Showing results by author "Henry James" in All Categories

¿Qué puede hacer una institutriz, sola en un aislado caserón, para proteger a sus dos pupilos del lento acoso de los fantasmas? Nos hallamos ante uno de los mejores argumentos de la literatura moderna. Henry James (1843 - 1916) fue un escritor y crítico literario estadounidense y nacionalizado británico, conocido por sus novelas y relatos basados en el punto de vista, técnica que le permitió el análisis psicológico de sus personajes. Narrador de dramas costumbristas, también se interesó por el género de intriga, suspenso y lo sobrenatural.

Este relato de Henry James es una fantástica puerta de entrada al autor victoriano. James teje la historia de un hombre enamorada de la esposa de su mejor amigo, y su resistencia hacia sus propios sentimientos.

Viola y Perdita son dos jóvenes muy bellas de buena familia que, sin poder evitarlo, se enamoran del mismo hombre: Arthur Lloyd. Y éste se ve en la tesitura de tener que elegir una de entre las dos.Aunque las dos hermanas se aseguran la una a la otra que no sentirán envidia de la que resulte elegida, los sentimientos son difíciles de controlar. Cuando Viola ve que su hermana Perdita es la elegida por el señor Lloyd, no puede evitar sentir un odio, que se va acrecentando con el tiempo, hacia su hermana.

"Più di 700 pagine che si leggono d'un fiato, portati dalla maestosità di una corrente che è quella stessa del Gange o del Volga (...). Quasi a contraddire il carattere atarassico di questa corrente, lo stile è vivace è animatissimo, ma anche molto sorvegliato. Henry James non è di quegli scrittori che lasciano andare i personaggi lungo la strada su cui loro stessi li hanno messi: egli interviene di continuo, a commentare quel che pensano dicono e fanno, a volte con lapidarie sassatine ironiche...

"Er hat die Selbstsicherheit eines leibhaftigen Teufels" - so das Urteil des angesehenen und wohlhabenden Arztes Austin Sloper über den Lebemann Morris Townsend, der um seine unscheinbare Tochter Catherine wirbt. Die junge Frau ist verliebt, der Vater misstrauisch - diese Konstellation ist in der Literatur erst einmal nichts Neues. Doch Henry James näherte sich mit psychologischem Röntgenblick einem scheinbar bekannten Thema und entwickelte daraus ein spitzzüngiges und messerscharfes Porträt der amerikanischen Gesellschaft um 1850.

"Il giro di vite", strepitoso capolavoro dell'horror ottocentesco, inaugura la collaborazione tra LA CASE Books e Vir la Forza delle parole. Una storia di enorme potenza evocativa e di grande attualità, tanto da aver ispirato la seconda stagione di "Hill House", l'acclamata serie TV prodotta da Netflix. Bly Manor, villa cupa e decadente, è lo scenario in cui si muovono Flora e Miles, due piccoli orfani di 8 e 9 anni. La villa in cui vivono però è infestata da oscure presenze, presenze che la loro giovane istitutrice riesce ad avvertire grazie al suo "sesto senso".

The genius of this story about an acrimonious divorce lies in its being told from a little girl's point of view. Touching and insightful, it is a hilariously acerbic observation of a refined form of child exploitation and neglect. Upon their divorce, little Maisie finds herself of interest to her parents only as a means of expressing their mutual hatred for each other.

Inspired by an incident recounted to him by a friend, this ghost story by Henry James is often regarded as one of the best of its genre and is all the more haunting because of its understatement. A governess hired to take care of two small children at a country estate soon finds herself beleaguered by the shadowy apparitions of a man and a woman who once worked there.

Catherine Sloper, the heroine of this tragicomic tale set in mid-19th century New York, is absolutely ordinary in every way except for her exceptional capacities in love and loyalty. These latter qualities are of no interest to her father, the successful society Doctor who is constantly disappointed by his daughter's failure to be brilliant, either physically or intellectually. For this reason, he is highly suspicious when Morris Townsend begins to woo her and is convinced the handsome young man's interest is only in the fortune Catherine will eventually inherit.

Featuring work by M. R. James, Edith Nesbit, Oscar Wilde, Gertrude Atherton and many more, this enhanced audio collection of eight enduring stories - some well-known, others less familiar - transport you to a candlelit fireside to hear tales of lonely coastlines, deadly rivers, dark, creaking corridors, horrific, everlasting love and unknown entities lurking in black velvet shadows.

This group of 19th-century American poets was the first to rival their British counterparts in popularity. Gathered around their New England roots, they were also known as the Schoolroom or Household poets and comprised of Henry Wadsworth Longfellow, William Cullen Bryant, John Greenleaf Whittier, James Russell Lowell and Olivier Wendell Holmes, Sr. Occasionally Ralph Waldo Emerson was included, although his poetic philosophy differed in some key aspects.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels and first-class acting alongside high production values.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels and first-class acting alongside high production values.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Published in 1897, The Spoils of Poynton is one of the quintessential works of James's middle period. The "spoils" of the book's title refer to furniture and other objets d'art that the widow Adela Gereth moves to her cottage so that they are kept away from the clutches of her coarse future daughter-in-law, Mona Brigstock. However, events take an unexpected turn when her married son Owen is attracted to her friend, Fleda Vetch.

Widely recognized as one of literature's most gripping ghost stories, this classic tale of moral degradation concerns the sinister transformation of two innocent children into flagrant liars and hypocrites. The story begins when a governess arrives at an English country estate to look after Miles, aged 10, and Flora, eight. At first, everything appears normal, but then events gradually begin to weave a spell of psychological terror.

This is Henry James' witty, sympathetic account of the impact of American journalism and scandal on a family in Parisian society.

Contrasts in British and American manners and customs are cleverly drawn in this novella. We are thrown headfirst into the middle of an erupting marriage and an emerging love match. And we are introduced to the marvelous Lady Davenant.