Showing results by author "G. K. Chesterton" in All Categories

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

The Man Who Was Thursday: A Nightmare is a mind-bending thriller blending espionage, philosophy, and satire. When Gabriel Syme infiltrates a secret anarchist organization, he finds himself caught in a surreal game of deception and identity. A brilliant mix of detective fiction and metaphysical mystery.

Step into the vivid, paradoxical world of G. K. Chesterton—where saints dance with skeptics, riddles reveal truth, and the ordinary becomes extraordinary. Best known for his wit and philosophical insight, Chesterton’s poetry is a rich blend of humor, faith, social commentary, and fierce imagination. From the rousing rhythms of “Lepanto” to the introspective depth of “The Ballad of the White Horse”, this curated selection showcases Chesterton’s signature style: playful yet profound, grounded yet soaring.

In 1910, when the industrialists and intelligentsia both promised only “progress,” G. K. Chesterton was among the few in the West who could see the brewing ideological storms that would soon make landfall, not just in the form of world wars and totalitarianism but in the pervasive modern dehumanization that consumes us to this day. More than a century ago, Chesterton perceived the beginnings of “woke capital” and how it aligns with and promotes social progressivism. There is an unspoken alliance between big business and progressives, he explains.

Father Brown: The Essential Stories brings together the finest tales of the beloved amateur detective, Father Brown - a small, unassuming priest with a remarkable knack for solving the most baffling crimes. With his quiet wisdom, sharp intuition, and deep understanding of human nature, Father Brown solves cases that baffle even the most seasoned detectives.

DES MEURTRES IMPOSSIBLES ! 9 nouvelles ou courts romans célèbres, mettant en scène des meurtres commis dans des lieux hermétiquement fermés. 9 énigmes qui sont autant de défis aux capacités de déduction et d'imagination de l'audiolecteur.

http://www.adfreebooks.com - 1000+ audiobooks, all ad free!From the author’s introduction: "Blake’s life of Blake … would have been full of symbolic wild beasts and naked women, of monstrous clouds and colossal temples; and it would all have been highly incomprehensible, but none of it would have been irrelevant. All the biggest events of Blake’s life would have happened before he was born. But, on consideration, I think it will be better to tell the tale of Blake’s life first and go back to his century afterwards. It is not, indeed, easy to resist temptation, for there was much to ...

Ortodoxia es un ensayo de G. K. Chesterton, publicado en 1908, que se ha convertido en un clásico sobre apologética cristiana. En él presenta una visión original de la religión cristiana, que Chesterton ve como una respuesta a las necesidades naturales de los seres humanos, la «respuesta a un acertijo», y no como una verdad arbitraria recibida de alguna parte extraña a la experiencia humana.

In this galloping collection of twenty pointed essays, G. K. Chesterton (1874-1936) nimbly punctures the philosophical pretensions of modern non-Christian thinkers and artists—heretics, as he calls them. Chesterton good-naturedly takes on contemporaries Rudyard Kipling, H. G. Wells, James McNeill Whistler, and even his good friend George Bernard Shaw, exposing the muddled logic of their popular ideas with his characteristic wisdom and razor-sharp wit. He also begins to lay the groundwork for Orthodoxy, his subsequent account of a rational and coherent Christian faith.

Der Pater weilt auf Urlaub in den USA. Und schliddert selbstredend sofort in einen Kriminalfall. Ein bekannter Milliardär wurde ermordet. Mit einem Pfeil erschossen - vom Garten seines Anwesens, das einer uneinnehmbaren Festung gleicht. Vom Täter fehlt jede Spur. Wie ist das möglich? Ist hier etwas Übernatürliches am Werk? Fiel dieser Pfeil buchstäblich vom Himmel?

The Innocence of Father Brown is the first collection of short stories featuring G.K. Chesterton's beloved detective, Father Brown, a humble and unassuming Catholic priest with a sharp mind for solving mysteries. Unlike the typical detectives of his time, Father Brown relies on his deep understanding of human nature, morality, and logic to unravel even the most perplexing cases. This complete collection includes classic stories such as The Blue Cross, where Father Brown first crosses paths with the brilliant thief Flambeau, and The Secret Garden, a dark and puzzling murder mystery.

Wenn Flambeau seinen Monatsurlaub nimmt, dann unternimmt er eine Bootsfahrt. Und die unternimmt er mit seinem Freund, dem schlauen Pater aus Essex. So auch dieses Mal. Allerdings dieses Mal mit einem bestimmten Ziel. So hat ihn vor langer Zeit der Brief eines seltsamen Mannes erreicht. Eine Einladung. Von einem waschechten Prinzen. Und den wollen die beiden nun also besuchen. Kaum dort angekommen, werden sie unfreiwillig Zeugen geradezu schrecklicher Ereignisse. Ein Duell. Ein Mord. Der Täter geständig. Selten gab es einen einfacheren Fall - glaubt die Polizei. Doch Pater Brown sieht das etwas anders.

L’irresistibile Padre Brown torna a stupirci con le sue incredibili doti intuitive, sempre accompagnate da un’incrollabile fede nella forza del Bene sul Male! In una serie di indagini appassionanti e cariche di humour, il brillante prete dell’Essex deve affrontare il mistero di strani specchi e di enigmatiche armature, smascherando ciarlatani che simulano doti soprannaturali e riconducendo assassini spietati sulla retta via... Il londinese Gilbert Keith Chesterton (1874-1936) è stato fra i più importanti intellettuali cattolici della sua generazione.

La solución, en las malas ficciones policíacas, es de orden material: una puerta secreta, una barba suplementaria. En las buenas, es de orden psicológico: una falacia, un hábito mental, una superstición. Ejemplo de las buenas y aun de las mejores es cualquier relato de Chesterton.

Short story The Blue Cross is Chesterton's first Father Brown mystery. It introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin. Brown has been committing acts to draw the attention of the police (throwing soup, knocking over apples, smashing a window) and leaving an obvious trail for them to follow. Valentin takes this opportunity to emerge from hiding with the policemen and arrest Flambeau. Both Flambeau and Valentin bow to Father Brown's superior detective skills.

En el Londres surrealista de cambio de siglo, el poeta Gabriel Syme es reclutado por un destacamento antianarquista en Scotland Yard. A partir de este momento empezará su bizarra y trepidante misión en la que tendrá un objetivo como detective encubierto. Según Chesterton, se trataba de un nuevo tipo de novela, una historia en la que se tipifican pensamientos modernos, pero no con argumentos, sino con incidentes simbólicos: una comedia alegórica.

Read the best mystery and adventure short stories. Be it cozy, historical, detective or murder mystery stories; our collection includes them all: The Red-Headed League by Arthur Conan Doyle, The Adventure of the Blue Carbuncle by Arthur Conan Doyle, The Arrow of Heaven by G. K. Chesterton, The Sign of the Broken Sword by G. K. Chesterton, The Purloined Letter by Edgar Allan Poe, The Master of Mystery by Jack London.

Humility gets a bad rap these days, especially when contrasted with philosophies of egoism and self-assertion. But can we see the world as it really is without losing ourselves for a moment to take up the perspective of another?

This essay is one in a series titled The Defendant, first published as a collection in 1901, after the individual essays were published in The Speaker. Here, a selection of these essays has been reissued by Voices of Today for a new generation.

This essay is from a series titled The Defendant, first published as a collection in 1901, after the individual essays were published in The Speaker. Here, a selection of these essays has been reissued by Voices of Today.