Showing results by narrator "Christopher Ragland" in All Categories

Talent bursts from this decade with astonishing ease. From America across Europe to Russia each and every story is an indelible mark of story-telling flecked with genius that enthralls us all. Whatever their chosen genre their stories break new ground, cover new topics and carry a legacy that cannot be disputed.

Many authors have been cited as inventing the detective genre. Perhaps the strongest claimant is the American Edgar Allan Poe. His creation of the Parisian sleuth C. Auguste Dupin with his quite astounding analysis and deductive powers allied to Poe’s great imagination and wit create a literary tour de force.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

In this collection of short stories some of our most popular and well-known authors are grouped together with an unfortunate tag: dead at 40. These authors are not run-of-the-mill or ten a penny; many are literary leviathans who left enduring works of literature and sadly may have left us many more had they lived. We will never know.

William Austin was born on 2nd March 1778 in Lunenburg, Massachusetts. Although he was a frequent contributor to local periodicals on various subjects from Unitarian theology to chemistry to legal history, nothing quite approached the popularity of ‘Peter Rugg: The Missing Man’. This story and its sequels, constructed as long letters, were originally published in the New England Galaxy periodical between 1824 and 1827. So credible was his writing premise that they were accepted as a factual recounting of local legends rather than Austin’s fiction.

Nathaniel Hawthorne was born on 4th July 1804 in Salem, Massachusetts, a town synonymous with the earlier Salem Witch Trials. It was instrumental in Hawthorne’s later use of American Gothic and dark romanticism in his writing. Hawthorne’s short stories were first published in magazines but in 1837 were collected and published as ‘Twice-Told Tales’. A steady literary career still did not come his way and so he worked in a good position at Salem’s port and married the love of his life, Sophia Peabody. They moved to live in ‘The Old Manse’ at Concord, Massachusetts.

Our ‘fight of flight’ response is something hardwired into the primitive part of our brain. Our need to survive, to outlive whatever danger poses, that immediate threat to our lives is little short of a marvel. Everything else is abandoned in order to survive. Whilst in modern times that ability has been somewhat modified and ‘reasoned’ away to an extent, in past years it’s what usually kept you alive. In this volume people struggle valiantly to survive and to exist no matter the extent of the threat they face.

In the American Civil War that began in 1861 the War was seemingly fought to end Slavery. A War for Good. The result a win for the good guys but a society that still bears fractures from this seminal period. The stories in this volume show the true scars that are endured as a riven Nations authors try to explain and reconcile.

Being an English author in a new and different culture seems to work its magic when these two are placed together in the same spot with a rich vocabulary; ideas seem more fully formed and characters have another edge to their existence. For the outsider looking in, more can be revealed and shared with ourselves.

For an atheist it’s a great deal, though it does suggest atheism may have a weak point. For those of faith it’s a matter of jam now and purgatory tomorrow. A bargain many artists feel is something they can live with. For agnostics it’s usually a question of can the afterlife really be that bad, would workplace regulations reach all parts of heaven and hell. However, in this volume the terms are agreed and the Devil pays his fees and the character his dues, each happy to wait a few decades for the eternal payback.

More than at any other time in history, listeners are educating themselves on the world's major religions and what each believes. Hinduism, Christianity, Judaism, Buddhism, and Islam often seem at odds with each other, and as listeners struggle to understand, The Complete Idiot's Guide® to World Religions, Third Edition, provides expanded and updated coverage to answer their questions.