Showing results by narrator "David Timson" in All Categories

Based on the simple yet deeply moving legendary tale of Orpheus, who loses his beloved wife to death but is able to restore her through the power of his music, Orfeo ed Euridice is among the earliest operas to hold a secure place in the repertory. Gluck lavishes a wealth of beautiful melody on this tale, whose appeal to composers is obvious; yet the abiding strength lies in the power and majesty of his inspiration, whether in the solos, the choruses, or the ballet music.

Verdi’s Falstaff repays careful study with real pleasure. It is opera’s happiest irony that the great Italian master should cap a career - distinguished for its blood-and-thunder tragic masterpieces - with the greatest comic opera in the Italian repertory. The genius of Shakespeare is harnessed (in a miracle of compression) by master-librettist Boito to give the 80-year-old Verdi a superb libretto, on which he lavished more wonderful tunes than most composers manage in a lifetime.

Carmen is among the most popular operas for all the obvious reasons: great characters, a gripping story, and fabulous music. But what sets it on a pinnacle is an amazing combination of three factors: a sizzling Gipsy heroine (one of the most psychologically complex and compelling characters in all theatre), great atmosphere (Spain, hot sun, the bull-ring), and the prodigality of melodic invention - one great tune after another, at least a dozen of which are the staples of Madison Avenue and the animated cartoon.

No great composer’s story is more predominantly happy than Haydn’s, though even his has its share of clouds. A classic rags-to-riches tale, it sees him move from humble beginnings through decades as a liveried servant to his emergence as the most popular and successful composer of his time. One of the healthiest and least neurotic artists in musical history, he did more than any other single figure to pioneer the symphony, the piano sonata and the string quartet - and he was the first truly great practitioner of each.

Father Brown is an eccentric priest with his own particular ways of dealing with crime. David Timson, having completed the whole of Arthur Conan Doyle's Sherlock Holmes canon, a remarkable achievement, turns his hand to the genial but certainly not innocent priest! This collection contains a group of stories from the Innocence of Father Brown, told unabridged.

Many writers used Christmas as a backdrop for their stories: among them none other than Sir Arthur Conan Doyle. This delightful Sherlock Holmes story is one of the first that he authored, appearing in The Adventures of Sherlock Holmes. It is, fittingly, a wild goose chase through London!

The powerful sense of evil – darkness, creepy hairy presences, cloaks, hoods, talons and tentacles – pervades these classic ghost stories by M.R. James. A Cambridge scholar himself, James explored what happens when academics dabble in things they don’t understand and unleash forces of which they know nothing.

Pagliacci may be the most completely compelling short opera in the repertory and owes much of its impact to a brilliant story based, it is said, on true life and told through the device of a play-within-a-play. The action is set in Calabria in the deep south of Italy where the jealousies and illicit passions of a troupe of strolling actors precisely intersect with the play they are performing - to both touching and tragic effect.

Rossini’s comic operas, like The Barber of Seville, are better known than his tragedies though he wrote in fact many more tragedies than comedies. One of them, his last, William Tell, is actually credited with launching the whole age of Grand Opéra. Tancredi is an early work - indeed his first smash hit - and it established his international fame.

Pleasures of the Garden begins in ancient China and ends on the Isle of Man; it admires both stately landscaped parks and a soap box full of red geraniums on a fire-escape. It shows that gardening is for everybody, whatever their resources.

Once again Arthur Conan Doyle presents a series of cases which baffle the police, but are no match for Sherlock Holmes and his trusty companion, Dr. Watson.

Here are the favorites from Lewis Carroll, Jonathan Swift, William Shakespeare, and more. And that is not to forget perhaps the greatest of them all: Anon. There are ballads, sonnets, proverbs, and nonsense verse. Poems to inform, divert, satirize, castigate and praise. A collection to make all listeners smile, laugh, remember and discover.

In this collection are four of the finest cases of Mr. Sherlock Holmes, narrated by his faithful friend and admirer Dr. Watson. What was the mystery of the engineer's thumb? What was behind the disappearance of the race horse? Why did masked royalty walk up to see Holmes in Baker Street? These and other puzzles are solved in this collection by this bloodhound of a genius.

Dr Watson comments: 'The stage lost a fine actor' when Holmes chose to devote his formidable talents to the solution of crime. Two of these stories, "The Reigate Squire" and "The Adventure of Beryl Coronet", Sherlock Holmes demonstrates his thespian powers as he unravels the mysteries.

The 'Young Adult Classics' series continues with The Hound of the Baskervilles, the most popular Sherlock Holmes story. It is a chilling tale of a slavering dog on the moor that will excite listeners of any age. The popular classics, presented in an abridged form, are brilliantly brought to life by master Holmes reader David Timson and enhanced with atmospheric music.

David Timson talks about the relationship between Samuel Johnson and James Boswell - how they met, their unlikely friendship, and extensive conversations - and the composition of Boswell's The Life of Samuel Johnson, one of the greatest biographies in the history of world literature.

With the invention of printing, reading books moved from being an act performed only by priests and aristocrats into an individual, even private activity. This change helped spark the Renaissance, the Reformation, the Enlightenment and the Industrial Revolution - in which punctuation played a crucial role. As long as texts were read out loud by only an educated elite there was no need for punctuation to mark pauses, full stops or questions.

When Arsène Lupin and two of his criminal associates try to rob the villa of Deputy Daubrecq, things do not go according to plan and Lupin’s two partners are arrested and sentenced to death, leaving him to try and save them from the guillotine. To achieve this, Lupin must not only evade Daubrecq but also outwit a ruthless blackmailer who holds incriminating evidence in a crystal stopper.

In Monsieur Lecoq, two men are found dead at a bar in a seedy area of Paris, and a third man, wounded, stands in the doorway and dies shortly afterwards. To the Inspector of Police, the case seems straightforward – a pub brawl that ended in murder – but Lecoq is unconvinced and is permitted to investigate further with the help of an older officer, Father Absinthe. In the course of his investigations – which take an ever-tortuous direction – Lecoq is assisted by the ‘armchair’ detective Tabaret.

One evening, wealthy diamond merchant Rudolph Kesselbach is visited at the Palace Hotel by Arsène Lupin. The next day, Kesselbach is found dead from a gunshot wound, with Lupin’s card pinned to his shirt. The wanted Lupin is forced to use all his guile to outwit the gendarmerie and find the real murderer.