Showing results by narrator "Seán Barrett" in All Categories

In these four supernatural dramas, first broadcast on radio in 1984, a house hides more than meets the eye; a B & B landlady helps her guests forget their troubles; a Japanese man inadvertently awakens a vengeful spirit; and a mother and baby become unsettled in remote mill.

At Police Scotland HQ, Grace Macallan has pitched up in Counter Corruption. But the demons of her past are never far behind. Meanwhile, Edinburgh's gangland is in turmoil, with territory battles causing serious havoc. Into the war steps DI Janet Hadden. An ambitious risk-taker, she knows how to throw opponents off balance. When she's thwarted, Hadden seeks help from a notorious underworld fixer - only for Grace to start an investigation that threatens to uncover all Hadden's secrets.

An invitation to stay with childhood friends seems an excellent idea to aid Helena's recovery after her cancer treatment. Helena grew up with the Hickmans and had spent many happy holidays with them. But when a man is found burned to death in a car, the apparently irrelevant though horrific incident creates unexpected disturbances.

Helena Flemming has fallen out of love with John Eisenmenger and wants their relationship to end. Eisenmenger is devastated and finds solace in returning to his life as a forensic pathologist. His first case reunites him with DI Beverley Wharton; a young petty criminal is found stabbed and the obvious suspect is a man who had threatened to kill him just hours before. There is pressure on Beverley to close the case.

It was a mistake for Ben to tell the Hunter that there were still wolves in Surrey. For the Hunter was a fanatic, always on the lookout for unusual prey. Driven by an ambition to wipe out the last English wolves, the Hunter set out on his savage quest.

Izaak Walton's The Compleat Angler, long considered the bible of fishing, is a joyful celebration of the English countryside and the relaxed and reflective lifestyle of the devoted fisherman. Through dialogue between teacher and student, the book sheds a unique light on fishing, baiting, and cooking, including an original recipe for trout. Its music, rhymes, poetry, and humor are all brought to life by a full cast.

Eisenmenger has reluctantly taken a job as a locum in the pathology department of St Christopher's Hospital - his partner Helena is pregnant and they must prepare financially for the baby's arrival. John doesn't relish the prospect of being back on the treadmill, working within the NHS again, but when he is unwilling to accept his boss' "death from natural causes" diagnosis after autopsies on various bodies, his professional suspicions are piqued.

Lennox liked Quiet Tommy Quaid. Perhaps it's odd for a private detective to like - even admire - a career thief, but Quiet Tommy Quaid was the sort of man everyone liked. Amiable, easygoing, well dressed, with no vices to speak of - well, aside from his excessive drinking and womanising, but then, in 1950s Glasgow those were practically virtues. And besides, throughout his many exploits outside the law, Quiet Tommy never once used violence.

There is a killer loose on the streets of London, one that evades security cameras, is not held by locks, and savagely mutilates his victims. When the murderer switches from unknown prostitutes to Julie Longmuir, a beautiful actress at the height of her success, no woman feels safe. As the press begin to draw uncomfortable comparisons with Jack the Ripper, Jane Sullivan, heading up the police investigation, grudgingly has to agree.

After the tragic death of his lover, Helen Flemming, Eisenmenger throws himself back into his work as a forensic pathologist. The newly promoted Chief Inspector Beverley Wharton brings him in to help on the grisly discovery of a severed head in a local farmyard. When a headless – but female – body then turns up in a dustbin, they must acknowledge that this shows all the signs of the work of a serial killer.

October, 1975. When Dr Lance Elliot receives a call from his elderly father to say he has been arrested for arson, he can hardly believe it. Especially when he discovers that the intended victim was his father’s neighbour, Oliver Lightoller, with whom his father has a long-running feud. But things quickly take a dark turn when Lance stumbles across Lightoller’s body, which has been pinned by an old sword to an office chair in the dead man’s South London antiques shop.

Arthur Meadows has just returned home in his HGV from a long trip to southwest Europe, supposedly bringing back a consignment of cloth, yet is actually bringing back something far more deadly. Meanwhile, a young Asian couple are murdered in their small house in the middle of Gloucester, the killings done with ruthless efficiency. Beverley Wharton, now Chief Inspector, does not relish the investigation of the murders because she does not get on with her new sergeant, and because the pathologist Charles Sydenham would not have been her first choice.

In the beginning there were five identical murders - bodies eviscerated and organs scattered playfully around. Beverly Wharton pinned the crime on Melkior Pendred, a highly skilled and autistic mortuary assistant.

June 1941: Nazi troops surround the city of Leningrad, planning to shell and starve the people into submission. Most of the cultural elite is evacuated, but the famous composer Shostakovich stays behind to defend his city. That winter, the bleakest in Russian history, the Party orders Karl Eliasberg, the shy, difficult conductor of a second-rate orchestra, to prepare for the task of a lifetime. He is to conduct a performance of Shostakovich's Seventh Symphony, a haunting, defiant new piece.

Sasha Grover-Williams hated her wealthy father's dubious business affairs - and ended up dead on a railway track. But did she jump or was she pushed? That's the burning question for Chief Inspector Beverley Wharton. She and her pathologist lover, Dr John Eisenmenger - an expert in forensics - are immediately plunged into a messy world of corruption and violence. Who is the father of the Sasha's foetus that unexpectedly comes to light? How can Beverley be mired in the charge of collusion?

Jan Fabel is a troubled man. His relationships with the women in his life are becoming increasingly complicated. If that weren’t bad enough, after a gap of ten years, a female serial killer – the Angel of St Pauli – again makes the headlines when an English pop star is found in Hamburg’s red-light district, dying of savage knife wounds.

In the picturesque Tuscan hill town of Scandicci, the body of a girl is discovered. Scantily dressed, she is lying by the edge of the woods. The local police investigate the case - but after a week, they still haven’t even identified her, let alone got to the bottom of how she died. Frustrated by the lack of progress, Chief Superintendent Michele Ferrara, head of Florence’s elite Squadra Mobile, decides to step in.

Two high profile victims - a former left-wing radical turned environmental campaigner and a geneticist researching the possibility of inherited memory - are found murdered within 24 hours of each other. Both men have been scalped. Jan Fabel and his murder team have nothing to go on other than a single red hair left as a signature at each scene - each hair cut from the same head at least 20 years previously. Connections begin to appear: a long disbanded terrorist group; a mummified body; and a killer....

Chairman Mao was a librarian. Stalin was a published poet. Evelyn Waugh served as a commando - before leaving to write Brideshead Revisited. Since the advent of modern warfare, books have all too often found themselves on the frontline. In The Book at War, acclaimed historian Andrew Pettegree traces the surprising ways in which written culture - from travel guides and scientific papers to Biggles and Anne Frank - has shaped, and been shaped, by the conflicts of the modern age.

Chaucer’s The Canterbury Tales, a collection of narratives written between 1387 and 1400, tells of a group of 30 people from all layers of society who pass the time along their pilgrimage to Canterbury by telling stories to one another, their interaction mediated (at times) by the affable host - Chaucer himself. Naxos AudioBooks’ third volume presents the tales of six people, here in an unabridged modern verse translation (by Frank Ernest Hill, 1935).