Showing results by author "Elizabeth Peters" in All Categories

The spunky Victorian Egyptologist Amelia Peabody Emerson has returned to the exotic Nile valley. Parasol aloft and hot on the trail of an unexplored tomb, she must outwit a shadowy evildoer, a questionable antiquities dealer, and her loquacious son, Ramses.

Best-selling mystery author Elizabeth Peters has captured the hearts of thousands of readers with her spunky Victorian Egyptologist, Amelia Peabody Emerson. In Seeing a Large Cat, Amelia must ensnare a modern-day killer, a bogus spiritualist, and a predatory debutante in the awesome Valley of the Kings. Someone is sending ominous messages: "Stay away from tomb Twenty-A!" Intrigued, parasol-wielding Amelia won't rest until she finds the forbidden burial site.

Amelia and Emerson leave the calm of Victorian England in search of an estranged father's son and a lost kingdom buried deep in Sudan.

Amelia Peabody inherited two things from her father: a considerable fortune and an unbendable will. The first allowed her to indulge in her life's passion. Without the second, the mummy's curse would have made corpses of them all.

The indomitable Amelia Peabody and her husband, known to many as "the Father of Curses", are into archaeology and mischief again. This third in the series brings the reader once more into Egypt and the shady world of black market antiquities. The winter excavation season has hardly yet begun when Amelia stumbles onto what looks suspiciously like a ring of thieves.

In her best-selling Amelia Peabody mysteries, author Elizabeth Peters has created an award-winning mixture of vivid archeological detail, finely-tuned suspense, and witty romance. This, the 12th Amelia Peabody mystery, opens in 1914. As the tides of war rise, Egypt is threatened by attacks. Espionage abounds, pulling in several members of the Peabody Emerson household even as they embark on a new archeological season.

After an adventurous season spent excavating at Dahshoor, and narrowly averting the clutches of the Master Criminal, Victorian Egyptologist Amelia Peabody Emerson and her spouse prepare for a quiet summer in England. The social and domestic routine, though interrupted by the precocious escapades of their only child, Ramses, hardly seems much of a challenge for the indomitable Emersons.

The sun rides high over the British Empire and the light still sparkles brightly in Amelia Peabody's eye as she returns for her second adventure in archaeology and romantic mystery as recounted in her lively journal, The Curse of the Pharaohs.

Amelia Peabody, archaeologist and woman extraordinaire, should have greeted the approaching excavation with transports of joy. Nothing in the world could compare with exploring the muddy, musty corridors of some bat-infested pyramid. And at Dahshoor, to which she was headed, there existed some particularly fine specimens.

The 1895-96 season promises to be an exceptional one for Amelia Peabody, her dashing Egyptologist husband, Emerson, and their wild and precocious eight-year-old son, Ramses. The much-coveted burial chamber of the Black Pyramid in Dahshoor is theirs for the digging. But there is a great evil in the wind that roils the hot sands sweeping through the bustling streets and marketplaces of Cairo.

This adventure transports Amelia Peabody and her husband Emerson to Amarna, the rustic desert site where the two archaeologists first met, beginning the 13-year association that would take them from mayhem to murder in the Egyptian outback.

Radcliffe Emerson, the irascible husband of fellow archaeologist Amelia Peabody, has earned the nickname "Father of Curses"—and in Mazghunah he demonstrates why. Denied permission to dig at the pyramids of Dahshoor, he and Amelia are resigned to excavating mounds of rubble in the middle of nowhere.

Against the romantic backdrop of Edwardian Egypt, the irresistible Amelia Peabody and her charmingly unconventional family prove themselves to be formidable foes of villainy. In The Ape Who Guards the Balance, Amelia must muster all of her considerable skills of detection to unravel a snarled web of stolen archeological treasures, murderous cults, and fallen women.

Possibly the most important and informative book ever compiled during the Covid era and a must read (listen) for everyone. The thirty four contributors, the Canaries, to this collection of essays are courageous people. They are critical thinkers who are prepared to put everything on the line to speak their truth. They strive to alert us all to what COVID was, and what may lie ahead.

Join spunky Amelia and her charming family for a thrilling new archaeological adventure in Edwardian Egypt. Even on the joyous occasion of the marriage of their Egyptian "son" David to their beloved niece Lia, trouble finds Amelia and hunky hubby Emerson. And this time it is personal.

The path through trauma is one of the most difficult anyone can tread. With The Healing Trauma Summit, you’ll find that you don’t have to do so alone. Featuring some of the most prominent voices in the field, this audio collection will give you resources and options for the journey out of trauma and toward peace.

“Irresistible….Amelia is still a joy.” —New York Times Book Review The intrepid archeologist Amelia Peabody and her fearless family, the Emersons, are back in Egypt, and something very nasty is afoot in Lord of the Silent—New York Times bestselling Grandmaster Elizabeth Peters’s...

Adventure and romance enter Vicky Bliss' life in the form of a black-and-white photograph of a woman covered from head to toe in gold jewels. This "Trojan Gold" has an intriguing history, but it is the envelope that piques Vicky's curiosity. It is a grimy brown, with no return address, and it appears to have been soaked in blood.

The unshakeable Amelia Peabody embarks on an Egyptian adventure armed with self-confidence, a journal to record her thoughts, and, of course–a sturdy umbrella. On her way to Cairo, Amelia rescues young Evelyn Barton-Forbes, who has been abandoned by her scoundrel lover. Together the two women sail up the Nile to an archeological site run a pair of handsome brothers.

Malice Domestic distinguishes the personal and private aspects of crime from the public and impersonal. Our murderers don't kill for the fun of it (serial killers) or for a misguided ideal (assassins and terrorists) or for pay (hired hit men). They only do in people they know and love (or hate).