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On the Genealogy of Morals: A Polemic is an 1887 work by the German philosopher Friedrich Nietzsche. It consists of a preface and three interconnected essays that expand on concepts Nietzsche first raised in Beyond Good and Evil (1886). The three essays question and critique the value of our moral judgments based on a method whereby Nietzsche examines the origins and meanings of our different moral concepts.

In this, his first book, Nietzsche developed a way of thinking about the arts that unites the Greek gods Apollo and Dionysus as the central symbol of human existence. Although tragedy serves as the focus of this work, music, visual art, dance, and the other arts can also be viewed using Nietzsche's analysis and integration of the Apollonian and the Dionysian. The Birth of Tragedy stands alongside Aristotle's Poetics as an essential work for all who seek to understand poetry and its relationship to human life.

In Beyond Good and Evil, Friedrich Nietzsche attacks past philosophers for their alleged lack of critical sense and their blind acceptance of Christian premises in their consideration of morality. The work moves into the realm "beyond good and evil" in the sense of leaving behind the traditional morality, which Nietzsche subjects to a destructive critique, in favor of what he regards as an affirmative approach that fearlessly confronts the contextual nature of knowledge.

This complete collection brings together the full scope of Nietzsche's radical and transformative philosophy in a single, meticulously curated work.

One of Nietzsche’s earliest works, The Birth of Tragedy (1872) is a remarkable source of inspiration. It is here that the philosopher expresses his frustration with the contemporary world and urges man to embrace Dionysian energy once more. He refutes European culture since the time of Socrates, arguing that it is one-sidedly Apollonian and prevents man from living in optimistic harmony with the sufferings of life.

By turns illuminating, infuriating, bewildering, and amusing, Nietzsche's masterwork covers a lot of ground. He rejects most strands of Western thought, especially on the subject of morality, and develops his own theme demanding that individuals embrace their own "will to power" to give life intention and direction. First published in German in 1887, this translation was produced in 1907 by Helen Zimmern, a long-standing acquaintance of Nietzsche.

Beyond Good and Evil confirmed Nietzsche's position as the towering European philosopher of his age. The work dramatically rejects the tradition of Western thought with its notions of truth and God, good and evil. Nietzsche demonstrates that the Christian world is steeped in a false piety and infected with a 'slave morality'. With wit and energy, he turns from this critique to a philosophy that celebrates the present and demands that the individual imposes their own 'will to power' upon the world.

First published in 1886 at Nietzsche’s own expense, the book was not initially considered important. In it, Nietzsche denounced what he considered to be the moral vacuity of 19th century thinkers. He attacked philosophers for what he considered to be their lack of critical sense and their blind acceptance of Christian premises in their considerations of morality and values. Beyond Good and Evil is a comprehensive overview of Nietzsche’s mature philosophy.View our full collection of podcasts at our website: https://www.solgoodmedia.com or YouTube channel: www.solgood.org/subscribeThis is a ...

The Antichrist is a book by the philosopher Friedrich Nietzsche, originally published in 1895. Although it was written in 1888, its controversial content caused its publication to be delayed. The German title can be translated into English as either The Anti-Christ or The Anti-Christian, depending on how the German word Christ is translated. Nietzsche claimed in the foreword to have written the book for a very limited readership. In order to understand the book, he asserted that the reader "...must be honest in intellectual matters to the point of hardness to so much as endure my seriousness, my passion."

Though Twilight of the Idols (written in a week in 1888 and subtitled How to Philosophise with a Hammer) came near the end of Nietzsche’s creative life, he actually recommended it as a starting point for the study of his work. This was because from the beginning he viewed it as an introduction to his wide-ranging views.

This collection, read by Audie award-winning narrators, includes unabridged recordings of 11 of the most renowned, widely-read, and essential philosophical works from Ancient Greece and Asia to 19th century America, including Meditations, The Republic, and more.

Friedrich Nietzsche (1844-1900) is one of the towering intellectual figures of the 19th century, a philologist, philosopher and poet of profound complexity and range whose writings in moral philosophy continue to resonate in the present day. The Dawn of Day (Morgenröte), first published in 1881, marked a clear shift in his thinking and prefigures many of the ideas that would be further developed in his later writings. The clue is in the title, sometimes translated as Dawn or Morning, which suggests the beginning of a different awareness.

The last works completed before Nietzsche's final years of insanity, Twilight of the Idols and The Antichrist contain some of his most passionate and polemical writing. Both display his profound understanding of human nature and continue themes developed in The Genealogy of Morals, as the philosopher lashes out at the deceptiveness of modern culture and morality. Twilight of the Idols attacks European society, Christianity, and the works of Socrates and Plato; The Antichrist explores the history, psychology, and moral precepts of Christianity.

The Antichrist and Ecce Homo were two of the last works written by Friedrich Nietzsche just before his mental collapse in 1889. Though both written in 1888, they are very different in content and style. In The Antichrist, Nietzsche expands on his view that the submissive nature of Christianity undermined Western society, depressing and sapping energy.

The Friedrich Nietzsche Philosophy Collection gathers his most significant philosophical works in one complete collection, making it an essential resource for deep thinkers.

In this daring and insightful work, Nietzsche lays bare the hypocrisies at the foundations of our ideas of morality. Considering ideas of good and evil, guilt and conscience, and law and violence along the way, On the Genealogy of Morals takes the listener on a journey through the history of value systems in three masterful essays.

On the Genealogy of Morality (The Genealogy of Morals) is an 1887 book by German philosopher Friedrich Nietzsche. It consists of a preface and three interrelated essays that expand and follow through on concepts Nietzsche sketched out in Beyond Good and Evil. The three essays trace episodes in the evolution of moral concepts with a view to confronting moral prejudices, specifically those of Christianity and Judaism. Some Nietzsche scholars consider Genealogy to be a work of sustained brilliance and power as well as his masterpiece.

After ten years of meditative solitude, the prophet Zarathustra descends from his mountain cave to preach the power of the Superman - a human divinity emancipated from the construct of God. The Superman is free to create his or her own moralities, values, notions of good and evil, and purpose in life. Although people of the town are confounded, Zarathustra resolves to persuade the herd by illuminating the heights to which they can ascend by ignoring promises of otherworldly fulfillment.

Livre "à part", comme Nietzsche le nomma lui-même. Dans "Ainsi parlait Zarathoustra" apparaîssent pour la première fois des thèmes comme la volonté de puissance ou le surhomme. Ces idées comptent au nombre de celles qui ont le plus fortement marqué la pensée contemporaine.

Philosophisches Werk? Erzählung? Wie auch immer - Zarathustra ist ein epochemachendes Werk. Nach langjähriger Einsiedelei begibt sich Zarathustra unter Menschen, um ihnen vom Übermenschen zu erzählen und seine Weisheit mit ihnen zu teilen - doch erfährt er nur Hohn und Spott.