Showing results by publisher "Picador" in All Categories

In 1921, after six years of unrelenting war and revolution, Russia was in ruins. The economy had collapsed, the country was ravaged by disease and starvation claimed the lives of millions. People were so desperate for food that there were reports of cannibalism, reports that were revealed to be horribly accurate. Remarkably, it was a young American aid worker who uncovered the truth, and, even more remarkably, it was the US-backed charity that had sent him to Russia that would save Lenin’s fledgling government by feeding his people.

When you’re pregnant you think: ‘I’m having a baby’, not a person who will eventually catch trains by themselves, share a fridge with 10 strangers, go to a festival in Croatia without succumbing to a drug overdose, and, one day, bring you a gin and tonic when your mother is dying. We imagine the teenage years as a sort of domestic meteor strike, when our dear, sweet child, hitherto so trusting and mild, is suddenly replaced by a sarcastic know-all who isn’t interested in the wisdom we have to pass on.

Nicholas and his wife, April, live in a remote cabin in the Blue Ridge Mountains with their four-year-old son, Jack. They keep their families at a distance, rejecting what their loved ones think of as 'normal'. In the early hours of a Wednesday morning, they are driving home from a party when their car crashes on a deserted road and they are killed. This is the story of what happens after the tragedy. As the couple's grieving relatives descend on the family home, they are forced to decide who will care for the child Nicholas and April left behind.

In 2016, Marvin Rees was elected as Mayor of Bristol, the first time a major European city had elected a mayor of Black African heritage. Re-elected in 2021, his eight-year tenure has taken the city through everything from Brexit to Covid, the cost of living crisis to the fall of the Colston statue. With the eyes of the world on Bristol, Rees navigated a high-stakes balancing act to keep the city together – all the while dealing with racist abuse and personal threats.

Centred around two lyric poems on imminent fatherhood and the birth of a child, Signs, Music is a book about masculinity, fatherhood, and love. The speaker, looking backwards to his late father and forwards to his new son, prepares to become a parent for the first time. Meditating on the cognitive and emotional dissonances between the ‘hypothetical’ and the ‘real’ of becoming a father, this irreversible transition causes the poet’s ‘lines [to] lead towards my father (again!)’.

Our Evenings is Dave Win’s own account of his life as a schoolboy and student, his first love affairs, in London, and on the road with an experimental theatre company, and of a late-life affair, which transforms his sixties with a new sense of happiness and a perilous security; but it is also, very movingly, the story of his hard-working widowed mother, whose own life takes an unexpected new turn after her son leaves home.

A poet’s life is turned inside out by a sudden, wrenching pain. The pain brings him to his knees, and eventually to the ICU. Confined to bed, plunged into the dysfunctional American healthcare system, he struggles to understand what is happening to his body, as someone who has lived for many years in his mind. This is a searching, sweeping novel set at the furthest edges of human experience, where the forces that give life value – art, memory, poetry, music, care – are thrown into sharp relief.

When Jane meets filmmaker John Bridges, they both want the same things: to be in love, to live a successful, creative life, and to be happy. When they marry, Jane believes she has found everything she was looking for, including—a few years later—all the attendant joys and labors of motherhood. But it’s not long until Jane finds herself subsumed by John’s ambitions, whims, and ego; in short, she becomes a wife. As Jane’s career flourishes, their marriage starts to falter. Throughout the upheavals of family life, Jane tries to hold it together. That is, until John leaves her.

In a cosy photography studio in the mountains between this world and the next, someone is waking up as if from a dream. A kind man will hand them a hot cup of tea and gently explain that, having reached the end of their life, they have one final task. There is a stack of photos on their lap, one for every day of their life, and now they must choose the pictures that capture their most treasured memories, which will be placed in a beautiful lantern. Once completed, it will be set spinning, and their cherished moments will flash before their eyes, guiding them to another world.

Can you be happy without long-term romantic love at the centre of your life? Society still sets the gold standard for successful living as a marriage and kids. As Marianne Power turns forty, she wonders why this is still so elusive for her and whether, in fact, this is what she even wants, or just what she feels like she should want.

Jasmine Leong is the heiress apparent to Phoenix, her family’s billion-ringgit company known especially for its pork snacks. When her grandmother, the great Madame Leong, unexpectedly passes away, Jasmine discovers she is actually a Malay Muslim and this newfound identity threatens to upend her life and ambitions. Finding herself at the centre of a political controversy, and caught between two men who love her, The Accidental Malay examines the human cost of a country’s racial policies and paints a portrait of a woman unwilling to accept the fate history has designated for her.

My Good Bright Wolf is a memoir about thinking and reading, eating and not eating, about privilege and scarcity, about the relationships that form us and the long tentacles of childhood. Sarah confronts all of this in a book that pushes at the boundaries of memoir-writing. Opening in the second person, it narrates contested memories of girlhood at the hands of embattled, distracted parents in a time of disastrous attitudes towards eating and female discipline.

Rutherford Calhoun, a puckish rogue and newly freed slave, spends his days loitering around the docks of New Orleans, dodging debt collectors, gangsters and Isadora Bailey, a prim and frugal woman who seeks to marry him and curb his mischievous instincts. When the heat from these respective pursuers becomes too much to bear, he cons his way on to the next ship leaving the dock: the Republic. Upon boarding, to his horror he discovers that he is on an illegal slave ship embarking on the Middle Passage.

Raymond Antrobus’ astonishing debut collection, The Perseverance, won both Rathbone Folio Prize and the Ted Hughes Award, amongst many other accolades; the poet’s much anticipated second collection, All the Names Given, continues his essential investigation into language, miscommunication, place, and memory.  

Rachel Long’s much anticipated debut collection of poems, My Darling from the Lions, announces the arrival of a thrilling new presence in poetry. Each poem has a vivid story to tell - of family quirks, the perils of dating, the grip of religion or sexual awakening - stories that are, by turn, emotionally insightful, politically conscious, wise, funny and outrageous.

Blue in Chicago collects together the sharp, bittersweet stories of Bette Howland and restores to our libraries an extraordinarily gifted writer who was recognised as a major talent before all but disappearing from public view for decades, until nearly the end of her life. Bette Howland was an outsider: an intellectual from a working-class neighbourhood in Chicago, a divorcée and single mother, to the disapproval of her family, an artist chipped away at by poverty and perfection.

The working-class painter Terry Godden was on the brink of his first success. After a violent crisis, he finds himself outcast. Nearing 60 and with modest means, he has retreated to a small island. The island seems to be a closed, cold place. As the seasons turn, Terry comes to see that he is one of many people who have sought refuge here. These independent outsiders, all with their own considerable struggles, have made a precarious home. The island is owned by the businessman and art collector Alex Kaplan.

Colliding with and confronting Shakespeare's The Tempest and postcolonial identity, the poems in Safiya Sinclair's Cannibal beautifully evoke the poet's Jamaican childhood and reach beyond to explore history, race relations in America, womanhood, otherness and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic and intricately woven.

As the Second World War enters its final stages, millions in Germany are forced from their homes by bombing, compelled to seek shelter in the countryside where there are barely the resources to feed them. Twelve-year-old Luisa, her mother and her older sister, Billie, have escaped the devastation of the city for the relative safety of a dairy farm. But even here the power struggles of the war play out: the family depend on the goodwill of Luisa’s brother-in-law, an SS officer, who in expectation of payment turns his attention away from his wife and towards Billie. 

Jackie Kay's first collection as Scottish Makar is an audiobook about the fighting spirit - one, the poet argues, that we need now more than ever. Bantam brings three generations into sharp focus - Kay's own, her father's, and his own father's - to show us how the body holds its own story. Kay shows how old injuries can emerge years later; how we bear and absorb the loss of friends; how we celebrate and welcome new life; and how we embody our times, whether we want to or not.