Showing results by author "James Henry" in All Categories

Catherine Sloper, the heroine of this tragicomic tale set in mid-19th century New York, is absolutely ordinary in every way except for her exceptional capacities in love and loyalty. These latter qualities are of no interest to her father, the successful society Doctor who is constantly disappointed by his daughter's failure to be brilliant, either physically or intellectually. For this reason, he is highly suspicious when Morris Townsend begins to woo her and is convinced the handsome young man's interest is only in the fortune Catherine will eventually inherit.

This group of 19th-century American poets was the first to rival their British counterparts in popularity. Gathered around their New England roots, they were also known as the Schoolroom or Household poets and comprised of Henry Wadsworth Longfellow, William Cullen Bryant, John Greenleaf Whittier, James Russell Lowell and Olivier Wendell Holmes, Sr. Occasionally Ralph Waldo Emerson was included, although his poetic philosophy differed in some key aspects.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels and first-class acting alongside high production values.

NBC University Theater initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. In its later years, it also included short stories and plays and went on to win the distinguished Peabody award. University Theater relied on excellent distillations of the novels and first-class acting alongside high production values.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Roderick Hudson and Rowland Mallet are like two sides of the same coin: while the whimsical and egotistical Roderick recklessly follows his passions in the name of art, altruistic Rowland lives with restraint and measure. The two are bound together almost immediately when Rowland is shown a striking bronze statuette in his cousin's garden, which moves him to meet and support its creator, Roderick. They abandon their provincial New England lives for Rome, where the young sculptor perfects his craft and flourishes among Italy's great masters.

From the moment Isabel Archer arrives in England, the soon-to-be heiress is in high demand. But the idealistic American rejects two proposals - and convention altogether. Headstrong Isabel prefers to shape her identity and confront her own destiny. When she is finally swayed, it’s by the manipulative charms of expatriate Gilbert Osmond. Where once was promise and determination is now the fear that the independence she’s pursued might have been forever lost.

This is Henry James' witty, sympathetic account of the impact of American journalism and scandal on a family in Parisian society.

Contrasts in British and American manners and customs are cleverly drawn in this novella. We are thrown headfirst into the middle of an erupting marriage and an emerging love match. And we are introduced to the marvelous Lady Davenant.

This unfinished late novel is complex, convoluted, and poses a challenge for both amateur and professional Jamesians alike. In it, Henry James explores the reactions of a native young British heir to his inheritance of an American fortune during the Gilded Age as well as the reactions of members of his family and surrounding community.

The old world of experience, personified by Felix and his sister, Baroness Munster, meets the innocent new world as they visit their American cousins in New England.

Eugenia, a baroness divorced from a German prince, and her bohemian brother, Felix, are coming back to America. Raised and cultured in Europe, they are returning destitute to New England to seek out their rich and innocent cousins. In a bungle of culture clash and love triangles, the Europeans hang their fortunes upon their ability to adapt. Where their scheming leads them is the last place they expect.

On a quiet Christmas Eve, a governess’ manuscript detailing her encounters with the supernatural is read. She tells the story of moving into an estate to take care of two children and becoming slowly aware that the area is overrun with ghosts of the previous inhabitants - and that the children are aware that these ghosts exist.

Horror, mystery and suspense abound in this collection of the nation’s favourite gothic stories. From the foggy streets of London to the hills of Transylvania and the grounds of a country estate, relive the fear that these tales have been igniting in listeners for more than 100 years.These classic stories are read by Born Free’s Virginia McKenna; Dr. Who’s Tom Baker; and A Touch of Frost’s Bruce Alexander.

When a young governess is hired to care for two orphans in a country estate, she soon realises that something is lurking in the grounds of the house. But is it a mere ghost or an altogether more sinister presence at work? The tension of this timeless horror is perfectly captured by stage and screen actress Virginia McKenna.

Am Kamin eines südenglischen Landhauses wird eine Geistergeschichte vorgelesen: Eine Gouvernante kümmert sich auf dem Landsitz Bly um zwei Waisenkinder. Schon bald erscheinen ihr immer wieder Geister, in denen sie den früheren Diener und ihre Vorgängerin zu erkennen glaubt, die auf mysteriöse Weise gestorben sind. Um die Kinder vor ihnen zu retten, steigert sich die Gouvernante in einen Wahn, mit dem sie den Kindern jedoch mehr schadet als hilft.

Step into the chilling world of The Turn of the Screw by Henry James, a gothic masterpiece narrated by Ken Kowalik. This haunting tale of psychological suspense unravels the story of a young governess tasked with caring for two children in a remote Victorian mansion. As eerie events unfold and ghostly figures appear, she begins to question her own sanity and the sinister forces at play.

Step into a shadowed realm where nothing is as it seems, and reality dances on the edge of illusion. Henry James's The Turn of the Screw is a masterpiece of ambiguity, a chilling tale that defies easy interpretation. Told through the eyes of a young governess, the story plunges readers into a haunting world of eerie whispers, mysterious children, and a sinister country estate. But is the darkness external—or does it lie within the human mind? James's novella is not just a ghost story; it is a psychological puzzle that invites endless debate.