Showing results by author "Virginia Woolf" in All Categories

ഇരുപതാം നൂറ്റാണ്ടിലെ ഇംഗ്ലീഷ് സാഹിത്യത്തെ ഏറ്റവും അധികം സ്വാധീനിച്ച പ്രതിഭയായിരുന്നു വെര്‍ജീനിയ. ബോധധാരാസമ്പ്രദായത്തിലുള്ള രചനയായിരുന്നു അവളുടേത്. സ്വന്തം മനസ്സിന്റെ പ്രതിഫലനങ്ങള്‍ കഥാപാത്രങ്ങളിലേക്ക് സന്നിവേശിപ്പിക്കുകയായിരുന്നു വെര്‍ജീനിയ ചെയ്തിരുന്നത്.

En La marca en la pared, Virginia Woolf lleva al lector a un viaje introspectivo, observando una mancha en la pared. La narradora, mientras intenta identificar la marca, se sumerge en una serie de reflexiones y pensamientos que abarcan desde la naturaleza de la vida hasta cuestiones filosóficas. La historia es una obra maestra del monólogo interior, representando una exploración íntima de la mente humana, que culmina en una revelación inesperada sobre la marca.

Il romanzo, scritto da Virginia Woolf, narra la storia di un cocker spaniel di nome Flush. Questo cane apparteneva alla poetessa Elizabeth Barrett Browning e gran parte del romanzo è scritta dal punto di vista del cane stesso. La storia segue la vita di Flush dalla sua nascita, concentrandosi sul rapporto speciale tra l'animale e la sua padrona. Il romanzo è noto per la sua prospettiva unica, poiché ci offre un'introspezione nel mondo degli esseri umani dalla prospettiva di un cane. Inoltre, esplora temi come l'amore, la fedeltà e la connessione tra esseri umani e animali.

Known as one of Virginia Woolf's greatest works, Mrs. Dalloway is a bright, picturesque look at the simple life of an upper-class woman in London. Clarissa Dalloway is busy planning a party when her old suitor, Peter Walsh, shows up at her hour. On the outside, Mrs. Dalloway is seen to be society's perfect image of a housewife-dutiful, loyal, and sensible. But as soon as her past lover makes his appearance, Mrs. Dalloway can't help but remember their passionate affairs. She is faced with her choices, all of which strike a fear of growing old within her. These characters and their stories, rich...

Orlando is the extraordinary biography of a young nobleman in the court of Elizabeth I who transforms into a woman and lives for over three centuries. In his youth, Orlando is a passionate lover and poet. He dotes on the Queen, serves King James faithfully, falls deeply in love with a Russian princess, and becomes an ambassador to Constantinople, but at his heart all Orlando ever wants to be is a great writer (and living at the same time as Marlowe, Donne, and Shakespeare, this is no easy thing). But while living in Constantinople, one evening Orlando is transformed into woman.

Baseado em palestras proferidas por Virginia Woolf nas faculdades de Newham e Girton em 1928, o ensaio Um teto todo seu é uma reflexão acerca das condições sociais da mulher e a sua influência na produção literária feminina. A escritora pontua em que medida a posição que a mulher ocupa na sociedade acarreta dificuldades para a expressão livre de seu pensamento, para que essa expressão seja transformada em uma escrita sem sujeição e, finalmente, para que essa escrita seja recebida com consideração, em vez da indiferença comumente reservada à escrita feminina na época.

Una casa encantada se centra en la historia de dos parejas que comparten la misma casa, con la peculiaridad de que una de ellas es un matrimonio de espectros. El relato es muy breve, pero es suficiente para que Virginia Woolf comience a experimentar en sus teorías narrativas.

Presented here is Volume III of our Feminist Literary Classics series, featuring three of the most important feminist novels ever written: Orlando: A Biography by Virginia Woolf, O Pioneers! by Willa Cather and So Big by Edna Ferber. The first book in this collection is Orlando: A Biography, a groundbreaking English novel by Virginia Woolf that explores English history, gender roles and sexual politics in a way few books have before or since.

At the beginning of Virginia Woolf's fantastical and satirical 1928 novel, Orlando is a young nobleman in Elizabethan, England. At the age of 30, Orlando awakens to have found he's now a woman. Moving through the following centuries, the novel stretches over 300 years, during which time Orlando meets several key figures of English literary history.

Si bien el ensayo emplea un narrador ficticio y la prosa para explorar a mujeres (tanto escritoras como personajes de ficción), y el manuscrito preparado para las conferencias se tituló "Mujeres y Ficción", el ensayo está considerado no-ficción. Generalmente se clasifica como un texto feminista, y su argumento gira en torno a un espacio literal y ficticio para escritoras que se encuentran dentro de una tradición literaria dominada por hombres.

En «Una novela no escrita», la protagonista —alter ego de Virginia Woolf— especula sobre la vida interior y el alma de una persona mientras la observa desde el asiento de un tren.

Considered to be one of Virginia Woolf's most popular novels, Mrs. Dalloway follows one high-society woman as she goes about her day planning a splendid party for her acquaintances. As she goes about her day, she ponders on the life she could be living had she not married the reliable Richard Dalloway and instead sought the enigmatic Peter Walsh. At one point, she muses on the fact that she had not the option to be with a close female friend of hers. The novel then takes a turn to follow Septimus Smith, First World War veteran plagued with deferred traumatic stress.

A Haunted House is a story of struggle, loss, commitment, connection, love and acceptance. It is narrated in the first person by an unnamed female narrator. A deceased man and woman roam the house for the majority of the story till they find what it is they are looking for.

Milly Masters, a housekeeper is travelling in a third class carriage of a train and the story takes us to the family in the old country house where she works. Does she have some deeper connection with the dreadful family?

The narrator notices a mark on the wall, and there starts his monologue on religion, self-reflection, nature, and uncertainties of life.

Love. Perhaps the one word solution for everything. An emotion, a state of mind that we strive for, search for. A wondrous force that binds, inspires, and a force that can spin out of control; unbalanced and fragile. Love reflects, changes and embraces us all. In this series we explore the many facets of love through literary talents that span both time and country.

Hätte Shakespeare eine Schwester gehabt, ebenso begabt wie er, wie wäre es ihr ergangen? Welche Widerstände mussten Jane Austen oder die Brontë-Schwestern überwinden? Im Oktober 1928 hielt Virginia Woolf zwei Vorträge am ersten Frauencollege Großbritanniens an der Universität Cambridge. Ob ihnen bewusst sei, fragte Woolf ihre Zuhörerinnen, dass sie vielleicht "das am häufigsten abgehandelte Tier des Universums" seien? Schließlich wurde Literatur über Frauen fast ausschließlich von Männern verfasst. Aus Woolfs Vorträgen entstand der Essay Ein Zimmer für sich allein, den sie ein Jahr später veröffentlichte.

"A Room of One's Own" began life as a pair of lectures delivered by Virginia Woolf in October 1928 at Newnham College and Girton College, women's colleges at the University of Cambridge and was published as a stand-alone book in 1929. In this brilliant examination of literature, history and gender discrimination, Woolf posits that the dearth of female writers in literature did not result from a lack of talent; it was the lack of opportunity.

Virginia Woolf (January 25, 1882 - March 28, 1941) was an English writer from Kensington, London, who pioneered a narrative mode called "stream of consciousness" to describe the thoughts and feelings of the narrator. Regarded as one of the most prominent modernist 20th-century writers, Woolf's works have gained much attention for inspiring feminism, as well as, numerous films, novels, and plays. The following recording is from a radio broadcast on April 29th, 1937.

Virginia Woolf nos revela en esta obra, básicamente, la evolución de su pensamiento feminista en relación con la literatura. El libro empieza planteándonos una pregunta: ¿Qué necesitan las mujeres para escribir buenas novelas? La respuesta la irá plasmando y argumentando a través de la exposición de situaciones diferentes, en ocasiones inventadas o supuestas, donde predominarán las mujeres. La conclusión final es que para que las mujeres escriban buenas novelas necesitan independencia económica y personal, es decir, una habitación propia.