Showing results by author "G. K. Chesterton" in All Categories

Heretics is a collection of 20 essays and articles by G. K. Chesterton, in which he appraises prominent figures of his time in the worlds of literature and the arts. He scrutinises the work of luminaries such as George Bernard Shaw, Rudyard Kipling, and H. G. Wells with insight and wit, criticizing those who hold incomplete and flawed views of "life, the universe, and everything".

In this short work, G.K. Chesterton writes with characteristic vivacity as he explores the compelling paradoxes of the book of Job, as found in the Hebrew Scriptures. Armed with keen precision and incisive wit, Chesterton revels in the reversions of expectation found in this story, particularly regarding the character of God. Indeed Chesterton names the God of Job a blasphemer, an atheist...and identifies the loneliness of God as the central idea of the Hebrew Scriptures. Listeners will delight in the twists and turns of Chesterton's thought.

Gilbert Keith Chesterton (1874-1936), was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is best known for his fictional priest-detective Father Brown. In The Club of Queer Trades, narrator 'Cherub' Swinburne and his friends, the eccentric former judge Basil Grant, and Basil's younger brother, private detective Rupert Grant, encounter six curious mysteries, each involving someone who makes a living in an extraordinary and bizarre - in the language of the time a 'queer' - way.

Numa época em que a Europa dava os primeiros passos para tornar-se uma sociedade pós-cristã, um intelectual de grosso calibre, cansado do cinismo reinante e do fascínio despertado por novas idéias, resgata o núcleo da fé cristã como arcabouço suficiente para dar sentido à existência humana. Ao contar sua jornada espiritual, G. K. Chesterton faz saber à intelligentsia européia da primeira metade do século XX que o socialismo, o relativismo, o materialismo e o ceticismo estavam longe de responder às questões existenciais mais profundas. 

El conjunto de los relatos del padre Brown constituye quizá la obra más popular de Chesterton. El simpático cura-detective que los protagoniza resuelve en ellos, armado únicamente con su paraguas, su inocencia y su sabiduría, intrincados casos gracias a un conocimiento sencillo a la par que es profundo de la naturaleza humana. Chesterton crea este singular personaje para mostrar que sólo una mirada sincera y que reconozca el misterio que la realidad encierra es capaz de salvaguardar la razón. 

The Man Who Was Thursday: A Nightmare is a novel by G. K. Chesterton, first published in 1908. The book is sometimes referred to as a metaphysical thriller. 

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown. In 'The Mistake of the Machine', Father Brown pits himself against an early polygraph device to solve a highly puzzling crime.

London. A candidate for global capital. Centre of an empire. The swift-beating heart of culture. A sprawling metropolis of life’s rich tapestry. And a bewildering Escher cityscape of overlapping and colliding forces. People, streets, buildings interweaving and interchanging. And our eminent writers have the talent and focus to reveal the story that lies beneath the words.

Gilbert Keith Chesterton was born in Campden Hill, Kensington, on May 29th, 1874. Originally, after attending St Paul's School, he went to Slade to learn the art of illustration. In 1896 he joined a small London publisher and began his journalistic career as a freelance art and literary critic before going on to writing weekly columns in the Daily News and the Illustrated London News. Chesterton's poems range from the virtues and vices of England and the English to his worldview and religious beliefs.

As a poetical movement, Georgian poetry is easy to classify. It began naturally enough in 1910, when George V ascended to the throne of England. Edward Marsh, a civil servant, polymath and arts patron, decided that the verse of that time needed to be seen in its own right and from 1912-1922 set out to publish anthologies. Marsh agreed a deal with the poet and bookseller Harold Munro, who had recently opened The Poetry Bookshop in London’s Devonshire Street to publish the books in return for a share of the profits.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of their poets and their musings on this remarkable age. Many are world renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

The indomiitable cleric's gentle expertise in ferreting out the guilty is presented in selected stories, including: "The Absence of Mr. Glass", "The Paradise of Thieves", "The Duel of Dr. Hirsch", "The Man in the Passage", "The Mistake in the Machine", "The Head of Caesar", "The Purple Wig", "The Perishing of the Pendragons", "The Salad of Colonel Cray", "The Strange Crime of John Bounoir" and "The Fairy Tale of Father Brown". 

Short story The Blue Cross is Chesterton's first Father Brown mystery. It introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin. Brown has been committing acts to draw the attention of the police (throwing soup, knocking over apples, smashing a window) and leaving an obvious trail for them to follow. Valentin takes this opportunity to emerge from hiding with the policemen and arrest Flambeau. Both Flambeau and Valentin bow to Father Brown's superior detective skills.

En el Londres surrealista de cambio de siglo, el poeta Gabriel Syme es reclutado por un destacamento antianarquista en Scotland Yard. A partir de este momento empezará su bizarra y trepidante misión en la que tendrá un objetivo como detective encubierto. Según Chesterton, se trataba de un nuevo tipo de novela, una historia en la que se tipifican pensamientos modernos, pero no con argumentos, sino con incidentes simbólicos: una comedia alegórica.

An engrossing collection of detective stories featuring all the great classic sleuths, including Sherlock Holmes, Father Brown, Max Carrados, J. G. Reeder, and C. Auguste Dupin. 1.The Tea-Leaf by Edgar Jepson & Robert Eustace 2.The Queer Feet by G. K. Chesterton 3.The Curious Circumstances of the Two Left Shoes by Ernest Bramah 4. The Club of One-Eyed Men by Arthur Somers Roche 5.Diamond Cut Diamond by F. Britten Austin 6.The Game Played in the Dark by Ernest Bramah

DES MEURTRES IMPOSSIBLES ! 9 nouvelles ou courts romans célèbres, mettant en scène des meurtres commis dans des lieux hermétiquement fermés. 9 énigmes qui sont autant de défis aux capacités de déduction et d'imagination de l'audiolecteur.

Arístides Valentín jefe de policía de París sigue los pasos del gran criminal y ladrón Flambeau. En este relato hace su primera aparición el padre Brown un sacerdote con aire de despistado que viaja con una preciada posesión de la iglesia. Detective, clérigo y criminal cruzarán sus destinos aunando sus ingenios de: perseguidos y perseguidores para lograr sus objetivos. Gilbert Keith Chesterton (más conocido como G.K.Chesterton) Durante toda su vida escribió numerosos ensayos y reseñas sobre el género policial.

Ortodoxia es un ensayo de G. K. Chesterton, publicado en 1908, que se ha convertido en un clásico sobre apologética cristiana. En él presenta una visión original de la religión cristiana, que Chesterton ve como una respuesta a las necesidades naturales de los seres humanos, la «respuesta a un acertijo», y no como una verdad arbitraria recibida de alguna parte extraña a la experiencia humana.

In this galloping collection of twenty pointed essays, G. K. Chesterton (1874-1936) nimbly punctures the philosophical pretensions of modern non-Christian thinkers and artists—heretics, as he calls them. Chesterton good-naturedly takes on contemporaries Rudyard Kipling, H. G. Wells, James McNeill Whistler, and even his good friend George Bernard Shaw, exposing the muddled logic of their popular ideas with his characteristic wisdom and razor-sharp wit. He also begins to lay the groundwork for Orthodoxy, his subsequent account of a rational and coherent Christian faith.

Aristide Valentin holds a dinner party in his secret garden, which only has one main entrance. Many people are invited. Julius K. Brayne, one of Valentin’s rivals, is of the party as well. Everything goes as planned until one group of guests finds a beheaded corpse and the dinner turns into an investigation. Many questions begin to arise: How could someone be killed in a closed back garden without anyone noticing? Who is the victim? Who is the murderer? Where is the head? Find out the answers in "The Secret Garden". B. J.