a new direction. Megan is an attractive blonde who instantly sees what Rhoda’s love life has been missing: a woman’s touch. As Megan guides Rhoda into the sensuous - but hidden - world of women who love women, the two unlock a passion that may be too hot to contain. There are a lot of beautiful women in the Village, and Rhoda’s just begun her adventure as a freewheeling lesbian.

A very dangerous man. That's Paul Kavanagh, an ex-Green Beret with nothing but time on his hands--until he gets an offer to steal a shipment of tactical nuclear weapons form the US government--and finds himself a partner, George Dattner, who has the cold eyes of a trained killer. Each of these men alone is dangerous. But anyone who tries to stop them together is guaranteed not to come out of it alive!

Battling the bottle one day at a time, ex-cop, sometime PI Matthew Scudder finds that next to staying sober, staying alive seems easy. But in the mean streets of New York City it never is. Not for the prostitute who wanted out and got her beautiful self slashed to ribbons. Not for a pimp named Chance who is betting his life that the broken-down detective can find her murderer. And not for Matthew Scudder - just trying to stay alive in a city that knows nothing better than how to die.